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This edited volume of fourteen specially commissioned essays written from a variety of critical perspectives by leading Cervantine scholars seeks to provide an overview of Cervantes's Novelas ejemplares which will be of interest to a broad academic readership. This edited volume of fourteen specially commissioned essays written from a variety of critical perspectives by leading cervantine scholars seeks to provide an overview of Cervantes's Novelas ejemplares which will be of interest to a broad academic readership. An extensive general Introduction places the Novelas in the context of Cervantes's life and work; provides basic information about their content, composition, internal ordering, publication, and critical reception, gives detailed consideration to the contemporary literary-theoretical issues implicit in the title, and outlines and contributes to the key critical debates on their variety, unity, exemplarity, and supposed 'hidden mystery'. After a series of chapters on the individual stories, the volume concludes with two survey essays devoted, respectively, to the understanding of eutrapelia implicit in the Novelas, andto the dynamics of the character pairing that is one of their salient features. Detailed plot summaries of each of the stories, and a Guide to Further Reading are supplied as appendices. Stephen Boyd is a lecturer in the Department of Hispanic Studies of University College Cork.
"Many critics regard Cervantes's Don Quixote as the most influential literary book on British literature. Indeed the impact on British authors was immense, as can be seen from 17th-century plays by Fletcher, Massinger and Beaumont, through the great 18th-century novels of Fielding, Smollett, Sterne, and Lennox, and on into more modern and contemporary novelists. 20th-century critics, fascinated by Cervantes, were moved to write what we now see as the classical works of Cervantes scholarship. Through their previous publications, the eminent contributors to this volume have helped to determine the reception of Cervantes in Britain. Together they now offer a comprehensive and innovative picture of this topic, discussing the English translations of Cervantes's works, the literary genres which developed under his shadow, and the best-known authors who consciously emulated him. Cervantes's influence upon British literature emerges as decidedly the deepest of any writer outside of English and, very possibly, of any writer since the Renaissance."
This study examines a series of recurring patterns that can be observed in Miguel de Cervantes's Novelas ejemplares (1613). Author E. T. Aylward proposes that the precise ordering of Cervantes's twelve novellas is based on the thematic and structural patterns of the individual stories contained in the collection.
In the famous city of Burgos there lived two wealthy cavaliers, one of whom was called Don Diego de Carriazo, and the other Don Juan de Avendaño. Don Diego had a son called after himself, and Don Juan another, whose name was Don Tomas de Avendaño. These two young gentlemen being the principal persons of the following tale, we shall for the sake of brevity call them Carriazo and Avendaño.Carriazo might be about thirteen or little more, when, prompted by a scampish disposition, without having had any cause to complain of bad treatment at home, he ran away from his father's house, and cast himself upon the wide world. So much did he enjoy a life of unrestricted freedom, that amidst all the wants and discomforts attendant upon it, he never missed the plenty of his father's house. He neither tired of trudging on foot, nor cared for cold or heat. For him all seasons of the year were genial spring. His sleep was as sound on a heap of straw as on soft mattresses, and he made himself as snug in a hayloft as between two Holland sheets. In short, he made such way in the profession he had chosen, that he could have given lessons to the famous Guzman de Alfarache.
If a single word could summarize everything Bisila Bokoko conveys it would be "inspiration". Her personal story, is one of a racialized woman who has learned how to grow in the face of adversity, and her business, her wisdom, her love of books, and her philanthropic spirit will act as a guide and a path for those who dive into the pages of We All Have a Story to Tell. Discover how to make our dreams come true, how to learn from failure, how to be happy despite the hurdles, what reading can do for us —as the pages of her parent's library did for her, with which she uncovered Africa for the first time— and how to handle our fears. These are the lessons to be learned from the story Bokoko narrates so we can know how to do the same with our own. The United Nations award winning author, founder of the Bisila Bokoko African Literacy Project and owner of a life full of anecdotes and valuable lessons, reveals a vital trajectory that will help us take that step we all need to go further into the story of our lives.
This volume commemorates the quatercentenary of Don Quijote (Part I, 1604-05), widely acknowledged to be the 'first modern novel'. Through Don Quijote, his Exemplary Novels and other major works, Cervantes, Spain's master novelist, has for centuries shaped and profoundly influenced the different literatures and cultures of numerous countries throughout the world. Containing chapters written in both English and Spanish by leading scholars worldwide, this book deals with topics as fundamental and diverse as contested discourses in Don Quijote, psychology and comic characters in Golden-Age literature, the title of Cervantes' master novel, and Cervantes, Shakespeare and the birth of metatheatre. A special issue of the journal Bulletin of Spanish Studies.
Clamurro (Spanish, Emporia State U) maintains that each of Cervantes' 12 Exemplary Novellas embodies a unique vision of the problems of individual identity and social order. He looks beyond the plot to find connotations of the social order that Cervantes unintentionally placed in the texts. Clamurro concludes that in each novella, the message dramatized by the central action is undermined by the complexity and irony of the narrative, and that the novellas cannot be reduce to a unifying framework. Annotation copyrighted by Book News, Inc., Portland, OR