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A compilation of poems which have been performed at poetry readings at the Melbourne La Mama theatre.
He thought of his dream, of how he had looked up out of his hole, his pit, his wolf-pit, and seen the foreign leaves, which had formed themselves into a face... Laid low by a tropical disease and an accompanying malaise, Crispin Clare returns to his ancestral home in East Anglia. Local folklore seeps into his fever dreams and into his writing, and the lines between reality and myth soon start to blur. In this finely woven tale of illness and recovery, family and fable, Randolph Stow creates a unique imaginative landscape, populated by figures from old English myths and legends, and from Clare’s present. Julian Randolph ‘Mick’ Stow was born in Geraldton, Western Australia, in 1935. He attended local schools before boarding at Guildford Grammar in Perth, where the renowned author Kenneth Mackenzie had been a student. While at university he sent his poems to a British publisher. The resulting collection, Act One, won the Australian Literature Society’s Gold Medal in 1957—as did the prolific young writer’s third novel, To the Islands, the following year. To the Islands also won the 1958 Miles Franklin Literary Award. Stow reworked the novel for a second edition almost twenty-five years later, but never allowed its two predecessors to be republished. He worked briefly as an anthropologist’s assistant in New Guinea—an experience that subsequently informed Visitants, one of three masterful late novels—then fell seriously ill and returned to Australia. In the 1960s he lectured at universities in Australia and England, and lived in America on a Harkness fellowship. He published his second collection of verse, Outrider; the novel Tourmaline, on which critical opinion was divided; and his most popular fiction, The Merry-Go-Round in the Sea and Midnite. For years afterwards Stow produced mainly poetry, libretti and reviews. In 1969 he settled permanently in England: first in Suffolk, then in Essex, where he moved in 1981. He received the 1979 Patrick White Award. Randolph Stow died in 2010, aged seventy-four. A private man, a prodigiously gifted yet intermittently silent author, he has been hailed as ‘the least visible figure of that great twentieth-century triumvirate of Australian novelists whose other members are Patrick White and Christina Stead’. Praise for The Girl Green as Elderflower ‘As eccentric as it is magnificently achieved.’ Geordie Williamson ‘His novels and poetry embody a uniquely rich and strange account of the land and people of Australia that we can ill afford to lose.’ Australian Book Review
A Juani se le han caído de a poquito estas hojas, se han ido deslizando de entre los dedos al papel, emociones que brotan de un camino de tiempo, hojas de vida. Los poemas de Juana Ortiz Pastor son un paseo por la vida, con todos sus matices: alegres, tiernos, a veces nostálgicos, inteligentes, pero sobre todo llenos de positividad.
In these thirty-five interviews with verse novelists from Australia and Aotearoa–New Zealand, Linda Weste explores the uniqueness of storytelling through poetry and the genre of the verse novel. Her subjects are notable representatives of a region where verse novels for Adults, Children and Young Adults thrive; among them is Steven Herrick, winner of the prestigious Deutscher Jugendliteraturpreis in 2019; and what they have to say enriches our understanding of the verse novel across each of its publishing categories.
Sencilla compilación de los principales poemas de este autor.
Wailing and Listing of Clans, Language Groups, Nations -- Warriors without Treaties -- Imagined Reality -- Conversations (aka unfinished business) -- Heart to Heart.
This volume contains a selection of the Australian poet Michael Sharkey’s uncollected essays and occasional writings on poetics and poets, chiefly Australian and New Zealand. Reviews and conversations with other poets highlight Sharkey’s concern with preserving and interrogating cultural memory and his engagement with the practice and championing of poetry. Poets discussed range from Lord Byron to colonial-era and early-twentieth-century poets (Francis Adams, David McKee Wright, and Zora Cross), under-represented Australian women poets of World War I, traditionalists and experimentalists, including several ‘New Australian Poetry’ activists of the 1970s, and contemporary Australian and New Zealand poets. Writings on poetics address form and tradition, the teaching and reception of poetry, and canon-formation. The collection is culled from commissioned and occasional contributions to anthologies of practical poetics, journals devoted to literary and cultural history and book reviewing, as well as newspaper and small-magazine features from the 1980s to the present. The writing reflects Sharkey’s poetic practice and pedagogy relating to the teaching of literature, rhetorical analysis, cultural studies, and writing in universities, schools, and cultural organizations in Australia, New Zealand, China, and Germany. It also evidences Sharkey’s familiarity with literatures written in English and his wider career in publishing, editing, free-lance journalism, and the promotion of Australian and New Zealand literature, especially poetry.