Download Free La Cueva Book in PDF and EPUB Free Download. You can read online La Cueva and write the review.

Ana Howland is at a crisis point. As a constrained yet passionate woman, she finds few outlets for her desires in her role as mother and wife. She is subsumed by a controlling husband, but is craving her own fulfillment. Her frustrations find outlets through a friendship with an eccentric neighbor and an affair with a man who respects her and nurtures her spirit and independence. Through hardship and grim determination, she learns to look with her own eyes, to feel with her own heart. She discovers a deep well of resilience and compassion, with room for growth and freedom. Her story is one of a leap of faith, away from despair and toward life at its fullest. Despite all odds, she navigates herself, through small but profound changes, into new ways of living, of relating to her friends, her daughter, herself. SHEILA ORTEGO is president of Santa Fe Community College in Santa Fe, New Mexico. Born in New Orleans and of Acadian ancestry, Dr. Ortego received her doctorate in American Studies at the University of New Mexico, and since has taught Southwest Literature, Women’s Literature, and Women’s Studies at several colleges and universities. Her poetry has been published by the “Santa Fe Literary Review,” and she is a member of the “Live Poets Society” in Santa Fe. “The Road from La Cueva” was a first place winner in the 2008 New Mexico Book Awards.

Bulletin

New Mexico State University. Agricultural Experiment Station

Published: 1891

Total Pages: 780


Get eBook

KAT LOMB (1909-2003) was one of the great polyglots of the 20th century. A translator and one of the first simultaneous interpreters in the world, Lomb worked in 16 languages for state and business concerns in her native Hungary. She achieved further fame by writing books on languages, interpreting, and polyglots. Polyglot: How I Learn Languages, first published in 1970, is a collection of anecdotes and reflections on language learning. Because Dr. Lomb learned her languages as an adult, after getting a PhD in chemistry, the methods she used will be of particular interest to adult learners who want to master a foreign language.
Guatemala emerged from the clash between Spanish invaders and Maya cultures that began five centuries ago. The conquest of these “rich and strange lands,” as Hernán Cortés called them, and their “many different peoples” was brutal and prolonged. “Strange Lands and Different Peoples” examines the myriad ramifications of Spanish intrusion, especially Maya resistance to it and the changes that took place in native life because of it. The studies assembled here, focusing on the first century of colonial rule (1524–1624), discuss issues of conquest and resistance, settlement and colonization, labor and tribute, and Maya survival in the wake of Spanish invasion. The authors reappraise the complex relationship between Spaniards and Indians, which was marked from the outset by mutual feelings of resentment and mistrust. While acknowledging the pivotal role of native agency, the authors also document the excesses of Spanish exploitation and the devastating impact of epidemic disease. Drawing on research findings in Spanish and Guatemalan archives, they offer fresh insight into the Kaqchikel Maya uprising of 1524, showing that despite strategic resistance, colonization imposed a burden on the indigenous population more onerous than previously thought. Guatemala remains a deeply divided and unjust society, a country whose current condition can be understood only in light of the colonial experiences that forged it. Affording readers a critical perspective on how Guatemala came to be, “Strange Lands and Different Peoples” shows the events of the past to have enduring contemporary relevance.
A Tale Blazed Through Heaven examines developments in the representation of the classical tale of Mars, Venus, and Vulcan in the literature and painting of the Golden Age of Spain (c.1526-1681). Anchored in close analysis of individual primary texts, the five chapters that comprise this study assess how poets and painters breathed new life into the tale inherited from Homer, Ovid, and others, examining some of the ways in which the story of Mars, Venus, and Vulcan was disguised, developed, expanded, mocked, combined with or played off against different subjects, or otherwise modified in order to pique the interest of successive generations of readers and viewers. Each chapter discusses what particular changes and shifts in emphasis reveal about the tale itself, specific renderings, the aims and intentions of individual poets and painters, and the wider context of the literary and visual culture of Early Modern Spain. Discussing a range of poems by both canonical (Garcilaso de la Vega, Luis de Góngora, Lope de Vega, etc.) and less well-known writers (Juan de la Cueva, Alonso de Castillo Solórzano, Salvador Jacinto Polo de Medina, etc.), and culminating in detailed examination of select mythological works by Philip IV's court painter, Diego Velázquez, this book sheds light on questions relating to aspects of classical reception in the Renaissance, the rise of specific poetic styles (epic, mock-epic, burlesque, etc.), the interplay between the sister arts of poetry and painting, and the continual process of imitation and invention that was one of the defining features of the Spanish Golden Age.
From May 31st to June 4th, 2016, the 7th International European conference on pre-Columbian textiles was held in Copenhagen. This volume unites seven original articles on pre-Columbian textiles from Mexico, which compare information on 20th century finds first described by Alba Guadelupe Mastache with that from previously unpublished finds and recently discovered contexts. A unique chapter presents the technical analysis and replication of a pre-Columbian tunic recovered in a cave site in Arizona, at the northern margins of the Mesoamerican interaction sphere. Thirteen articles on archaeological textiles from the central Andes include analysis of both textile assemblages preserved in museum collections and those recovered during recent fieldwork in archaeological sites of the Andean desert coast. These include textile assemblages representing the Initial and Formative Periods, Paracas and Nasca contexts, the Middle Horizon, diverse late Intermediate Period assemblages and emblematic Inca garments.