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Mazes and Labyrinths is a look into the origin and mystery of mazes. From ancient stone carvings, Minoan palaces to today's hedge-maze, Matthews chronicles the history of the maze. With over 140 illustrations.
The path least traveled makes all the difference in this volume, especially when you find yourself crossing bridges, escaping from caves, lighting firecrackers, spelling out passwords, and untangling snakes. These 50 challenges include classic, solid, and ripple mazes, along with short-path and avoidance labyrinths and other intriguing problems. Solutions.
Wind your way through a maze or a labyrinth: two symbolic journeys, both rooted in myth and mystery. But while labyrinths are flat, circulate pathways designed for the acquisition of inner peace, mazes feature patterns of barriers that challenge, confuse, and deceive the walker. After looking at the legends and evolution of these two kinds of complex, twisting paths, Jeff Saward considers the innovative ways today's land artists and garden designers have recreated labyrinths and the new "craze" for mazes-from maize mazes and mirror mazes to wood and water mazes and simple garden turf mazes. The diverse and stunning examples come from all around the world, and this breathtakingly photographed overview captures their visual excitement and unique inspiration.
The labyrinth is one of the world's oldest symbols, and its meaning is often shrouded in myth and mystery or ties to religious rites. Today, this enigmatic form inspires artists to create their own interpretations in different, even unusual, ways, including by working with materials as varied as ice, snow, salt, wood, stone, glass, cement, and metal. This new collection features both classical examples and the best contemporary projects, showcasing work by artists, landscape artists, and architects from around the world. The diverse and stunning examples include pavement labyrinths of thirteenth-century French cathedrals, a historic English turf maze, Renaissance hedge mazes, and numerous present-day projects by artists and architects, including BIG, Chris Drury, Richard Fleischner, Dan Graham, Robert Irwin, Arata Isozaki, Robert Morris, Yoko Ono, and Billie Tsien and Tod Williams.
Put down the pencil and let your finger do the solving. The ten tactile mazes inside these puzzling pages challenge your sense of touch. Trace your fingertip along the raised dots that make up each labyrinth, and then give yourself a hand when you reach the circle that marks the finish line. A finger maze book that guarantees hours of fun As far as creative birthday gifts go, this book is downright a-maze-ing! 8.25 x 9.875 inches; 12 pages of embossed mazes including cover Created by Junko Murayama
In this full-colour, beautifully illustrated book, Gailand MacQueen uses myth, history, and personal experience to explore the spiritual meanings of mazes and labyrinths. Convinced that labyrinths and mazes have much to teach us, Gailand MacQueen invites readers on a sometimes mystical, sometimes mysterious, journey of spiritual discovery.
An exploration of mazes and labyrinths with guidance for their use in meditation.
With devoted scholarship and an appreciation for what he terms "the lure of the labyrinth," Matthews explores accounts of ancient mazes, the "meanders" of Greek and Roman times, theories on the meaning of church labyrinths, the hedge maze, and more. All important or exceptional examples are illustrated with 151 line drawings.
The first time Helen Curry walked a labyrinth she was moved to tears and then "was filled with peace and possibilities." Here, she shares her years of experience with labyrinth meditation and shows how others can find serenity and guidance by adopting this increasingly popular practice. Unlike mazes, which force choices and can create fear and confusion, labyrinths are designed to "embrace" and guide individuals through a calming, meditative walk on a single circular path. The Way of the Labyrinth includes meditations, prayers, questions for enhancing labyrinth walks, guidelines for ceremonies, instructions for finger meditations, and extensive resources. This enchanting, practical, and exquisitely packaged guide helps both novice and experienced readers enjoy the benefits of labyrinth meditation, from problem-solving to stress reduction to personal transformation. Includes a foreword by Jean Houston, the renowned author and leader in the field of humanistic psychology, who is considered the grandmother of the current labyrinth revival.
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.