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Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895-1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol’s career, the first ever published in English, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright’s controversial prioritisation of speech over image, the book juxtaposes Pagnol’s sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné. In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini.
In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America‘s most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Histori
"Iampolski deals with concepts and ideas that are highly complex and frequently very abstract, yet his discussion—and the progression of his analyses—is always precise and easy to follow. . . . Each of his points is grounded in a careful examination of a specific text, and most of the texts are well-known to American audiences."—Vladimir Padunov, University of Pittsburgh
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This work looks at the surge of Bretons who left their homes in Western France in the latter half of the 19th century to live and work in Paris. Portrayed as backward, ignorant peasants they found no welcome until after WWII. Moch positions her work within immigration theory, connecting migration studies to theories about state projects of assimilation and about cultures of inclusion and exclusion.
The European Dada movement of the early 20th century has long been regarded as a male preserve, one in which women have been relegated to footnotes or mentioned only as the wives, girlfriends, or sisters of Dada men. This fascinating book challenges that assumption, focusing on the creative contributions made to Dada by five pivotal European women. Ruth Hemus establishes the ways in which Emmy Hennings and Sophie Taeuber in Zurich, Hannah Höch in Berlin, and Suzanne Duchamp and Céline Arnauld in Paris made important interventions across fine art, literature, and performance. Hemus highlights how their techniques and approaches were characteristic of Dada's rebellion against aesthetic and cultural conventions, analyzes the impact of gender on each woman's work, and shows convincingly that they were innovators and not imitators. In its new and original perspective on Dada, the book broadens our appreciation and challenges accepted understandings of this revolutionary avant-garde movement.
"'This book,' Michael Fried's work opens, 'was written not so much chapter by chapter as painting by painting over a span of roughly ten years.' Courbet's Realism is a magnificent work and its very first sentence brings us up against the qualities of mind of its author, qualities that make it as impressive as it is. It allows us to reconstruct the keen eye, the commitment to perception, the gift of rapt concentration, the conviction that great paintings are not necessarily understood easily, and the further conviction that a great painter deserves to get from us as good as he gives. By drawing on these qualities, Fried achieves something out of reach for all but a handful of his colleagues. In his writing, art history takes on some of the character of art itself. It is driven by the same stubborn resolve to open our eyes."—Richard Wollheim, San Francisco Review of Books Courbet's Realism is clearly a major contribution to the highly active field of Courbet studies. . . . But to contribute here and now is necessarily also to contribute to central debates about art history itself, and so the book is also—I hesitate to say 'more importantly,' because of the way object and method are woven together in it—a major contribution to current attempts to rethink the foundations and objects of art history. . . . It will not be an easy book to come to terms with; for all its engagement with contemporary literary theory and related developments, it is not an application of anything, and its deeply thought-through arguments will not fall easily in line with the emerging shapes of the various 'new art histories' that tap many of the same theoretical resources. At this moment, there may be nothing more valuable than such a work."—Stephen Melville, Art History
A radical approach to film viewing
Contents Include: Book 1: Of writing Lives in General, and Particularly of Pamela - Of Mr. Joseph Andrews, His Birth, Parentage, Education and Great Endowments - Of Mr. Abraham Adams the Curate, Mrs. Slipslop the Chambermaid and Others - What Happened after their Journey to London - The Death of Sir Thomas Booby - How Joseph Andrews writ a Letter to His Sister Pamela - A Dialogue Between the Lady and her Maid - The Interview Between the Lady and Joseph - What Passed Between the Lady and Mrs Slipslop - Joseph Writes another letter - Of Several New matters not Expected - Containing many Surprising Adventures - What happened to Joseph During his Sickness at the Inn - Being Very Full of Adventures which Succeeded each Other at the Inn - Showing how Mrs. Tow-Wouse was a Little Mollified - The Escape of the Thief, Mr. Adam's Disappointment - A Pleasant Discourse between the two Parsons and the Bookseller - The History of Betty the Chambermaid and an Account of what Occasioned the Violent Scene in the Preceding Chapter - Book II: Of Divisions in Authors - A Surprising Instance of Mr. Adam's Short memory - The Opinion of Two Lawyers Concerning the Same Gentleman - The History of Leonora, or the Unfortunate Jilt - A Dreadful Quarrel which Happened at the Inn - Conclusion of the Unfortunate Jilt - A Very Short Chapter in which Parson Adams went a Great Way - A Notable Dissertation by Mr. Abraham Adams - In Which the Gentleman Discants on Bravery - Giving an Account of the Strange Catastrophe preceding - What happened to them While Before the Justice - A Very Delightful Adventure - A Dissertation Concerning High People and Low People - An Interview Between Parson Adams and Parson Trulliber - AnAdventure, the Consequence of a new Instance which parson Adams gave of his Forgetfulness - In Which Mr. Adams gave a much Greater Instance of the Honest simplicity of his Heart, than of his Experience in the Ways of this World - A Dialogue Between Mr. Abraham Adams and his Host - Book III: Matter Prefatory in Praise of Biography - A Night Scene, Wherein Several Wonderful Adventures Befel Adams and his Fellow-Travellers - In Which the Gentleman Realtes the History of his Life - A Description of Mr. Wilson's Way of Living. The Tragical Adventure of the Dod and other Grave Matters - A Disputation on Schools held on the Road - Moral Reflections by Joseph Andrews - A Scene of Rosting, very Nicely Adapted to the Present taste and Times - Which some Readers will think too Short and others too Long - Containing as Surprising and Bloody Adventures as can Be found in this or Perhaps any other Authentic History - A Discourse Between the Poet and the Player - The Exhortations of Parson Adams to his Friend in Affliction - More Adventures which we Hope will Please the reader - A Dialogue Between Mr. Abraham Adams and Mr. Peter Pounce - Book IV: The Arrival of Lady Booby and the rest at Booby-Hall - A Dialogue Between Mr. Abraham Adams and the Lady Booby - What Passed Between the Lady and Lawyer Scout - The Arrival of Mr. Booby and his Lady - Containing Justice Business - Of Which you are Desired to Read no More than you Like - Philosophical Reflections - A Discourse between Mr. Adams, Mrs. Adams, Joseph and Fanny - A Visit which the Polite Lady Booby and Her Polite Friend Paid to the Parson - The History of the Two friends - In Which the History is Continued - Where the Good-Natured Reader will seeSomething which will Give him No Great Pleasure - The History Returns to the Lady Booby - Containing Several Curious Night-Adventures - The Arrival of Gaffar and Gammar Andrews - Being the last, in Which this True History is Brought to a happy Conclusion