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Stemmatology is the discipline that attempts to reconstruct the transmission of a text on the basis of relations between the various surviving manuscripts. The object of this volume is the evaluation of the most recent methods and techniques in the field of stemmatology, as well as the development of new ones. The book is largely interdisciplinary in character: it contains contributions from scholars from classical, historical, biblical, medieval and modern language studies, as well as from mathematical and computer scientists and biologists. The contributions in the book have been divided into two sections. The first section deals with various stemmatological methods and techniques. The second section focuses more specifically on the various problems concerning textual variation.An earlier volume on Studies in Stemmatology was published in 1996 and opened the most actual state of the art in stemmatology to a broad audience. That first volume was very well received by stemmatologists and also gave an impulse to new research, as several articles in the current volume clearly illustrate. Both volumes are of interest to scholars in (historical) linguistics, literary studies, Bible studies, classical studies, medieval studies, and history.
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Matilda Tomaryn Bruckner provides the first book-length examination of all four verse continuations that follow Chrétien's unfinished Grail story, a powerful site of rewriting from the late twelfth through the fifteenth centuries. By focusing on the dialogue between Chrétien and the verse continuators, this study demonstrates how the patterns and puzzles inscribed in the first author's romance continue to guide his successors, whose additions and reinventions throw new light back on the problems medieval readers and writers found in the mother text: questions about society and the individual; love, gender relations, and family ties; chivalry, violence, and religion; issues of collective authorship and doubled heroes, interpretation, rewriting, and canon formation. However far the continuations appear to wander from the master text, the manuscript tradition supports an implicit claim of oneness extending across the multiplicity of discordant voices combined in a dozen different manuscript compilations, the varying ensembles in which most medieval readers encountered Chrétien's Conte. Indeed, considered as a group the continuators show remarkable fidelity in integrating his romance's key elements, as they respond sympathetically to the dynamic incongruities and paradoxical structure of their model, its desire for and deferral of ending, its non-Aristotelian logic of 'and/both' in which contiguity forces interpretation and further narrative elaboration. Unlike their prose competitors, the verse continuators remain faithful to the dialectical movement inscribed across the interlace of two heroes' intertwined stories, the contradictory yet complementary spirit that propels Chrétien's decentered Conte du Graal.
Examines a set of five twelfth-century romance texts—complete and fragmentary, canonical and now neglected, long and short—to map out the characteristics and boundaries of the genre in its formative period.