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The life of the great Irish prima donna revered by opera lovers around the world.
‘Remember now as you go by, as you are now so once was I ...’ From unmarked plots to striking monuments, Glasnevin Cemetery has become home to a microcosm of Irish society since it opened its gates in 1832. Every grave has a story to tell, but with more than a million souls resting there, many of these stories have been long forgotten. So Once Was I sets out to celebrate the quirky, strange and sometimes unbelievable tales of lesser-known figures in Ireland’s famous cemetery. Representing all threads of Irish society’s rich tapestry, from lion tamers to pioneering aviators, the mistress of the macabre to a mysterious, murderous count, forgotten revolutionaries to the mammy of Irish cooking, the cemetery’s population is reanimated in this book through vivid retellings of their lives. This intriguing tour through the national necropolis brings back to life those Joyce called the ‘faithful dead’, an intricate mosaic of stories rediscovered among the grandeur of Glasnevin’s famed monuments.
Nearly ten years after its original publication, The Maestro Myth continues to enthrall readers with its insightful look into the lives and careers of the world's most celebrated conductors. Now updated and including two new chapters, this volume portrays the politics and inflated economics surrounding the podiums of today's international classical music scene, and the obstacles faced by blacks, women, and gays. From Richard Strauss to Herbert von Karajan to Leonard Bernstein to Simon Rattle, The Maesto Myth examines the world of classical music and the mounting crisis in a profession where genuine talent grows ever scarcer. It is a must-have resource for music aficiionados as well as anyone interested in the behind-the-scenes lives of these music masters. Book jacket.
Covering over 1500 singers from the birth of opera to the present day, this marvelous volume will be an essential resource for all serious opera lovers and an indispensable companion to the enormously successful Grove Book of Operas. The most comprehensive guide to opera singers ever produced, this volume offers an alphabetically arranged collection of authoritative biographies that range from Marion Anderson (the first African American to perform at the Met) to Benedict Zak (the classical tenor and close friend and colleague of Mozart). Readers will find fascinating articles on such opera stars as Maria Callas and Enrico Caruso, Ezio Pinza and Fyodor Chaliapin, Lotte Lehmann and Jenny Lind, Lily Pons and Luciano Pavarotti. The profiles offer basic information such as birth date, vocal style, first debut, most memorable roles, and much more. But these articles often go well beyond basic biographical information to offer colorful portraits of the singer's personality and vocal style, plus astute evaluations of their place in operatic history and many other intriguing observations. Many entries also include suggestions for further reading, so that anyone interested in a particular performer can explore their life and career in more depth. In addition, there are indexes of singers by voice type and by opera role premiers. The articles are mostly drawn from the acclaimed Grove Music Online and have been fully revised, and the book is further supplemented by more than 40 specially commissioned articles on contemporary singers. A superb new guide from the first name in opera reference, The Grove Book of Opera Singers is a lively and authoritative work, beautifully illustrated with color and black-and-white pictures. It is an essential volume--and the perfect gift--for opera lovers everywhere.
A biography that traces the origins and emergence of global communication through the life and career of Guglielmo Marconi, inventor of the radio.
The women who appear in these pages are both well-known and unknown, real and invented. They include, for instance, the fiery Elizabeth Fitzgerald who defended her castle so successfully, and Granuaile, the pirate queen from Galway.
Grace O'Malley is unique as the only woman recorded on the famous Baptista Boazio map of Ireland (1599), a tribute to the status she achieved as a leader on land and at sea in the 16th century. In 1979 Anne Chambers' original biography of this famous Irishwoman, who over the centuries had been airbrushed from historical record, put her on the map once again. The biography became a milestone in Irish publishing and the catalyst for the restoration of Grace O'Malley to political, social and maritime history, as well as establishing her as an inspirational female role model in the classroom.In the 40th anniversary edition of this international bestselling biography, drawn from rare contemporary manuscript records, the author presents Ireland's great pirate queen not as a vague mythological figure but as one of the world's most extraordinary female leaders. Political pragmatist and tactician, rebel, intrepid mariner and pirate, wife, lover, mother, grandmother and matriarch, the 'most notorious woman in all the coasts of Ireland', Grace O'Malley challenged and triumphed over the social and political barriers she encountered in the course of her long, pioneering life.Breaching boundaries of gender imbalance and bias in a period of immense social and political upheaval and change, Grace O'Malley rewrote the rules to become one of the world's first recorded feminist trailblazers.This updated anniversary edition brings Grace O'Malley's story to a new generation awakened to the global focus on gender equality as well as positive ageing.
Opera recordings have been with us since the creation of the first wax cylinders. Now at a time when the 25-year reign of the compact disc appears to be coming to an end is the moment to take stock of the history of recordings of arguably the most popular composer of operas, Giacomo Puccini. In Giacomo Puccini: A Discography, librarian and music historian Roger Flury looks at each opera chronologically from Le Villi to Turandot, followed by sections on Puccini's instrumental, chamber, orchestral, and solo vocal works. Details of each complete opera are listed by recording date, followed by excerpts in the order in which they occur in the opera. Recordings of each aria are listed alphabetically by the name of the artist. For ease of use, Flury establishes as the main criteria for inclusion those recordings assigned a commercial issue number and available for purchase. This book does not limit itself to mainstream recordings but includes as well 'unofficial' recordings taken from broadcasts or illegally recorded in theaters, ensuring that the audio recording history of Puccini is free of gaps. (Video and DVD issues, whether of staged performances or excerpts in concert, are not included unless they have been issued in a sound-only format.) This volume brings together information on nearly 10,000 recordings of Puccini's music. It provides a comprehensive overview of the recorded history of the composer's works and serves as a useful guide for the transfer of recordings from one format to another.