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La adopción del instrumental digital en el campo de la producción cinematográfica ha abocado a dicho sector a una profunda reconversión. La migración, asimismo, conlleva modificaciones y plantea dilemas de signo ético y estético. La presente tesis doctoral aspira a estudiar de manera integral las dimensiones tecnológica, económica y expresivo-narrativa del fenómeno. En su primera parte, se establece una comparación entre el equipamiento y las rutinas, analógicos y digitales, para desmontar la mitología tecnofetichista de que se revisten las recientes innovaciones. Se desmiente, así, el planteamiento teleológico que asimila el cine, ontológicamente, a la realidad virtual, al tiempo que se tira del hilo de dicha falacia hasta sus orígenes; lo que permite iluminar cómo la sutil evolución del concepto se corresponde con los intereses de la industria, autoconvencida de la ficción múltiple (de su pasado, de sus mecanismos, de su destino) que ha inoculado al público: la (no- )ideología del espectáculo. En su segunda parte, el análisis de nueve películas contemporáneas arroja como resultado la definición del cine digital como una entelequia necesariamente reflexiva, que recoge y desarrolla las constantes formales y temáticas del inventario postmoderno.
Principalmente en los últimos 20 años, la predominancia de las tecnologías digitales en el cine ha suscitado numerosas clases de cuestionamientos, desde las de carácter productivo, hasta las de aspectos expresivos y narrativos. Esto es, partiendo de la propuesta de la presencia influyente que se configura recíproca entre los productos audiovisuales y las tecnologías empleadas en esa producción, es esencial proyectar fuentes que desarrollan la temática de que modo las tecnologías digitales están modificando el cine y sus maneras de expresar y narrar. Sin desarrollar prerrogativas que puedan autolimitarse, el trabajo incide sobre los impactos narrativos y expresivos de las tecnologías digitales en el cine, es decir, cuales tipos de cambio y de modo dichas tecnologías pueden influenciar el arte cinematográfico tradicional. En este sentido y de modo particular, consideramos que la aplicación de las tecnologías digitales como herramientas de producción y recepción de imágenes generan impactos expresivos-narrativos que pueden alterar características de dicho arte alrededor de sus herramientas creativas y de producción de imágenes. Nuestra hipótesis esencial es la de que el uso de las tecnologías digitales en la producción de productos audiovisuales produce indubitablemente cambios en los aspectos narrativos y expresivos del cine hegemónico. O sea, ha una ruptura con los modos de producción anteriores y con sus pilares de representación y consumo de la imagen...
A compilation of key chapters from the top MK computer animation books available today - in the areas of motion capture, facial features, solid spaces, fluids, gases, biology, point-based graphics, and Maya. The chapters provide CG Animators with an excellent sampling of essential techniques that every 3D artist needs to create stunning and versatile images. Animators will be able to master myriad modeling, rendering, and texturing procedures with advice from MK's best and brightest authors. Divided into five parts (Introduction to Computer Animation and Technical Background, Motion Capture Techniques, Animating Substances, Alternate Methods, and Animating with MEL for MAYA), each one focusing on specific substances, tools, topics, and languages, this is a MUST-HAVE book for artists interested in proficiency with the top technology available today! Whether you're a programmer developing new animation functionality or an animator trying to get the most out of your current animation software, Computer Animation Complete: will help you work more efficiently and achieve better results. For programmers, this book provides a solid theoretical orientation and extensive practical instruction information you can put to work in any development or customization project. For animators, it provides crystal-clear guidance on determining which of your concepts can be realized using commercially available products, which demand custom programming, and what development strategies are likely to bring you the greatest success. - Expert instruction from a variety of pace-setting computer graphics researchers. - Provides in-depth coverage of established and emerging animation algorithms. - For readers who lack a strong scientific background, introduces the necessary concepts from mathematics, biology, and physics. - A variety of individual languages and substances are addressed, but addressed separately - enhancing your grasp of the field as a whole while providing you with the ability to identify and implement solutions by category.
This manual has been designed and written with the purpose of introducing key concepts and areas of debate around the "creative economy", a valuable development opportunity that Latin America, the Caribbean and the world at large cannot afford to miss. The creative economy, which we call the "Orange Economy" in this book (you'll see why), encompasses the immense wealth of talent, intellectual property, interconnectedness, and, of course, cultural heritage of the Latin American and Caribbean region (and indeed, every region). At the end of this manual, you will have the knowledge base necessary to understand and explain what the Orange Economy is and why it is so important. You will also acquire the analytical tools needed to take better advantage of opportunities across the arts, heritage, media, and creative services.
