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Carlos Merlo se hace acompañar de sus 16 años de experiencia y nos ayuda a comprender que la imagen política es muy importante en el desarrollo de la campaña electoral, pues esta nos permite adecuar la percepción que el votante posee del candidato.
The conference theme was dedicated to the study of the function of art in politics. The present edition compiles the 30 research works divided in 3 sub-topics: Poderes, Cuerpos y Espacios (Powers, Bodies and Spaces); Batallas por el Imaginario (Battles for the Imaginary) and Resistencia y Representación (Resistance and Representation).
Examines the introduction of Mexican muralism to the United States in the 1930s, and the challenges faced by the artists, their medium, and the political overtones of their work in a new society.
EL REGRESO A COATLICUE
The Routledge Handbook of Political Communication in Ibero-America addresses the relationship between communication, politics, and digital technologies in Latin American and the Iberian Peninsula, a geographical space linked by social, cultural, and linguistic aspects. In recent years, digital media have been central in the dialogue established by political parties, institutions, the media, and citizens. In this hybrid space emerged certain phenomena that are of interest, particularly in the Ibero-American landscape, including disinformation and fake news, protests on social media, the organization of social movements, the relationship between the press and the state, political participation, populism, the role played by emotions and memes, the impact of AI and platformization on politics, and topics of debate in the public sphere. This Handbook is structured into nine parts, beginning with a historical contextualization and then exploring central aspects of the discipline. It then goes on to study trends at the regional level, increasing knowledge about how political communication and digital technologies are changing multiple aspects of Ibero-American societies, where political communication plays a fundamental role – especially in electoral processes, with its consequent effects on democracy. This Handbook will be of interest to academics, students, and professionals in the fields of political science, communication, journalism, advertising, marketing, and sociology, as well as public opinion consulting. It will be of particular interest to undergraduate and postgraduate students from Latin America, Portugal, and Spain.
La serie de reformas políticas crearon y fortalecieron las instituciones electorales mexicanas que lejos de consolidad la democracia con la aceptación de los resultados electorales han llevado a conflicto postelectorales mayores. El quiebre de los vínculos democráticos entre candidatos derrotados e instituciones y la grieta entre medios de comunicación, partidos y ciudadanos ha sido alimentada no solo por el incumplimiento al apego a las normas democráticas sino por las denuncias - infundadas la mayor parte de ellas - de inequidad y manipulación. En este entorno Enrique Peña Nieto va a tomar posesión del nuevo gobierno el primero de diciembre. Emeterio Guevara en un esplendido libro reflexiona acerca del más importante momento político de México, el triunfo de Enrique Peña Nieto, la democracia, los medios de comunicación y los alcances de la polarización social. Este libro representa la culminación de los esfuerzos de la brillante carrera del autor para entender el proceso de transición y la consolidación democrática de México. Ciertamente será leído por todos aquellos que quieren entender los entramados del poder y su vinculación con los medios de comunicación.
A point of departure for this book is the paradox between the seemingly limitless promise modern web technologies hold for enhanced political communication and their limited actual contribution. Empirical evidence indicates that neither citizens nor political parties are taking full advantage of online platforms to advance political participation. This is particularly evident when considering the websites of political parties, which have taken on two main functions: i) Disseminating information to citizens and journalists about the history, structure, programme and activities of the party; ii) Monitoring citizens’ opinions in regard to different political questions and policy proposals that are under discussion. Despite the integration of websites into political parties’ “permanent campaigns” (Blumenthal), television continues to be seen as the core medium in political communication and one-way and top-down communication strategies still prevail. In other words, it is still “business as usual”. This book questions whether Web 2.0 could help enhance citizens’ political participation. It offers a critical examination of the current state of the art from diverse perspectives, highlights persisting gaps in our knowledge and identifies a promising stream of further research. The ambition is to stimulate debate around the party-citizen "participation mismatch" and the role and place of modern web technologies in this setting. Each of the included chapters provide valuable explorations of the ways in which political parties motivate, make use of and are shaped by citizen participation in the Web 2.0 era. Diverse perspectives are employed, drawing examples from several European political systems and offering analytical insights at both the individual/micro level and at broader, macro or inter-societal systems level. Taken together, they offer a balanced and thought-provoking account of the political participation gap, its causes and consequences for political communication and democratic politics, as well as pointing the way to new forms of contemporary political participation.
A balance of practical and applied material which also underpins the crucial theoretical concepts that are being applied in today's human resources. For undergraduate/graduate courses in Human Resource Management.
Best known for his 1979 film David, Peter Lilienthal was an unusual figure within postwar filmmaking circles. A child refugee from Nazi Germany who grew up in Uruguay, he was uniquely situated at the crossroads of German, Jewish, and Latin American cultures: while his work emerged from West German auteur filmmaking, his films bore the unmistakable imprints of Jewish thought and the militant character of New Latin American cinema. Peter Lilienthal is the first comprehensive study of Lilienthal’s life and career, highlighting the distinctively cross-cultural and transnational dimensions of his oeuvre, and exploring his role as an early exemplar of a more vibrant, inclusive European film culture.