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Loy draws from giants of psychotherapy and existentialism, from Nietzsche to Kierkegaard to Sartre, to explore the fundamental issues of life, death, and what motivates us. Whatever the differences in their methods and goals, psychotherapy, existentialism, and Buddhism are all concerned with the same fundamental issues of life and death—and death-in-life. In Lack and Transcendence (originally published by Humanities Press in 1996), David R. Loy brings all three traditions together, casting new light on each. Written in clear, jargon-free style that does not assume prior familiarity, this book will appeal to a wide variety of readers including psychotherapists and psychoanalysts, scholars of religion, Continental philosophers, and readers seeking clarity on the Great Matter itself. Loy draws from giants of psychotherapy, particularly Freud, Rollo May, Irvin Yalom, and Otto Rank; great existentialist thinkers, particularly Nietzsche, Kierkegaard, Heidegger, and Sartre; and the teachings Buddhism, particularly as interpreted by Nagarjuna, Huineng and Dogen. This is the definitive edition of Loy’s seminal classic.
The next novel in bestselling author R.A. Salvatore’s second DemonWars saga, Transcendence is an extraordinary adventure that introduces a remarkable new hero—and explores the mysteries of enlightenment and the art of war in a dazzling epic of imagination. Brave and beautiful Brynn Dharielle has ventured on a daring mission to free her beloved homeland from tyrannical rule. But she cannot imagine the depths of chaos and betrayal that seethes amid a ruthless sect of warrior priests led by an evil chieftain who conceals a dark, age-old secret. For Brynn and her trusted elven companion, the way to Behren turns into a fierce and illuminating voyage. But by the time Brynn reaches the land where she once saw her parents murdered, the seeds of revolution are already flourishing. The first salvo of a sweeping battle has begun—one that will threaten to destroy the heart and soul of her world. In book six of the DemonWars saga, #1 New York Times bestselling author R.A. Salvatore continues the second trilogy of the saga in what Booklist raves “outstanding…Brynn Dharielle is a first-rate female high-fantasy protagonist.”
The author critiques the depictions of multiracial Americans in contemporary culture.
In the tradition of Guns, Germs, and Steel and Sapiens, a winner of the Royal Society Prize for Science Books shows how four tools enabled has us humans to control the destiny of our species "A wondrous, visionary work." --Tim Flannery, scientist and author of the bestselling The Weather Makers What enabled us to go from simple stone tools to smartphones? How did bands of hunter-gatherers evolve into multinational empires? Readers of Sapiens will say a cognitive revolution -- a dramatic evolutionary change that altered our brains, turning primitive humans into modern ones -- caused a cultural explosion. In Transcendence, Gaia Vince argues instead that modern humans are the product of a nuanced coevolution of our genes, environment, and culture that goes back into deep time. She explains how, through four key elements -- fire, language, beauty, and time -- our species diverged from the evolutionary path of all other animals, unleashing a compounding process that launched us into the Space Age and beyond. Provocative and poetic, Transcendence shows how a primate took dominion over nature and turned itself into something marvelous.
A collection of essays that outline the recent work on ecology, political theology, religion, and philosophy by one of the leading theologians of our age As we face relentless ecological destruction spiraling around a planet of unconstrained capitalism and democratic failure, what matters most? How do we get our bearings and direct our priorities in such a terrestrial scenario? Species, race, sex, politics, and economics will increasingly come tangled in the catastrophic trajectory of climate change. With a sense of urgency and of possibility, Catherine Keller’s No Matter What reflects multiple trajectories of planetary crisis. They converge from a point of view formed of the political ecologies of a transdisciplinary theological pluralism. In its work an ancient symbolism of apocalypse deconstructs end-of-the-world narratives, Christian and secular, even as any notion of an all-controlling and good God collapses under the force of internal contradiction. In the place of a once-for-all incarnation, the materiality of unbounded intercarnation, of fragile yet animating relations of mattering earth-bodies, comes into focus. The essays of No Matter What share the preoccupation with matter characteristic of the so-called new materialism. They also root in an older ecotheological tradition, one that has long struggled against the undead legacy of an earth-betraying theology that, with the aid of its white Christian right wing, invests the denigration of matter, its spirit of “no matter,” in limitless commodification. The fragile alternative Keller outlines here embraces—no matter what—the mattering of the life of the Earth and of all its spirited bodies. These essays, struggling against Christian and secular betrayals of the spirited matter of Earth, work to materialize the still possible planetary healing.
