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Luck has nothing to do with it! Of course you want to be Irish. Look what it did for Daniel Day-Lewis, Sinead, Maeve Binchy, Roddy Doyle, JFK, Seamus Heaney, Angela's Ashes, and all those Riverdancers. But until now, the secrets of how to be Irish have been hidden in a Celtic Twilight of blather and blarney. Now this easy-to-read (with plenty o' pictures) handbook dares to tell you: How to have an Irish name How to talk, look, and act Irish How to vote Irish How to have thin skin, a terrible temper, and the gift of gab Whether you're proudly Irish, anti-Irish, fallen-away Irish, or would-be Irish--that is to say, if you're a living, breathing human being--How to Be Irish is for you. Learn (to your surprise) who's really Irish and who's only passing! Discover (to your astonishment) your own underground Irish roots! And brace yourself, Bridget, for the shocking (if brief) history of Irish-American sex! From the Trade Paperback edition.
This debut novel reflects O'Sullivan's family history, co-mingled with historical details that shaped a generation forced to straddle the divide between the Old World and the New - from publisher description.
The immigrants were at last removed from the colony; their name became the town's shorthand for lying, drunken failures.".
As strong and fiery as undiluted Irish whiskey.--New York Times Book Review
"With the intention of bringing her to America one day, Danny Callahan leaves his fiancee' Doreen to journey to New Orleans to work on the New Basin Canal with his sister Peggy and brother Brian. Once there they encounter seamy tenements, harsh working conditions, Yellow Fever, and the challenge of being accepted by New Orleans society. What exactly does it mean to be "Lace Curtain" Irish in French aristocratic New Orleans?" -- from publisher's website.
Crocheters at every level of expertise will appreciate these versatile patterns and their complete instructions for 30 motifs, 12 intricate grounds, and a variety of traditional footings and borders. 100 photos.
Tom Hayden first realized he was 'Irish on the inside' when he heard civil rights marchers in Northern Ireland singing 'We Shall Overcome' in 1969. Though his great-grandparents had been forced to emigrate to the US in the 1850s, Hayden's parents erased his Irish heritage in the quest for respectability. In this passionate book he explores the losses wrought by such conformism. Assimilation, he argues, has led to high rates of schizophrenia, depression, alcoholism and domestic violence within the Irish community. Today's Irish-Americans, Hayden contends, need to re-inhabit their history, to recognize that assimilation need not entail submission. By recognizing their links to others now experiencing the prejudice once directed at their ancestors, they can develop a sense of themselves that is both specific and inclusive: 'The survival of a distinct Irish soul is proof enough that Anglo culture will never fully satisfy our needs. We have a unique role in reshaping American society to empathize with the world's poor, for their story is the genuine story of the Irish.'
Many modern Irish Pittsburghers can trace their roots to immigrants fleeing an Ireland devastated by the Great Potato Famine of the mid-1800s. They migrated to Pittsburgh, a booming industrial town, and worked in the iron and steel mills, the mines, and the railroads. Irish women became domestic servants in such large numbers that "Bridget the Maid" was a stock character on stage and later in films. The immigrants settled in neighborhoods such as the Point, the Hill District, Homewood, and the North Side. Fighting anti-Irish and anti-Catholic sentiments, they paved the way for their children, who would dominate municipal politics and the Catholic Church and rise to surprising heights in sports, entertainment, and business. Gov. David L. Lawrence, dancer Gene Kelly, and boxing champion Billy Conn were three of these Irish Pittsburgh groundbreakers. Their success echoed the smaller, but equally significant, success of ordinary Pittsburghers who rose from poverty to middle class, from shantytown to "lace curtain" respectability in the neighborhoods and later in the suburbs of the city.
As one of the country's oldest ethnic groups, the Irish have played a vital part in its history. New York has been both port of entry and home to the Irish for three centuries. This joint project of the Irish Institute and the New York Irish History Roundtable offers a fresh perspective on an immigrant people's encounter with the famed metropolis. 37 illustrations.
It took a long time before St. Louis finally accepted its Irish population. When the first waves of Famine Irish arrived on the landing in the 1840s, the city was appalled by their poverty. As subsequent waves of Irish fled political oppression after the Civil War, anti-Catholic sentiment sparked bloody riots in which the Irish gave as good as they got. But after seven centuries of enslavement in their own country, nothing would stop them from creating a place in their adopted city. The story of their assimilation is as multifaceted as the Irish character itself. From Shanty to Lace Curtain introduces us to a range of St. Louis Irish, from priests like Timothy Dempsey and Charles Dismas Clark (the "Hoodlum Priest") to gangsters from the Bottoms Gang and Egan's Rats. We meet artists and revolutionaries, entrepreneurs, and entertainers. It takes us to the rough and tumble neighborhoods of 19th-century Kerry Patch and Dogtown, where immigrants and their children forged paths into the city's mainstream while preserving their Irish identity. We visit contemporary Irish St. Louis, where Irish dance and music thrive. At McGurk's Pub and the Pat Connolly Tavern we discover what makes an Irish pub truly Irish. We also learn the behind-the-scenes story of why St. Louis has two St. Patrick Day Parades. Local author and artist Patrick Murphy uses photos, interviews, and photos to compile this comprehensive collection dedicated to the Irish immigrants who helped make St. Louis what it is today.