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For use in schools and libraries only. When Omri's plastic Indian, put in an unusual cupboard overnight, comes to life, Omri has a new friend who can teach him about another culture and another time.
A nine-year-old boy receives a plastic Indian, a cupboard, and a little key for his birthday and finds himself involved in adventure when the Indian comes to life in the cupboard and befriends him.
The Indian in the Cupboard is the first of five gripping books about Omri and his plastic North American Indian – Little Bull – who comes alive when Omri puts him in a cupboard
This resource presents critical annotations for 1055 books, including reference, nonfiction and fiction. The books are intended to support the informational, educational, recreational, and personal needs of Spanish speakers from preschool through the 12th grade.
"A considerable tour de force by any standard." ?New York Times Book Review"
A boy receives a plastic Indian who comes to life and befriends him.
He felt a draft of cold air. Instinctively he put his arms around his body. Then he looked down at himself and got a shock. He was naked...His first instinct was to hid. he scrambled over the earth floor of the longhouse and ducked under the curtain. Beyond was deeper darkness, but he could make out a sort of room with a raised section against the wall. On this was a mountain range covered with fur, in the shape of a sleeping giant. Omri stared all around, feeling the beginnings of panic. "Dad!" he whispered as loudly as he dared... There was no answer. Omri felt intensely vulnerable with no clothes on. Cold air embraced his skin from head to foot. He felt a sudden longing to go home. He hadn't reckoned on this--being separated from his dad, it being so dark and cold, so strange, so lonely.
'Lynne Reid Banks' compassionate first novel examines the stigma of unmarried motherhood in pre-pill, pre-Abortion Act Britain... While the social climate has changed drastically since publication, a transgressive frisson still crackles from the pages' The Guardian Pregnant by accident, kicked out of home by her father, 27-year-old Jane Graham goes to ground in the sort of place she feels she deserves - a bug-ridden boarding-house attic in Fulham. She thinks she wants to hide from the world, but finds out that even at the bottom of the heap, friends and love can still be found, and self-respect is still worth fighting for.
Poetry. Latino/Latina Studies. Maria Luisa Arroyo's GATHERING WORDS/RECOGIENDO PALABRAS gives a voice to the oppressed, the abused, and the forgotten. It speaks from battered women's shelters and from inside homes that hide domestic violence and child abuse. Laying bare the stark realities of life with phrases that are alternately elegant, blunt, and rich with vivid imagery, Arroyo writes with spine-tingling candor that does not allow us to deny the truth. Shaped by her family's background in Puerto Rican music, her poems, written mostly in English, are reminiscent of folksongs with their narrative storytelling and activist representation of the disenfranchised, disillusioned, and neglected. This is Arroyo's first full-length collection of poems.