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El presente libro, "Genealoga de la familia MONTEALEGRE" es el Primer Tomo de tres, expone en sus pginas el origen del apellido, el lugar que dio origen al mismo, sus antepasados en Espaa, Francia, Inglaterra, Italia, Alemania y Kiev. Entre esos antepasados, entre los ms importantes, podemos mencionar al rey David, al Profeta Mahoma, a los Duques de Anjou y Aquitania, a los Plantegenet que son el origen de casi todas las monarquas europeas. Expone los antepasados del rey don Fernando III "el Santo" y su esposa Elizabeth Hohenstaufen, y sus descendientes, que a travs de sus hijos don Alfonso X "el Sabio" y el Infante don Manuel, llegaron hasta Amrica. De los descendientes del rey David, por Theodoric Makhir I, principe de de Narbona y marqus de Tolouse, cuyos descendientes contrajeron nupcias con los descendientes de Carlomagno, el linaje se extiende hasta Nicaragua, Costa Rica y Guatemala. La familia cuenta entre sus antepasados importantes conquistadores, tal como Juan Vzquez de Coronado y Anaya, que dej descendencia en Costa Rica y Nicaragua. Al final del libro se ofrece una extensa iconografa de la familia, de todas sus ramas: Montealegre, Sacasa, Solrzano, Somoza, Rivera y otros miembros que pasaron a formar parte de la familia. Finalmente, ofrece una valiosa bibliografa de donde los lectores podrn ampliar sus conocimientos sobre esta familia importante en el desarrollo social, poltico, cultural y econmico en Nicaragua, Costa Rica y Guatemala.
At the turn of the seventeenth century, Spanish lyric underwent a notable development. Several Spanish poets reinvented lyric as a melancholy and masculinist discourse that sang of and perpetrated symbolic violence against the female beloved. This shift emerged in response to the rising prestige and commercial success of the epic and was enabled by the rich discourse on the link between melancholy and creativity in men. In The Melancholy Void Felipe Valencia examines this reconstruction of the lyric in key texts of Spanish poetry from 1580 to 1620. Through a study of canonical and influential texts, such as the major poems by Luis de Góngora and the epic of Alonso de Ercilla, but also lesser-known texts, such as the lyrics by Miguel de Cervantes, The Melancholy Void addresses four understudied problems in the scholarship of early modern Spanish poetry: the use of gender violence in love poetry as a way to construct the masculinity of the poetic speaker; the exploration in Spanish poetry of the link between melancholy and male creativity; the impact of epic on Spanish lyric; and the Spanish contribution to the fledgling theory of the lyric. The Melancholy Void brings poetry and lyric theory to the conversation in full force and develops a distinct argument about the integral role of gender violence in a prominent strand of early modern Spanish lyric that ran from Garcilaso to Góngora and beyond.
A Tale Blazed Through Heaven examines developments in the representation of the classical tale of Mars, Venus, and Vulcan in the literature and painting of the Golden Age of Spain (c.1526-1681). Anchored in close analysis of individual primary texts, the five chapters that comprise this study assess how poets and painters breathed new life into the tale inherited from Homer, Ovid, and others, examining some of the ways in which the story of Mars, Venus, and Vulcan was disguised, developed, expanded, mocked, combined with or played off against different subjects, or otherwise modified in order to pique the interest of successive generations of readers and viewers. Each chapter discusses what particular changes and shifts in emphasis reveal about the tale itself, specific renderings, the aims and intentions of individual poets and painters, and the wider context of the literary and visual culture of Early Modern Spain. Discussing a range of poems by both canonical (Garcilaso de la Vega, Luis de Góngora, Lope de Vega, etc.) and less well-known writers (Juan de la Cueva, Alonso de Castillo Solórzano, Salvador Jacinto Polo de Medina, etc.), and culminating in detailed examination of select mythological works by Philip IV's court painter, Diego Velázquez, this book sheds light on questions relating to aspects of classical reception in the Renaissance, the rise of specific poetic styles (epic, mock-epic, burlesque, etc.), the interplay between the sister arts of poetry and painting, and the continual process of imitation and invention that was one of the defining features of the Spanish Golden Age.
This ebook is a selective guide designed to help scholars and students of Islamic studies find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. This ebook is a static version of an article from Oxford Bibliographies Online: Renaissance and Reformation, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study of European history and culture between the 14th and 17th centuries. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.oxfordbibliographies.com.
Essays on Spanish writers of the sixteenth-century, a period of territorial expansion, political hegemony and cultural prosperity in the face of ideological repression. Discusses the Hapsburg dynasty, the impact of the Counter-Reformation and the Inquisition had on censorship and literary production, and the Spanish passion for the theater that increased during the 1600s, during the pinnacle of the Golden Age of drama.
This book, the first of its kind in the world, studies a body of literature thus far almost unexplored. After discussing such concepts as immigration and ethnicity and giving a definition of Italo-American Poetry, it presents roughly one thousand poets. Following the criterion of inclusiveness, known and unknown poets, those who have published one or more collections, as well as those whose works have appeared only in magazines, have been listed. A short bio, a list of his/her books and criticism have been given for each of them whenever available.
Includes the sections "Reviews", "Italian studies published in England", "Academica" and "A chronicle of public lectures, etc.".