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"The guiding thread of Owen Bradley's analysis is Maistre's theory of sacrifice, a comparativist study of the ritualization of human barbarity in religious practices, punishments, wars, and revolutions."--BOOK JACKET.
A fresh look at the career of Nadia Boulanger, among the most influential musical figures of the entire twentieth century.
Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.
Joseph de Maistre (1753B1821) was an extraordinarily gifted and insightful commentator on foundational developments that have shaped our modern world. His reaction to the Enlightenment and the French Revolution, though hostile, was remarkably open and included innovative and still-valuable theorizing about such human phenomena as violence and unreason. The political and theoretical issues he addressed continue to challenge us today. In Joseph de Maistre's Life, Thought, and Influence leading Maistre scholars offer interpretations of his thought and make available in English recent French scholarship on his life and work. They provide a portrait of Maistre as a significant thinker in numerous fields, upsetting the image of him as a backward-looking "reactionary," a reinterpretation furthered by contemporary interest in Counter-Enlightenment thought in general. Joseph de Maistre's Life, Thought, and Influence is a valuable resource, providing not only a cross-section of current Maistre scholarship but also notes and biographical suggestions for further study. Contributors include Owen Bradley (University of Tennessee), Jean-Louis Darcel (Université de Savoie), Jean Dinezet (former OECD director-general), Graeme Garrard (University of Wales), Richard A. Lebrun, Vera Miltchyna (Writer's Union, Moscow), Jean-Yves Pranchère (independent scholar), W. Jay Reedy (Bryant College), and Benjamin Thurston (D.Phil. candidate, Oxford).
This is the first ever book-length study of the a cappella masses which appeared in France in choirbook layout during the baroque era. Though the musical settings of the Ordinarium missæ and of the Missa pro defunctis have been the subject of countless studies, the stylistic evolution of the polyphonic masses composed in France during the seventeenth and eighteenth centuries has been neglected owing to the labor involved in creating scores from the surviving individual parts. Jean-Paul C. Montagnier has examined closely the printed, engraved and stenciled choirbooks containing this repertoire, and his book focuses mainly on the music as it stands in them. After tracing the choirbooks' publishing history, the author places these mass settings in their social, liturgical and musical context. He shows that their style did not all adhere strictly to the stile antico, but could also employ the most up-to-date musical language of the period.