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En la ciudad de Amaranth, que está sometida a una cruel tiranía que examina a sus habitantes desde la infancia, la familia Hath es una de las solas que cree más en creatividad e ideas que en el trabajo interminable. Esta trilogía narra las aventuras de lo
Dos años después, a la edad de dieciseis, Alaric todavía no ha superado la pérdida de su madre en un accidente. Él tropieza con una versión alternativa de su realidad en la que su madre ha sobrevivido. El problema es que en esa realidad su lugar lo ocupa una chica que se llama Naia.
This volume contains seven sections, exploring in depth Cervantes's life and how the trials, tribulations, and hardships endured influenced his writing. Cervantistas from numerous countries, offer their expertise with the most up-to-date research and interpretations to complete this wide-ranging, but detailed, compendium.
This book presents the first English introduction to the broad history of the Gothic mode in Spain. It focuses on key literary periods, such as Romanticism, the fin-de-siècle, spiritualist writings of the early-twentieth century, and the cinematic and literary booms of the 1970s and 2000s. With illustrative case studies, Aldana Reyes demonstrates how the Gothic mode has been a permanent yet ever-shifting fixture of the literary and cinematic landscape of Spain since the late-eighteenth century. He proposes that writers and filmmakers alike welcomed the Gothic as a liberating and transgressive artistic language.
This book focuses on three authors coming of age at an important moment in Spanish literary history and in world history at large. These authors incorporated into their novels the new ideas that they found in the writing of many foreign authors that were essential to their development.
The essays of this collection explore how ideas about 'blood' in science and literature have supported, at various points in history and in various places in the circum-Atlantic world, fantasies of human embodiment and human difference that serve to naturalize existing hierarchies.
Fray Antonio de Guevara (1482-1545), the most prolific writer of pseudo-historical prose in sixteenth-century Spain, was named official chronicler by Emperor Charles V in 1526. Despite his title, Guevara never wrote a conventional history. A master of fictional semblance, Guevara self-fashioned his own literary personae or masks - among them those of friar, bishop, chronicler, courtier, imperial counselor, and court buffoon. In his pseudo-historical prose, Guevara resoundingly uses the voices of both the novelist and the court buffoon, entertaining the reader with humor, wit, satire, and irony. Artistically manipulating both classical and contemporary history, Guevara innovatively creates a vast and labyrinthine web in which history and fiction form an inseparable hybrid: a pseudo-historical narrative that heralds the essay and the modern novel.
In this thoughtful and compelling book, leading Spanish literature scholar Noël Valis re-examines the role of Catholicism in the modern Spanish novel. While other studies of fiction and faith have focused largely on religious themes, Sacred Realism views the religious impulse as a crisis of modernity: a fundamental catalyst in the creative and moral development of Spanish narrative.
Al final de la noche se atreve a explorar los rincones más oscuros de la mente humana, aquellos en los que nuestros miedos más secretos se ocultan. El resultado de su exploración queda condensado en diez historias estremecedoras, auténticas pesadillas que vienen del lugar más recóndito y peligroso de la imaginación.