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"Escribir es la soledad máxima, y por contra, la compañía global. Tú y tus personajes. Es la libertad. Y la libertad no admite métodos ni manuales. Entonces, te preguntarás qué diablos tienes en las manos. Es una buena pregunta. No lo sé. O por lo menos no estoy seguro de saberlo. No he querido escribir un método o un manual. Sólo intento explicar lo que pienso, lo que siento, y lo que creo que es para mí mismo el arte de escribir." Jordi Sierra i Fabra La página escrita no es un método de escritura al uso. Tampoco pretende ser el mejor manual o el definitivo. Es una ocasión única para compartir la pasión, el talento y la experiencia de este autor y aprender, paso a paso y de una manera clara, directa y, sobre todo, amena, las técnicas que Jordi Sierra i Fabra ha desarrollado a lo largo de los años para escribir sus novelas.
¿En qué se parecen caminar, tejer, observar, narrar, cantar, dibujar y escribir? La repuesta es que, de uno u otro modo, todo lo anterior se lleva a cabo a través de líneas. Visto así, la Historia entera es una línea, compuesta por pequeñas líneas. En este libro Tim Ingold imagina un mundo en el que todos y todo se compone de líneas entrelazadas o in-terconectadas y sienta las bases de una nueva disciplina: la ar-queología antropológica de la línea. El argumento de Ingold nos lleva a través de la música de la antigua Grecia y del Japón contemporáneo, por laberintos de Siberia y vías ro-manas, por la caligrafía china y el alfabeto impreso, tejiendo un camino entre la antigüedad y el presente. Ingold revela cómo nuestra percepción de las líneas ha cambiado en el tiempo, con la modernidad antes de convertirse en recta, la línea es un conjunto de puntos, pero el mundo posmoderno la rompe y fragmenta para estudiarla mejor. Tim Ingold utiliza para su estudio muchas disciplinas, como la Arqueolo-gía, Estudios Clásicos, Historia del Arte, la Lingüística, la Psicología, la Musicología, la Filosofía y muchos otros. Este libro nos lleva por un viaje intelectual estimulante que va a cambiar la manera en que vemos el mundo y la forma en que vamos por el mismo.
Octavio Paz (México, 1914–1998) was one of the foremost poets and essayists of the twentieth century. Read in translations into many of the world’s languages, Paz received numerous awards and prizes during his lifetime, participated in major artistic and political movements of the twentieth century, served as Mexico’s ambassador in India (1962–1968), and was the editor of Plural and Vuelta, two literary journals of prominent influence in Mexico, Latin America, and Spain. In 1990 Paz was awarded the Nobel Prize in Literature. This book of essays is a commemoration of Octavio Paz on the first centenary of his birth, a celebration undertaken with Paz’s distinguishing legacy: criticism, internationally inclusive, and open to differing viewpoints. The Willow and the Spiral: Essays on Octavio Paz and the Poetic Imagination contains studies in English and in Spanish by top-ranking Paz scholars from various continents and wide-ranging literary traditions, as well as by an emerging generation of critics who approach the work of Octavio Paz from diverse and recent theoretical methods. Specially written for this volume, the fourteen essays are in-depth studies of Paz’s poetry and essays in relation to art, eroticism, literary history, politics, the art of translation, and to Paz’s life-long reflections on world cultures and civilizations as represented by China, France, India, Japan, the United States and, among others, Mesoamerica. The essays range from new critical analyses of Piedra de sol (Sunstone) and Blanco, to studies of Renga, the haiku tradition and, among other topics, Marcel Duchamp and the literary Avant-Garde. This book will be of importance to Paz scholars, teachers, students, and the general reader interested in Octavio Paz and in topics related to artistic, literary, and cultural movements that shaped the twentieth century and that continue to inspire and steer artists and writers in the twenty-first century.
As part of the larger, ongoing movement throughout Latin America to reclaim non-Hispanic cultural heritages and identities, indigenous writers in Mexico are reappropriating the written word in their ancestral tongues and in Spanish. As a result, the long-marginalized, innermost feelings, needs, and worldviews of Mexico's ten to twenty million indigenous peoples are now being widely revealed to the Western societies with which these peoples coexist. To contribute to this process and serve as a bridge of intercultural communication and understanding, this groundbreaking, three-volume anthology gathers works by the leading generation of writers in thirteen Mexican indigenous languages: Nahuatl, Maya, Tzotzil, Tzeltal, Tojolabal, Tabasco Chontal, Purepecha, Sierra Zapoteco, Isthmus Zapoteco, Mazateco, Ñahñu, Totonaco, and Huichol. Volume 1 contains narratives and essays by Mexican indigenous writers. Their texts appear first in their native language, followed by English and Spanish translations. Frischmann and Montemayor have abundantly annotated the English, Spanish, and indigenous-language texts and added glossaries and essays that trace the development of indigenous texts, literacy, and writing. These supporting materials make the anthology especially accessible and interesting for nonspecialist readers seeking a greater understanding of Mexico's indigenous peoples. The other volumes of this work will be Volume 2: Poetry/Poesía and Volume 3: Theater/Teatro.
The second section contains ten critical essays that apply widely varying critical approaches that range from feminist, psycho-analytical, formalist, poststructuralist, new historical, and intertextual to postmodern and postcolonial. The volume also features Riera's hitherto unpublished play in the Catalan original and in English translation. This book will appeal to those interested in twentieth-century Peninsular literature, comparative literature, feminist criticism, gender studies, and cultural studies.
Abiayalan Pluriverses: Bridging Indigenous Studies and Hispanic Studies looks for pathways that better connect two often siloed disciplines. This edited collection brings together different disciplinary experiences and perspectives to this objective, weaving together researchers, artists, instructors, and authors who have found ways of bridging Indigenous and Hispanic studies through trans-Indigenous reading methods, intercultural dialogues, and reflections on translation and epistemology. Each chapter brings rich context that bears on some aspect of the Indigenous Americas and its crossroads with Hispanic studies, from Canada to Chile. Such a hemispheric and interdisciplinary approach offers innovative and significant means of challenging the coloniality of Hispanic studies.
Suentos es una increible y magica coleccion de cuentos surrealistas con tinte de realismo magico basados en los divertidos suenos del autor de ahi su nombre "Suentos."