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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Reina DoNa Juana La Loca: Estudio HistOrico Antonio RodrIguez Villa M. Murillo, 1892
Reproducción del original
This book examines the deep and lengthy crisis of legitimacy triggered by the death of Prince Juan of Castile and Aragon in 1497 and the subsequent ascent of Juana I to the throne in 1504. Confined by historiography and myth to the madwoman’s attic, Juana emerges here as a key figure at the heart of a period of tremendous upheaval, reaching its peak in the war of the Comunidades, or comunero uprising of 1520–1522. Gillian Fleming traces the conflicts generated by the ambitions of Juana’s father, husband and son, and the controversial marginalisation and imprisonment of Isabel of Castile’s legitimate heir. Analysing Juana’s problems and strategies, failures and successes, Fleming argues that the period cannot be properly understood without taking into account the long shadow that Juana I cast over her kingdoms and over a crucial period of transition for Spain and Europe.
Vol. 77- includes Yearbook of the Association, 1931-
Focusing on pictorial, literary, screen, and operatic representations of Juana of Castile, this is the first interdisciplinary book that incorporates both sides of the coin (history and myth; fact and fiction) that shaped the enigmatic image of this much maligned Spanish queen. Even though the fictional reinvention of Juana of Castile has been the subject of sporadic articles, this is the first time that an English-language reader has access to a book that takes an in-depth look at the panorama of literary, pictorial, musical, and cinematic recreations of this historical character. The editors' aim is to incorporate works of authors from different countries (Spain, Mexico, the Dominican Republic, France) and an entire spectrum of literary genres (narrative, poetry, theater, essay), as well as opera and the visual arts. --From publisher's description.