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Drawing extensively on primary sources, this study in three parts provides a detailed biography, examines the most prominent aspects of Falla's character as they pertained to his relationships with other composers and his own music, and sheds light on his creative process as a composer through examination of many of his works with reference to original scores and correspondence, many of which are published here for the first time. A chronological photo section rounds out this offering of great significance for music teachers and students as well as those with an interest in Spanish culture.
Presentamos lo que podríamos considerar como una filosofía darwiniana de la música, que comprende, entre otros temas, la teoría de la evolución musical y sus causas, la influencia del ambiente musical y del principio de selección natural, la diversidad de las especies musicales de lso distintos pueblos...
Esta es una edición bilingüe de la novela de Rudyard Kipling. La historia se basa en cuentos de animales de la selva india que, de forma antropomórfica, plantean lecciones morales. BiBook te permite leer esta obra en versión original y sin necesidad de diccionarios. Gracias a la tecnología BiBook podrás leer cómodamente en inglés, consultando la versión traducida al español cada vez que lo necesites. Olvídate del diccionario. Una traducción párrafo por párrafo está disponible pulsando un enlace sobre la primera letra de cada párrafo. Aprende inglés mientras disfrutas de la lectura. La mayoría de expertos coinciden en que la mejor forma de aprender un idioma es leer. Disfruta de este libro desde un ereader o también en tu móvil o tableta y tus desplazamientos en metro nunca volverán a ser aburridos.
Antonia Mercé, stage-named La Argentina, was the most celebrated Spanish dancer of the early 20th century. Her intensive musical and theatrical collaborations with members of the Spanish vanguard — Manuel de Falla, Frederico García Lorca, Enrique Granados, Néstor de la Torre, Joaquín Nín, and with renowned Andalusian Gypsy dancers — reflect her importance as an artistic symbol for contemporary Spain and its cultural history. When she died in 1936, newspapers around the world mourned the passing of the "Flamenco Pavlova."
A Queer History of Flamenco offers a groundbreaking exploration of flamenco through the lenses of queer theory and cultural studies. Previous histories have provided a largely distorted image about why, where, and how people have done flamenco—as well as who has performed flamenco. Yet feminists, transvestites, butches, femmes, the Spanish Roma, disabled people, guiris, and “incomprehensible” artists have been determined to do things differently without giving up their flamenco status. In this skillful translation of his book Historia queer del flamenco, Fernando López Rodríguez draws on diverse archival materials as well as his own lived experience and artistic practice, unearthing queer flamenco histories, voices, and perspectives that were previously unknown, avoided, or purposely hidden. Tracing flamenco’s development from its birth up to the contemporary era, the book places flamenco within significant historical periods such as the Spanish Civil War, Franco’s dictatorship, the transition to democracy, and the economic crisis of 2008, up to contemporary performances of the late 2010s. In taking a queer approach to History, the author abandons antiquated debates about purities and impurities; anecdotes about the lives of artists that are completely detached from their processes of creation; and myths about geniuses who seem to make art alone and completely detached from their collaborators and the historical, social, economic and artistic moment in which they lived. A Queer History of Flamenco is not only about the present and the queerness of people living, performing, or creating in it, but also about flamenco’s past in which so many queer artists and practices and their lives have remained unearthed and unaddressed.
Reveals how Spanish film musicals, long dismissed as unworthy of critical scrutiny, illuminate Spain's relationship to modernity
The contributors explore the intimate relationships between music & gender, across the wide range of cultures around the Mediterranean. Essays examine musical behaviour as representation, assertion, & transgression of gender identities, compare gender roles & discuss issues of ethnicity & religion.
How did flamenco—a song and dance form associated with both a despised ethnic minority in Spain and a region frequently derided by Spaniards—become so inexorably tied to the country’s culture? Sandie Holguín focuses on the history of the form and how reactions to the performances transformed from disgust to reverance over the course of two centuries. Holguín brings forth an important interplay between regional nationalists and image makers actively involved in building a tourist industry. Soon they realized flamenco performances could be turned into a folkloric attraction that could stimulate the economy. Tourists and Spaniards alike began to cultivate flamenco as a representation of the country's national identity. This study reveals not only how Spain designed and promoted its own symbol but also how this cultural form took on a life of its own.