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Every May something extraordinary happens in the new cemetery of the sleepy little town – a laburnum tree, with buttery yellow blossoms, flowers over the spot where Lentina is buried. A brave hunter, Imchanok, totters when the ghost of his prey haunts him, till he offers it is a tuft of his hair as a prayer for forgiveness. Pokenmong, the servant boy, by dint of his wit, sells an airfield to unsuspecting villagers. A letter found on a dead insurgent blurs the boundaries between him and an innocent villager, both struggling to make ends meet. A woman’s terrible secret comes full circle, changing her daughter’s and granddaughter’s lives as well as her own. An illiterate village woman’s simple question rattles an army officer and forces him to set her husband free. A young girl loses her lover in his fight for the motherland, leaving her a frightful legacy. And a caterpillar finds wings. From the mythical to the modern, Laburnum for My Head is a collection of short stories that embrace a gamut of emotions. Heart-rending, witty and riddled with irony, the stories depict a deep understanding of the human condition.
More Than Half A Century Of Bloodshed Has Marked The History Of The Naga People Who Live In The Troubled Northeastern Region Of India. Their Struggle For An Independent Nagaland And Their Continuing Search For Identity Provides The Backdrop For The Stories That Make Up This Unusual Collection. Describing How Ordinary People Cope With Violence, How They Negotiate Power And Force, How They Seek And Find Safe Spaces And Enjoyment In The Midst Of Terror, The Author Details A Way Of Life Under Threat From The Forces Of Modernization And War. No One The Young, The Old, The Ordinary Housewife, The Willing Partner, The Militant Who Takes To The Gun, And The Young Woman Who Sings Even As She Is Being Raped Is Untouched By The Violence. Theirs Are The Stories That Form The Subtext Of The Struggles That Lie At The Internal Faultlines Of The Indian Nation-State. These Are Stories That Speak Movingly Of Home, Country, Nation, Nationality, Identity, And Direct The Reader To The Urgency Of The Issues That Lie At Their Heart.
Born in 1945 in the Assamese town of Jorhat, Temsula Ao, her father's favourite of his six daughters, remembers her childhood as a time of happiness. The sudden loss of both parents mean that the orphaned children were left to fend for themselves as best they could. Desperately poor, emotionally scarred, lonely and often hungry, the young Temsula made up for her lack of resources with courage and determination. From these unpromising beginnings, Ao went on to become one of Northeast India's best known writers and to build a distinguished teaching career, serving as Director of the Northeast Zone Cultural Centre, and finally, Dean of the School of Humanities and Education, North Eastern Hill University, Shillong. Temsula Ao describes her memoir as 'an attempt to exorcise my own personal ghosts from a fractured childhood that was ripped apart by a series of tragedies... [it] is about love and what it is like to be deprived of it.' For her readers, Ao’s memoir gives not only an insight into her role as a leading figure in the Northeast, but is also a moving account of a writerly life. Published by Zubaan.
A first of its kind, this book brings together the writings of women from Arunachal Pradesh in Northeast India. Home to many different tribes and scores of languages and dialects, once known as a ‘frontier’ state, Arunachal Pradesh began to see major change after it opened up to tourism and once the Indian State introduced Hindi as its official language. In this volume, Mamang Dai, one of Arunachal’s best known writers, brings together new and established voices on subjects as varied as identity, home, belonging, language, Shamanism, folk culture, orality and more. Much of what has been handed down orally, through festivals, epic narratives, the performance of rituals by Shamans and rhapsodists, revered as guardians of collective and tribal memory, is captured here in the words of young poets and writers, as well as artists and illustrators, as they trace their heritage, listen to stories and render them in newer forms of expression.
Orange Prize–winner Karen Connelly’s compelling memoir about her journey to Burma, where she fell in love with a leader of the Burmese rebel army. When Karen Connelly goes to Burma in 1996 to gather information for a series of articles, she discovers a place of unexpected beauty and generosity. She also encounters a country ruled by a brutal military dictatorship that imposes a code of censorship and terror. Carefully seeking out the regime’s critics, she witnesses mass demonstrations, attends protests, interviews detained opposition leader Aung San Suu Kyi and flees from police. When it gets too risky for her to stay, Connelly flies back to Thailand, but she cannot leave Burma behind. Connelly’s interest in the political turns more personal on the Thai-Burmese border, where she falls in love with Maung, the handsome and charismatic leader of one of Burma’s many resistance groups. After visiting Maung’s military camp in the jungle, she faces an agonizing decision: Maung wants to marry Connelly and have a family with her, but if she marries this man she also weds his world and his lifelong cause. Struggling to weigh the idealism of her convictions against the harsh realities of life on the border, Connelly transports the reader into a world as dangerous as it is enchanting. In radiant prose layered with passion, regret, sensuality and wry humor, Burmese Lessons tells the captivating story of how one woman came to love a wounded, beautiful country and a gifted man who has given his life to the struggle for political change.
Description In this collection of five spare and poignant stories from Nagaland, Temsula Ao holds up a mirror to the lives of everyday people beyond the headlines. A 'Bihari' coolie at the Dimapur railway station has been hiding a dark secret about his adopted son; a grave threat to both their lives. As her grandson is exiled from the village, a grandmother finally breaks the silence over her mutilated funeral supeti. A rare lily refuses to bloom year after year because she was moved from her usual position in the flowerbed into an ornate pot. Big Father, a uniquely misshapen grandfather tree, becomes the guardian and protector of an entire village. The matriarch Lily Anne, subjected to racial slurs by her own mother on account of her mixed parentage, resumes her position on the ancient reclining chair in her verandah to stare at the eyesore in her overgrown garden. The Tombstone in My Garden - with its pared-down prose and gripping, original stories - reflects Padma Shri award-winner Temsula Ao's deep understanding not just of the human condition, but that of all life.
Opening in Calcutta in the 1960s, Amitav Ghosh's radiant second novel follows two families -- one English, one Bengali -- as their lives intertwine in tragic and comic ways. The narrator, Indian born and English educated, traces events back and forth in time, from the outbreak of World War II to the late twentieth century, through years of Bengali partition and violence, observing the ways in which political events invade private lives.
"Looking down at a wedding invitation in her hands, Aosenla begins to recall her own wedding many years ago, initiating a deep and moving reflection on the life that others made for her and the life that she eventually created for herself"--Page 4 of cover.
For the littlest scientists, the whole wide world can be a laboratory for learning. Nurture their natural curiosity with A Head Start on Science, a treasury of 89 hands-on science activities specifically for children ages 3 to 6. The activities are grouped into seven stimulating topic areas: the five senses, weather, physical science, critters, water and water mixture, seeds, and nature walks.
Manchester in 1991 is a town suffering under the weight of high unemployment and massive government budgetary deficits that is plunging the UK into a recession. To Daniel Crabtree, a struggling writer, it is the backcloth to his first novel, one that will see him become a famous published author. Living off mostly water and flour, Daniel has embraced penury into his life under the mistaken belief that many young artists have: one needs to suffer for success in art. But Daniel is a terrible writer. In the three years since signing on the dole, of every morning chastising his Irish singing neighbour for waking him from his sleep, and scrounging food from his close friend Henry Soperton, Daniel Crabtree has produced one short story. His heart is bereft of words as much as his pockets are of money. It is a story of love, and how a poor starving man chasing a dream came to the understanding that amidst the clamour of life, the sound of loneliness is the most deafening of all.