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A reference book for scholarship on Edmund Spenser offering a detailed, literary guide to his life, works and influence. Over 700 entries by 422 contributors, an index and extensive bibliography.
The classic by Latin America's finest writer of the twentieth century—a true literary sensation—with an introduction by cyber-author William Gibson. The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths. This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations by themselves and others), includes the text of the original edition (as augmented in 1964) as well as Irby's biographical and critical essay, a poignant tribute by André Maurois, and a chronology of the author's life. Borges enthusiast William Gibson has contributed a new introduction bringing Borges' influence and importance into the twenty-first century.
This catalogue brings together for the first time 81 of Robert Morris's Blind Time Drawings, selected from the six series that make up the corpus of this work to which Morris has dedicated more than 30 years. The entire range is present from the early drawings of 1973 up to the Moral Drawings of 2000, with a particular emphasis on the fourth series, a group of works inspired by the writings of the philosopher Donald Davidson. Visually striking, the Blind Time Drawings, as the name implies, were executed by the artist with his eyes covered. Consisting of stark black-and-white contrasts, explosions of graphite, and obsessive markings that move organically throughout the page, the works are anything but haphazard. Morris followed a strict plan when doing the works, and his writing, which describes his process, is instrumental to understanding them. In addition, these works are placed within the context of Morris's Minimalist and Conceptualist masterpieces such as Card File (1962), Mirrored Cubes (1965) and Portland Mirrors (1977).
Providing a historical and modern context for the unique spiritual discipline of walking a labyrinth, Travis Scholl weaves his own journey with a prayerful study of the Gospel of Mark, guiding readers to powerful encounters with God, even in the midst of quiet solitude, repetition and stillness. These 40 reflections are ideal for daily reading—during Lent or any time of the year.
You’ve heard of sacred places, writings, relics, and rituals, holy days and magical times of year. But these are actually representations of relationships that people have with each other and the elements of the world. Some of these relationships environmental: they involve landscapes, animals, and the streets of your home town. Some are personal, such as families, friends, and elders. Some are public, involving musicians, storytellers, medical doctors, and even soldiers. This book studies twenty-two relationships, from a variety of traditions, and shows their place in ‘the good life’. Yet these relations are always fragile, and threatened by fears, from the fear of loneliness, to the fear of the loss of personal or political freedom, to the fear of death. To escape from these fears, people often trap themselves into ways of life that are bad for everyone, including themselves. This book studies how that happens, and how to prevent it. More than beliefs, laws, and teachings, our relationships are the true basis of spirituality, and freedom. ,
"He wants to sit and visit at the kitchen table, and he can hardly wait to get on the road again." —From Chapter 1 Robert Kroetsch, one of Canada's most important writers, was a fierce regionalist with a porous yet resilient sense of "home." Although his criticism and fiction have received extensive attention, his poetry remains underexplored. This exuberantly polyvocal text, insightfully written by dennis cooley—who knew Kroetsch and worked with him for decades—seeks to correct that imbalance. The Home Place offers a dazzling, playful, and intellectually complex conversation drawing together personal recollections, Kroetsch's archival materials, and the international body of Kroetsch scholarship. For literary scholars and anyone who appreciates Canadian literature, The Home Place will represent the standard critical evaluation of Kroetsch's poetry for years to come.
The spellbinding conclusion to the brilliant fantasy series by the author of The Mirador and Mélusine. Exiled from Mélusine for the crime of heresy, the once powerful Cabaline wizard Felix Harrowgate and his half-brother Mildmay, former cat-burglar and assassin, journey to Corambis to face judgment from a ruling body of wizards. Corambis, however, is a land plagued by civil strife. Kay Brightmore, the Margrave of Rothmarlin, is part of an insurrection to restore the monarchy in the southern half of the country. In desperation, Kay and his rebels seek out the engine of Summerdown, an ancient magical device rumored to have terrible powers. Once the engine is awakened, only a powerful wizard can stop its awesome potential for destruction. Felix and Mildmay arrive just in time for their greatest challenge-and ultimate destiny...
In this provocative work, Virginia Milhouse demonstrates how autoethnography combines creative and analytical practices to help bring to consciousness some complex social and political agendas hidden in narratorial writings. It demonstrates how an arts-based qualitative research method (narrative inquiry) can be fused with a scientific-based quantitative method (DMIS-IDI) and compliment, support and or correct each other. It also demonstrates how "writing as a method of inquiry" can be a viable way for researchers to learn about themselves and their research, as well as features standards for evaluating creatively and analytically constructed text. Further, the author''s examination of the aesthetics of "inner-readiness" and "in-betweeness" will be very helpful to people doing this kind of self-reflexive fieldwork. The reader will also appreciate this author''s recognition of the importance of combining qualitative and quantitative methodologies--something not many writers can do with great success. Also, this book will be a real contribution to sojourners and others traveling or living abroad. The work is very smart; and, is, beautifully and clearly written. The ''labyrinth'' quote at the beginning of her work is very fitting and certainly promises to illustrate those words.
Max Frei has discovered that the one place he really fits in is the parallel world of Echo. In our world he's a loser, an insomniac with dubious social skills and an addiction to cigarettes. But in Echo, the reality is far stranger. There he is Sir Max, a superb magician and one of the powerful few chosen to defend the land against all possible enemies. And he's finally happy. But when one of his esteemed Knight colleagues tells Max of a strange dream - one that seems disturbingly familiar to Max - Max realises he will have to investigate. The subsequent series of events will remind our hero - and the people he protects - just how tenuous happiness can be. It could be his most dangerous mission yet, but The Stranger's Magic may win him through.