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The form of tin-glazed earthenware known as maiolica reveals much about the culture and spirit of Renaissance Italy. Engagingly decorative, often spectacularly colorful, sometimes whimsical or frankly bawdy, these magnificent objects, which were generally made for use rather than simple ornamentation, present a fascinating glimpse into the realities of daily life. Though not as well known as Renaissance painting and sculpture, maiolica is also prized by collectors and amateurs of the decorative arts the world over. This volume offers highlights of the world-class collection of maiolica at the Metropolitan Museum. It presents 135 masterpieces that reflect more than four hundred years of exquisite artistry, ranging from early pieces from Pesaro—including an eight-figure group of the Lamentation, the largest, most ambitious piece of sculpture produced in a Renaissance maiolica workshop—to everyday objects such as albarelli (pharmacy jars), bella donna plates, and humorous genre scenes. Each piece has been newly photographed for this volume, and each is presented with a full discussion, provenance, exhibition history, publication history, notes on form and glaze, and condition report. Two essays by Timothy Wilson, widely considered the foremost scholar in the field, provide overviews of the history and technique of maiolica as well as an account of the formation of The Met's collection. Also featured is a wide-ranging introduction by Luke Syson that examines how the function of an object governed the visual and compositional choices made by the pottery painter. As the latest volume in The Met's series of decorative arts highlights, Maiolica is an invaluable resource for scholars and collectors as well as an absorbing general introduction to a multifaceted subject.
A lovingly illustrated celebration of the Venetian art of "cristallo" focuses on this remarkable glasswork produced in five countries during the sixteenth and seventeenth centuries, using essays and photographs to highlight the aesthetic and social dimensions of this unique craft. 281 colour & 47 b/w illustrations
Nel 1524 Eleonora Gonzaga invia da Urbino a Mantova, in dono alla madre Isabella d'Este, una "credenza" di ceramiche appositamente create dal più grande ceramista dell'epoca, Nicola d'Urbino. I ventiquattro pezzi della credenza originale, autentici capolavori oggi sparsi nei musei e nelle collezioni private di tutto il mondo, sono stati accuratamente riprodotti da Ester Mantovani, rendendo possibile ammirarli a distanza di secoli. Al catalogo della mostra sono premessi un ricco saggio sulle "Ceramiche a Mantova al tempo dei Gonzaga" (M. Palvarini Gobio Casali), un profilo di Isabella (D. Ferrari), la ricostruzione delle vicende della credenza (V. Taylor) e un saggio sulla creazione delle interpetazioni contemporanee (E. Mantovani). Il volume è realizzato interamente a colori e comprende la traduzione integrale in lingua inglese dei testi.
Together they represent the various shapes, ornamentation, ambitious compositions, and complex narratives characteristic of a distinguished selection of ceramics from Renaissance Italy." "The history of these objects unfolds in the text by specialist Wendy M. Watson. Included is an original essay by Dean Walker on collecting maiolica in the United States, and a detailed scholarly checklist."--BOOK JACKET.
A superb catalogue of the British Museum collection of maiolica and other Italian Renaissance pottery, published in two volumes with a slipcase, ribbon and cloth binding. The British Museum collection of Italian Renaissance ceramics is one of the most important and most comprehensive anywhere in the world. Apart from containing many works of great artistic beauty, it is unequalled for its high proportion of signed, marked, dated and armorial pieces, crucial for scholarly study of the subject. This is the first systematic catalogue of the collection. The 495 detailed entries cover the period from 1400 to 1700 and include maiolica, incised slipware and the rare 'Medici porcelain' made in the ground-breaking Granducal workshop in Florence in the late 16th century. Every item is illustrated at least once, and most twice, in colour. Particular attention is given to patronage (the collection includes works made for such eminent patrons as Pope Leo X and Isabella d'Este), to the relationship with painting and other arts, and to the history of collecting and the role of the British Museum collection in developing the international study of the subject. The catalogue entries incorporate the results of a long programme of scientific analysis of the clays used by Renaissance potters. The book will also contain the fullest bibliography of the subject ever published.
"Francesco Xanto Avelli da Rovigo (c. 1486-c.1542) painted some of the most beautiful and fascinating ceramics produced in Renaissance Italy, often drawing on classical mythology for his subjects. He was also a poet, and commented on the tempestuous events of his time--including the infamous Sack of Rome in 1527--both in verse and allegorically in the imagery of the dishes and plates he decorated. This book is a comprehensive study of Xanto as a remarkable painter of Italian Renaissance tin-glazed earthenware (maiolica) decorated with narrative subjects (istoriato), a poet and a loyal follower of the condottiere Francesco Maria I della Rovere, Duke of Urbino. It contains a full transcription of his sonnets with a parallel English translation. A list of maiolica by or attributable to Xanto is another first. Through his ceramics, beautiful and interesting in themselves, and here superbly reproduced, it provides an enlightening cross-section of the dawn of the early modern era"--Provided by publisher.
"This volume in a series of sixteen that features the more than two thousand works of art in the Robert Lehman Collection at The Metropolitan Museum of Art focuses on Italian majolica or earthenware." -- Metropolitan Museum of Art website.