There are four distinct types of managers. One performs much worse than the rest, and one performs far better. Which type are you? Based on a first-of-its-kind, wide-ranging global study of over 9,000 people, analysts at the global research and advisory firm Gartner were able to classify all managers into one of four types: Teacher managers, who develop employees' skills based on their own expertise and direct their development along a similar track to their own. Cheerleader managers, who give positive feedback while taking a general hands-off approach to employee development. Always-on managers, who provide constant, frequent feedback and coaching on all aspects of the employee's performance. Connector managers, who provide feedback in their area of expertise while connecting employees to others in the team or organization who are better suited to address specific needs. Although the four types of managers are more or less evenly distributed, the Connector manager consistently outperforms the others by a significant margin. Meanwhile, Always-on managers tend to see their employees struggle to grow within the organization. Why is that? Drawing on their groundbreaking data-driven research, as well as in-depth case studies and extensive interviews with managers and employees at companies like IBM, Accenture, and eBay, the authors show what behaviors define a Connector manager, and why they are able to build powerhouse teams. They also show why other types of managers fail to be equally effective, and how they can incorporate behaviors of Connector managers in order to be more effective at building teams.
The Taste of Transcendence is the perfect introduction to mankind's collective spiritual wisdom. You will find carefully selected foundational songs, stories, and scripture to give you the world's greatest insights into the human condition, the nature of ultimate reality, and the path to the transcendent sacred. Readings from the world's most influential religious texts have been chosen to provide you with a taste of this transcendence. Included are excerpts from the following spiritual paths: Vedic Traditions Hinduism (Vedas, Upanishads, Bhagavad-Gita), Buddhism (Dhammapada, Jātaka Tales) Chinese Traditions Confucianism (Analects of Confucius), Taoism (Tao Te Ching) Abrahamic Traditions Judaism (Genesis, Exodus, Psalms, Proverbs), Christianity (Four Canonical Gospels, Hebrews), Islam (Holy Qur'an, Rumi Poetry, Sufi Tales) Indigenous Traditions People of the Pacific (Australian Aborigines, Maori, Native Filipinos), People of the Americas (Lakota Oglala People, Cherokee People, Aztecs, and Eskimos) From the Introduction: The word "religion" is rooted in the Latin term that refers to things that bind. In many ways, what we often think of as being religious are those ...that we use to keep us together. They are things that bind us to one another and keep us from personally falling apart in the face of the inherent adversities of life....this is a book about religion in the most basic sense of the term. In this book are words that have been used to bind people together through their ability to express an experience of a transcendent life.
This book critically examines the long established tradition of adapting classic novels to film or TV screen, encompassing novelists from Jane Austen to Michael Ondaatje. The early cinema ransacked literature for stories suitable for retelling in moving pictures, and as the art of the cinema matured, and cinematography, music, special effects and sound were improved, the art of dramatization began to produce high quality versions of respected novels. The authors in this book analyze a wide variety of literary dramatizations.
When a breach birth leaves Paulo severely disabled, his father, the articulate, unsentimental Professor Frigerio, struggles to come to terms with his son’s condition. Face to face with his own limitations, Frigerio confronts the strange way society around him handles Paolo’s handicaps and observes his surprising gifts. In spare, deeply affecting episodes, the professor of language explores the nuanced boundaries between “normal” and “disabled” worlds. A remarkable memoir of fathering, winner of the 2001 Strega Prize, Italy’s most prestigious literary honor, Born Twice is noted Italian author Guiseppe Pontiggia’s American debut. Sometimes meditative, often humorous, and always probing, Pontiggia’s haunting characters linger and resound long after the book is done.
This book offers a systematic study of media education in Latin America. As spending on technological infrastructure in the region increases exponentially for educational purposes, and with national curriculums beginning to implement media related skills, this book makes a timely contribution to new debates surrounding the significance of media literacy as a citizen’s right. Taking both a topical and country-based approach, authors from across Latin America present a comprehensive perspective of the region and address issues such as the political and social contexts in which media education is based, the current state of educational policies with respect to media, organizations and experiences that promote media education.