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Moving through time, he uncovers often-unsuspected novelistic continuities and international transformations and echoes, from Maria Edgeworth's Castle Rackrent, published in 1800, to G. Tomasi di Lampedusa's 1958 book Il Gattopardo.By revealing the "family resemblance" of novels from Great Britain, Italy, Spain, Portugal, and Brazil, this volume shows how genealogical narratives take on special significance in contexts of cultural periphery. Welge links private and public histories, while simultaneously integrating detailed accounts of various literary fields across the globe. In combining theories of the novel, recent discussions of cultural geography, and new approaches to genealogical narratives, Genealogical Fictions addresses a significant part of European and Latin American literary history in which texts from different national cultures illuminate each other in unsuspected ways and reveal the repetition, as well as the variation, among them.
In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art organised the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston, Jamaica. The goal was to encourage scholarly, curatorial and broader educational awareness. Topics covered included regional and international legacies, preservation, environmental sustainability and urban planning, as they relate to modernist architectural history and contemporary practice. The presenters were leading architects and architectural historians from the region, and attendees included their colleagues as well as local and international university students, policy makers, civic leaders and developers from Jamaica, the surrounding Caribbean isalnds and the United States. This illustrated volume, co-published by MoMA and Archivos de Arquitectura Antillana (AAA), an architectural journal based in the Dominican Republic, presents the papers from this critical symposium in both English and Spanish, making them accessible to a broader public.
Composición Arquitectónica 1: Historia y análisis del proyecto arquitectónico: de Grecia a la Edad Media. Composición Arquitectónica 2: Historia y análisis del proyecto arquitectónico: del Renacimiento al siglo de las revoluciones. Composición Arquitectónica 3: Historia y análisis del proyecto arquitectónico: de la gestación de las vanguardias a la Primera Guerra Mundial. Composición Arquitectónica 4: Historia y análisis del proyecto arquitectónico: de las revisiones de la Modernidad a las últimas tendencias. Arquitectura e Ingeniería del siglo xx: Representación y construcción de una Modernidad intermedia. Paisajes Culturales: Desarrollo del programa europeo Teruel Life+.
The problems created by metropolitanization have become increasingly apparent. Strategies are needed to improve the world's major cities in the twenty-first century. Tom Angotti is fundamentally optimistic about the future of the metropolis, but questions urban planning's inability to integrate urban and rural systems, its contribution to the growth of inequality, and increasing enclave development throughout the world. Using the concept of 'urban orientalism' as a theoretical underpinning of modern urban planning grounded in global inequalities, Angotti confronts this traditional model with new, progressive approaches to community and metropolis.
This book incorporates a wealth of research focused on the more and more urgent challenges that urban planning and architectural design all over the world must cope with: from climate change to environmental decay, from an increasing urban population to an increasing poverty. In detail, this book aims at providing innovative approaches, tool and case study examples that, in line with the agenda of 2030, may better drive human settlements toward a sustainable, inclusive and resilient development. To this aim, the book includes heterogeneous regional perspectives and different methodologies and suggests development models capable of limiting further urban growth and re-shaping existing cities to improve both environmental quality and the overall quality of life of people, also taking account the more and more close relationships among urban planning and technological innovation.
The texts presented in Proportion Harmonies and Identities (PHI) Tradition and Innovation were compiled with the intent to establish a multidisciplinary platform for the presentation, interaction, and dissemination of researches. They also aim to foster the awareness and discussion on the topic of Tradition and Innovation, focusing on different visions relevant to Architecture, Arts and Humanities, Design and Social Sciences, and its importance and benefits for the sense of identity, both individual and communal. The idea of Tradition and Innovation has been a significant motor for development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts.
The Symbolic Order of Matter is the feature essay by Christina Diaz Moreno and Efren Garcia Grinda, who also combine to do the extensive interview with Jean Nouvel in this edition of El Croquis. 29 projects are detailed, including the monumental Judicial Centre in Nantes, the reworked Gasholder Housing of Vienna and the Burgos Museum of Human Evolution.