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Nella Croce azzurra fa la sua prima apparizione Padre Brown, protagonista di molti romanzi e racconti gialli di Chesterton, il prete-investigatore che risolve i casi grazie alle raffinate esperienze psicologiche date dalla confessione e dal lavorio di casistica morale dei padri, coinvolgendosi fino in fondo e immedesimandosi nella mente dell’uomo-criminale, pur senza trascurare la scienza e l’esperienza.
The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr's interests and the equally wide impact of her work. The concepts linking the essays include the examination of form and meaning, the relationship between original and copy, and reception and cultural identity in medieval art and architecture. Carr’s work focuses on the object but considers the audience, looks at the copy for retention or rejection of the original form and meaning, and always seeks to understand the relationship between intent and perception. She examines the elusive nature of ’center’ and ’periphery’, expanding and enriching the discourse of manuscript production, icons and their copies, and the dissemination of style and meaning. Her body of work is impressive in its chronological scope and geographical extent, as is her ability to tie together aspects of patronage, production and influence across the medieval Mediterranean. The volume opens with an overview of Carr’s career at Southern Methodist University, by Bonnie Wheeler. Kathleen Maxwell, Justine Andrews and Pamela Patton contribute chapters in which they examine workshops, subgroups and influences in manuscript production and reception. Diliana Angelova, Lynn Jones and Ida Sinkevic offer explorations of intent and reception, focusing on imperial patronage, relics and reliquaries. Cypriot studies are represented by Michele Bacci and Maria Vassilaki, who examine aspects of form and style in architecture and icons. The final chapters, by Jaroslav Folda, Anthony Cutler, Rossitza Schroeder and Ann Driscoll, are linked by their focus on the nature of copies, and tease out the ways in which meaning is retained or altered, and the role that is played by intent and reception.
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Un titolo elisabettiano (ne ebbe di amanti la Regina Vergine) per un tentativo di rotta, di circumnavigazione di un mondo così tondo da prevedere ogni tipo di situazioni, ogni gioco di contrasti: la gloria e la vergogna, l’arroganza e l’umiltà, il martirio e la joie de vivre, l’ascesa e la caduta, il miracolo offerto da chi è stato toccato dal demone e i risultati frutto di umanissimi sforzi. Più che una storia ordinata dell’atletica, Regina di tutti gli sport, il libro di Giorgio Cimbrico propone momenti, ricordi - di riporto e diretti -, profili di belli e dannati, capaci di lasciare il segno nello sport che li accomuna e li anticipa tutti nel repertorio delle attitudini e dei gesti, nel desiderio del confronto, nelle motivazioni che germogliano. Così, l’'atletica, più che regina, diviene la smisurata strada maestra che percorre l’India: invita a percorrerla, per percorrersi dentro.