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Includes bibliographies
This textbook includes all 13 chapters of Français interactif. It accompanies www.laits.utexas.edu/fi, the web-based French program developed and in use at the University of Texas since 2004, and its companion site, Tex's French Grammar (2000) www.laits.utexas.edu/tex/ Français interactif is an open acess site, a free and open multimedia resources, which requires neither password nor fees. Français interactif has been funded and created by Liberal Arts Instructional Technology Services at the University of Texas, and is currently supported by COERLL, the Center for Open Educational Resources and Language Learning UT-Austin, and the U.S. Department of Education Fund for the Improvement of Post-Secondary Education (FIPSE Grant P116B070251) as an example of the open access initiative.
Quelle est la valeur que nous pouvons exprimer dans l'entreprise dans laquelle nous travaillons ? Comment pouvons-nous réaliser au mieux notre potentiel ? Quelles sont les stratégies pour gérer les contextes de stress et de compétitivité excessive ? Ce livre rassemble le savoir-faire nécessaire pour résoudre les questions ci-dessus et pour créer des solutions afin de tirer le meilleur parti de votre travail. Apprendre les concepts de base de la psychologie du travail signifie apprendre des méthodes pour reconnaître et évaluer correctement vos compétences par rapport au contexte opérationnel, pour comprendre vos collègues et partenaires avec lesquels vous partagez votre expérience quotidienne de collaboration et pour réaliser la valeur ajoutée à la base de toute croissance dans le monde des affaires. En résumé, ce guide a été créé pour expliquer de manière simple et accessible comment utiliser les connaissances de la psychologie dans les organisations modernes. Toutes les informations sont proposées de manière simple, pratique et accessible, ce qui permet au lecteur d'acquérir rapidement les bases du sujet. Oubliez les manuels théoriques inefficaces de milliers de pages vendus à des prix faramineux sur le web et profitez enfin d'une lecture qui vous donnera ce que vous cherchez à un prix imbattable.
First published in 1975, this book traces the origins of our modern economy, showing the routes by which nations have either achieved wealth or have been impoverished. W. W. Rostow brings together issues of public policy, international trade and the world of science and technology, arguing that conventional economic thought has failed to relate scientific innovation to the economic process. Chapters consider the politics of modernization, the Commercial Revolution and the development of the world economy between 1783 and 1820.
A holistic approach to acting. This book presents acting as a mind, body and spirit practice and actors as emotional athletes, spiritual stuntmen and stuntwomen exposed to a constant roller coaster of emotions. Going beyond where Michael Chekhov left off, it offers new acting techniques using discoveries from holistic and energy healing modalities. Answering an urgent -yet never addressed-need, this book offers invaluable tools to heal post-performance stress disorder and cutting edge information about recovering your Highest Creative Self, the essence of your character, and true emotional balance. Lisa Dalton, Co-founder, International Michael Chekhov Association, Award-Winning Actor/Producer/Director and Co-founder and Certifying Board, National Michael Chekhov Association wrote the Foreword. She says: "It is rare to find a subject that urgently needs to be discussed and about which too little is written. The need to train the entire being of the performing artist is just such a subject. Emmanuelle Chaulet's A Balancing Act is a godsend to performing artists of any sort. Knowing how to Energize allows us to endure and even thrive during the rise and fall, the constant state of transformation, the juggling of feelings, styles, jobs, and colleagues while maintaining an even keel." "Truly some of the freshest and most innovative 21st century contributions to the art of acting." says Mel Shrawder NYC AEA/SAG actor, Former Head of Performance, University of Miami, and faculty at the Michael Chekhov Acting Studio in NYC.