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Forty short stories and essays have been selected as representative of the Argentine writer's metaphysical narratives.
Mazes and Labyrinths is a look into the origin and mystery of mazes. From ancient stone carvings, Minoan palaces to today's hedge-maze, Matthews chronicles the history of the maze. With over 140 illustrations.
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.
The user-friendly, interfaith guide to making and using labyrinths—for meditation, prayer and celebration—updated, revised and expanded! A labyrinth is a circuitous path that people have used as a form of prayer and meditation for thousands of years—a path that is being rediscovered as a spiritual tool in our own day. There are now thousands of labyrinths in North America, made of stone, cement, sunflowers, grass or canvas; indoors and outdoors; in Christian, Pagan and even nonreligious settings; and adaptable for use by people of all spiritual backgrounds. This guide explains how the labyrinth is a symbol that transcends traditions, and how walking its path brings us together. Here is your entry to the fascinating history and philosophy of the labyrinth walk, with directions for making a labyrinth of your own or finding one in your area, and guidance on ways to use labyrinths creatively for: Prayer • Stress reduction • Meditation • Commemorating personal or family milestones • Faith rituals • Celebrations of all kinds Labyrinths—a twenty-first century method of approaching the sacred—are a spiritual practice more ancient than Stonehenge or the ruins of Troy. This practical and inspiring guide will help you to explore them.
A labyrinth is a pattern consisting of a single circuitous path that winds into the centre, with no possibility of getting lost, as in a maze, and no dead ends. It is one of the most ancient tools for spiritual growth and development, dating back to medieval Christianity. This book provides a guide for beginner and seasoned explorer alike.
Around the world a growing number of people are working with the labyrinth, an ancient artefact which is fulfilling a renewed role in today's world. This book offers ideas and examples of labyrinths in use in various situations: arts, community and social settings; schools, colleges and universities; a hospice, and a secure hospital; counselling, psychotherapy and well-being; churches, retreats and interfaith contexts.
Arihito and his party continue to soar up the ranks in the Labyrinth Country's eighth district, and a chance encounter with the 117th Hidden God, Ariadne, has granted Arihito further enviable abilities as a powerful rearguard. The group prepares to move up to the seventh district, but then crisis strikes: A deadly monster stampede from the nearby labyrinth has turned the town into an impromptu battlefield! Can the top-ranked Arihito and his fellow Seekers slay the monsters and keep the people safe?!
In a secret war waged in worlds both virtual and real, the fates of nations depend on the definitive weapon. And that weapon is knowledge—knowledge to die for. . . . The race is heating up between the U.S. and China to develop a quantum computer with infinite capabilities to crack any enemy’s codes, yet keep secure its own secrets. The government that achieves this goal will win a crucial prize. No other computer system will be safe from the reach of this master machine. Dr. Jaron Kwok was working for the U.S. government to build such a computer. But in a posh hotel in Hong Kong, a Chinese policewoman sifts through the bizarre, ashlike remains of what’s left of the doctor. With the clock ticking, alliances will be forged—and there are those who will stop at nothing to discover what the doctor knew. As the search for answers intensifies, it becomes chillingly clear that the quantum computer both sides so desperately want will be more powerful, more dangerous than anyone could have ever imagined. For in the twenty-first century, machines become gods, gods become machines, and the once-impossible now lies within reach. The key to unlimited knowledge will create the ultimate weapon of mass destruction—or humanity’s last chance to save itself. . . .
According to legend, anyone who wandered into the labyrinth in Ancient Crete never came out again. Some labyrinths may have offered patterns for an erotic spring dance. Those on the floors of Medieval cathedrals represent mathematical perfection–and walking their paths was a symbolic approach to the divine. From ancient Mediterranean coin patterns to the great French cathedral labyrinths to contemporary cornfield mazes, labyrinths and mazes have appeared all over the world, but never have so many been created as in today’s revival, on farms, and in parks, churches, hospitals, and spas across the country. In his charmingly quirky investigation of an image that has inspired countless beautiful patterns and mysterious practices, David Willis McCullough offers an irresistible way to enjoy their enduring appeal.
The user-friendly, interfaith guide to making and using labyrinths—for meditation, prayer and celebration—updated, revised and expanded! A labyrinth is a circuitous path that people have used as a form of prayer and meditation for thousands of years—a path that is being rediscovered as a spiritual tool in our own day. There are now thousands of labyrinths in North America, made of stone, cement, sunflowers, grass or canvas; indoors and outdoors; in Christian, Pagan and even nonreligious settings; and adaptable for use by people of all spiritual backgrounds. This guide explains how the labyrinth is a symbol that transcends traditions, and how walking its path brings us together. Here is your entry to the fascinating history and philosophy of the labyrinth walk, with directions for making a labyrinth of your own or finding one in your area, and guidance on ways to use labyrinths creatively for: Prayer • Stress reduction • Meditation • Commemorating personal or family milestones • Faith rituals • Celebrations of all kinds Labyrinths—a twenty-first century method of approaching the sacred—are a spiritual practice more ancient than Stonehenge or the ruins of Troy. This practical and inspiring guide will help you to explore them.