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Founded in 1977 as the publication organ for the Fifteenth-Century Symposium, Fifteenth-Century Studies has appeared annually since then. It publishes essays on all aspects of life in the fifteenth century, including medicine, philosophy, painting, religion, science, philology, history, theater, ritual and custom, music, and poetry. The editors strive to do justice to the most contested medieval century, a period that is the stepchild of research. The period defies consensus on fundamental issues: some dispute, in fact, whether the fifteenth century belonged to the Middle Ages at all, arguing that it was a period of transition, a passage to modern times. At issue, therefore, is the very tenor of an age that stood under the tripartite influence of Gutenberg, the Turks, and Columbus. Volume 25 offers a rich palette of art, theology, literature, and aesthetics of the 15th century, ranging geographically from the British Isles to Tibet, and thematically from witch trials and beast epic to early modern science and a definition of courtliness. Four studies on theatre make dramatic art the point of emphasis in volume 25: Clifford Davidson's on mystery plays, Jörn Bockmann and Judith Klinger's on the English Secunda pastorum, Michelle M. Butler's on the York and Townley pageants, and Jean Marc Pastré's on the carneval plays. Included as standard features are Edelgard DuBruck's article on the current state of fifteenth-century research and a book review section. William C. McDonald is professor of German at the University of Virginia. Edelgard E. DuBruck is professor in the Modern Languages Department at Marygrove College, Detroit, Michigan.
In this interdisciplinary exploration of the cultural and social history of early 19th-century France, Patricia Mainardi focuses on what was considered a major social problem of the time - adultery. In a period when expectations about marriage were changing, the problems of husbands, wives and lovers became a major theme in theatre, literature and the visual arts. The author demonstrates that this intense interest was historically grounded in the post-revolutionary collision between the new concept of the individual's right to happiness and the traditional prerogatives of family and state. duty or happiness more important? Are arranged marriages doomed to be empty of love and poisoned by adultery? Should adulterous wives and their lovers be punished while husbands may commit adultery with impunity? Out of such legal, social and cultural debates ultimately emerged modern bourgeois family values, Mainardi argues. And she illuminates how art, in all its varieties, both influences and is influenced by social change.
Reproduction of the original: A History of the French Novel, Vol. 2 by George Saintsbury
Michel, un producteur de spectacle coureur de jupons, est en instance de divorce de sa femme Fran oise. Sa ma"tresse actuelle, Aline, qui est aussi sa secrZtaire, lui annonce quOelle doit quitter son travail DEGREES cause de la jalousie maladive de son mari, Olivier, un agent spZcial du GIGN. Afin dOapaiser les soup ons dOOlivier, Michel va se faire passer pour un homosexuel lors dOun d"ner organisZ avec la complicitZ de Fran oise, o Olivier et Aline sont invitZs. Mais la soirZe va prendre une tournure inattendue, surtout pour Michel.