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A lo largo de dos intensas jornadas, los filósofos Yves Charles Zarka y Enric Puig Punyet establecieron un diálogo socrático sobre el mundo contemporáneo a través del constante cruce entre disciplinas: política, estudios culturales, ecología, tecnología, lingüística y, por supuesto, filosofía. El diálogo parte de La inapropiabilidad de la Tierra, un «pequeño libro de principios» que significa para Yves Charles Zarka el punto de arranque para un análisis en diversos planos de nuestra relación con el mundo. A partir de ahí, surgen distintos senderos cruzados que abordan temas tan dispares como la relación entre naturaleza y cultura, la tensión entre identidad y migración, las repercusiones sociales de las tecnologías digitales, el papel de la Unión Europea, los derechos humanos, la resignificación del concepto de «monstruo» o las nuevas formas de terrorismo.
Understanding and Teaching the Indirect Object in Spanish presents an easy-to-understand approach to all aspects of direct and indirect objects in Spanish. Distinguishing between direct and indirect objects can pose challenges for learners and is almost impossible to do using the tools that linguists have traditionally used. This book offers two simple, all-encompassing inferences that allow learners to tackle this area of language by intuitively inferring the distinction, as native speakers do, between verber and verbed. This book will be of interest to teachers and learners of Spanish and other second languages, as well as linguists interested in argument structure, second language acquisition, second language teaching or pedagogy, and multilingualism.
This book questions whether 'autonomy' is a pivotal psychotherapeutic value. Basing his discussion upon the key Kleinian concept of 'projective identification', the author argues that 'integration' should be the aim of psychoanalysis, and - furthermore - that actions can be judged ethical or unethical according to whether they foster or hinder integration.
Javier Sedano completa con Rozando las estrellas su alegato a favor del modelo de vida naturista y del amor libre en una novela impregnada de misticismo y arrebatadoramente sincera donde el autor desnuda su corazón para descubrir su humilde manera de entender la vida. “Las estrellas recogen la esencia del ser humano, cuando nuestro cuerpo nos abandona una nueva estrella aparece en el firmamento”. La muerte de Alejandro inicia esta última parte de la trilogía en la que el autor nos presenta al Alejandro Ray, primogénito de la tercera generación, que ha heredado de sus abuelos, además de su porte, su respeto por la naturaleza y la lucha por las causas justas. El joven Álex y su pareja Daniel viajarán por todo el mundo descubriendo fascinantes lugares y aprendiendo de las experiencias que les sucedan que desembocarán en la revelación de un gran secreto que pondrá en peligro la vida de Álex y cambiará para siempre el destino de la humanidad. Rozando las estrellas es la novela más íntima y onírica del autor cántabro. En ella refleja la importancia del mundo de los sueños y la energía de la que estamos compuestos. Una novela mágica que te descubrirá que el amor es más fuerte que la razón y llega más allá del mundo que conocemos. Rozando las estrellas cierra la trilogía que Javier Sedano (Torrelavega, Cantabria, 1961) iniciara con Tras las puertas del corazón, novela revelación del 2009, y continuó con Preguntas sin respuesta (2010). Presidente y fundador de la Asociación Naturista de Cantabria, Sedano expone en su trilogía un conmovedor y bello argumento en defensa de la vida naturista y del amor libre.
This book contributes to a re-visioning of the literature of revolutions, repositioning the writings of Subcomandante Marcos as quasi-“indigenous” literary texts. Highlights include a study of the role of Zapatista mythopoetics in re-imagining the nature of revolution; and an examination of how a native subculture and cosmovision were made intelligible to an international audience. Close readings of a group of stories, essays and communiques by Marcos explore the emergence of a thoroughly hybrid literary style. These texts are analyzed in relation to existing genres such Native American literature, environmental literature, and the literature of the Mexican revolution. The book shows that, while Marcos employs the iconography of Che Guevara, Zapata, et al, and in some ways furthers the “romance of revolution” for an electronically networked world, he has also popularized on an international stage the post-Cold War aspiration to “change the world without taking power.”
As a Francophone nation, Haiti is seldom studied in conjunction with its Spanish-speaking Caribbean neighbors. Racialized Visions challenges the notion that linguistic difference has kept the populations of these countries apart, instead highlighting ongoing exchanges between their writers, artists, and thinkers. Centering Haiti in this conversation also makes explicit the role that race—and, more specifically, anti-blackness—has played both in the region and in academic studies of it. Following the Revolution and Independence in 1804, Haiti was conflated with blackness. Spanish colonial powers used racist representations of Haiti to threaten their holdings in the Atlantic Ocean. In the years since, white elites in Cuba, the Dominican Republic, and Puerto Rico upheld Haiti as a symbol of barbarism and savagery. Racialized Visions powerfully refutes this symbolism. Across twelve essays, contributors demonstrate how cultural producers in these countries have resignified Haiti to mean liberation. An introduction and conclusion by the editor, Vanessa K. Valdés, as well as foreword by Myriam J. A. Chancy, provide valuable historical context and an overview of Afro-Latinx studies and its futures.
Poetical vision out of war and hope during dark times.
Environment, Social Justice, and the Media in the Age of Anthropocene addresses three imminent challenges to human society in the age of the Anthropocene. The first challenge involves the survival of the species; the second the breakdown of social justice; and the third the inability of the media to provide global audiences with an adequate orientation about these issues. The notion of the Anthropocene as a geological age shaped by human intervention implies a new understanding of the human context that influences the physical and biological sciences. Human existence continues to be affected by the physical and biological reality from which it evolved but, in turn, it affects that reality as well. This work addresses this paradox by bringing together the contributions of researchers from very different disciplines in conversation about the complex relationships between the physical/biological world and the human world to offer different perspectives and solutions in establishing social and environmental justice in the age of the Anthropocene.