A collection of illuminating observations on life and art, from an acclaimed Swiss modernist "[Tess Lewis's] translation is worthy of her willfully demanding subject, leaping between what Hohl calls the 'incandescence' of the aphorism and, in his dream narratives and miniature fairy tales, a shadowy beauty reminiscent of his better-known compatriot Robert Walser."--Max Norman, Wall Street Journal "The Notes should be celebrated: it is wonderful that this volume of [Hohl's] compact, aphoristic observations has finally arrived in English."--Alexandra Sattler, Arts Fuse Revered by Bertolt Brecht and Max Frisch as one of Switzerland's most commanding writers, Ludwig Hohl spent most of his waking hours with a pen in hand, collecting quotes from others and recording ruminations of his own. Composed between 1934 and 1936 during his residence in the Netherlands in a state of "extreme spiritual desolation," The Notes is Hohl's magnum opus: an assemblage of his epiphany-like observations, disparate in subject yet threaded together by a relentless exploration of the nature and origins of creativity. Inspired by Spinoza, Goethe, and many others, The Notes contends with the purpose of work, the vitality of art, and the inevitability of death--a valiant, uncompromising exercise in hope against the devastating backdrop of twentieth-century Europe. This abridged edition, expertly translated by Tess Lewis and with an illuminating foreword by Joshua Cohen, introduces the reader to this remarkable work and its writer.
The main purpose of this book is to analyse the philosophical ideas employed by Jean-Paul Sartre in his philosophical fiction titled Nausea (1938). Sartre tries to convey some of his philosophical concerns through this novel. Although the philosophical ideas are conveyed in the novel these are not as vivid as could be in a philosophical texts (The Transcendence of the Ego 1936, Being and Nothingness 1943). The significance of this work, however, lies not on understanding the philosophical concerns in isolation, but in employing the same in the form of a literary work and certain literary technique in pseudonymous plays or names. Sartre engages with pseudonymous play of protagonist and many other characters in his semi-autobiographical novel Nausea as he also says by himself in his later publication of autobiographical work The Words (1946) and first undated sheets of the novel Nausea where he laments his constant confrontation with difficult situations of lived experience.
It is often said that Lacan is the most radical representative of structuralism, a thinker of negativity and alienation, whereas Deleuze is pictured as a great opponent of the structuralist project, a vitalist and a thinker of creative potentialities of desire. It seems the two cannot be further apart. This volume of 12 new essays breaks the myth of their foreignness (if not hostility) and places the two in a productive conversation. By taking on topics such as baroque, perversion, death drive, ontology/topology, face, linguistics and formalism the essays highlight key entry points for a discussion between Lacan's and Deleuze's respective thoughts. The proposed lines of investigation do not argue for a simple equation of their thoughts, but for a 'disjunctive synthesis', which acknowledges their differences, while insisting on their positive and mutually informed reading.
The Abolition of Man, C. S. Lewis's masterpiece in ethics and the philosophy of science, warns of the danger of combining modern moral skepticism with the technological pursuit of human desires. The end result is the final destruction of human nature. From Brave New World to Star Trek, from steampunk to starships, science fiction film has considered from nearly every conceivable angle the same nexus of morality, technology, and humanity of which C. S. Lewis wrote. As a result, science fiction film has unintentionally given us stunning depictions of Lewis's terrifying vision of the future. In Science Fiction Film and the Abolition of Man, scholars of religion, philosophy, literature, and film explore the connections between sci-fi film and the three parts of Lewis's book: how sci-fi portrays "Men without Chests" incapable of responding properly to moral good, how it teaches the Tao or "The Way," and how it portrays "The Abolition of Man."
Cinesexuality explores the queerness of cinema spectatorship, arguing that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics of subject/object and image/meaning; an extraordinary 'cinesexual' relationship, that encompasses each event of cinema spectatorship in excess of gender, hetero- or homosexuality, encouraging all spectators to challenge traditional notions of what elicits pleasure and constitutes desiring subjectivity. Through a variety of cinematic examples, including abstract film, extreme films and films which present perverse sexuality and corporeal reconfiguration, Cinesexuality encourages a radical shift to spectatorship as itself inherently queer beyond what is watched and who watches. Film as its own form of philosophy invokes spectatorship thought as an ethics of desire. Original, exciting and theoretically sophisticated - focusing on continental philosophy, particularly Guattari, Deleuze, Blanchot, Foucault, Lyotard, Irigaray and Serres - the book will be of interest to scholars and students of queer, gender and feminist studies, film and aesthetics theory, cultural studies, media and communication, post-structural theory and contemporary philosophical thought.