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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) T200479 Mr. **** = Ferdinando Moretti. Parallel English and Italian texts. London: printed by C. Clarke, 1794. 25, [1]p.; 8°
Within the great diversity of their world, the assertion of origin was essential to the ancient Greeks in defining their sense of who they were and how they distinguished themselves from neighbours and strangers. Each person's name might carry both identity and origin - 'I am' . . . inseparable from 'I come from' . . . Names have surfaced in many guises and locations - on coins and artefacts, embedded within inscriptions and manuscripts - carrying with them evidence even from prehistoric and preliterate times. The Lexicon of Greek Personal Names has already identified more than 200,000 individuals. The contributors to this volume draw on this resource to demonstrate the breadth of scholarly uses to which name evidence can be put. These essays narrate the stories of political and social change revealed by the incidence of personal names and cast a fascinating light upon both the natural and supernatural phenomena which inspired them. This volume offers dramatic illumination of the ways in which the ancient Greeks both created and interpreted their world through the specific language of personal names.
A history of the representation of African people & people of African descent in Classical & Western art, these new editions update the magisterial project begun by Dominique de Menil.
Biographaical dictionary emphisizes classicaland art music; also gives ample attention to the classics as well as Jazz, Blues, rock and pop, and hymns and showtunes across the ages.