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Published on the occasion of an exhibition celebrating the Wagners' promised gift of more than 850 works of art to the Whitney Museum of American Art, New York, and the Musaee national d'art moderne, Centre Pompidou, Paris, held at the Whitney Museum of American Art, November 20, 2015-March 6, 2016, and at the Centre Pompidou, June 16, 2016-January 2017.
Featuring a broad selection of paintings, sculptures and photographs coming mainly from the Centre Pompidou collections, Louvre Abu Dhabi’s exhibition catalogue “Rendezvous in Paris: Picasso, Chagall, Modigliani & Co.” focuses on this highly distinctive period in French art when young painters, sculptors and photographers flocked to early-20th-century Paris from all over the world to make a decisive contribution to the city’s art scene. Most notably from Germany, Spain, Italy, the Netherlands, Russia and even Japan, these formally inventive artists – Constantin Brancusi, Marc Chagall, Kees van Dongen, Tsuguharu Foujita, Amedeo Modigliani and Pablo Picasso among them – who would later become known as the “School of Paris”, rivalled the greatest French artists of the time.
This is the story of how France's famed cultural icon, one of the most controversial and supremely public buildings of the century, was designed and built. Nathan Silver's detailed account of the Centre Pompidou -- still called Beaubourg by its designers, and by Parisians -- takes the form of a fascinating and insightful "building biography." Not just a book about a building but about the making of a building, this fresh, heterodox means of inquiry is a holistic reading of the intricate process of creating architecture in contemporary society that brings to light its human story, encompassing its stylistic, historical, technical, and social aspects. Beaubourg, Silver reveals, was unlike anything that had ever been built. A realization of ideals and aspirations of it architectural generation, a rethinking of fundamental precepts of design and construction, it took nothing for granted, and it has since become one of the most popular tourist attractions in Europe -- flaunting new principles that other architects have to come to terms with.
In Some Useful Advice for Apprentice Process-Servers - a short piece also included in this book - the author grants the process-server a right of reply, which he uses to chilling effect."--Jacket.
The design and history of Paris's iconic Centre Pompidou is explored in this absorbing and beautifully illustrated biography of a building.
Pablo Picasso was one of the most innovative, experimental, prolific, influential, and controversial painters of the twentieth century. An updated and re-designed version of the large-format book published in the year 2000, this small-format Picasso. The Monograph 1881-1973 offers more than 1,200 new-scanned reproductions spanning the artist’s entire career. The three authors are all experts: Léal and Bernadac both former curators of the Musée Picasso in Paris are, at this time and respectively, curators of the Centre Pompidou and the Louvre Museum, and Piot coauthored the catalogue raisonné of Picasso’s sculpture. Brigitte Leal covers Picasso's formative years from 1881 through 1916, including his invention of Cubism with Georges Braque. Christine Piot explores the astonishingly fertile period from 1917 through 1952, and Marie- Laure Bernadac discusses the unabashed vigor of Picasso’s later years, from 1953 until his death in 1973. Smoothly translated from the French, the book weaves biographical details and discussions of the art into a concise narrative. (“Olga became pregnant in the summer of 1920, and in Picasso’s work forms blossomed and flesh took on the massive quality of stone.”).The authors keep an extremely tight focus on their subject, with only as much mention of Picasso’s contemporaries or the outside world as absolutely necessary. The 16-page section on Guernica, for example, has barely two pages of discussion about the painting and its genesis. In short, for any personal or academic art history collection, and for students or community libraries, Picasso. The Monograph 1881-1973 is unsurpassed.
Spanning six decades of the artist?s work, Matisse: Life & Spirit presents an extraordinary immersion in the range and depth of the art of Henri Matisse, one of the world?s most beloved, innovative and influential artists. The works reach from his early adventures in colour as a Fauvist through to the serene and distilled designs for his chapel in Vence in the south of France. Through paintings, drawings, sculptures and a compelling presentation of his triumphant cut-outs, it reveals how Matisse renewed his vision time and again over his long career, seeking new ways of celebrating the seen world and expressing the energy he felt in it. Highlights include the especially important early work Le luxe I 1907; the mid-career masterpiece Decorative figure on an ornamental ground 1925; and the majestic self-portrait, The sorrow of the king 1952, one of the largest of the famous cut-outs that the artist created in his late career. Filled with brilliant colour, dynamic energy, visual joy and emotional power, Matisse: Life & Spirit offers an inspirational journey through the life and art of this ceaselessly inventive and life-affirming painter. Developed in collaboration with the Centre Pompidou in Paris, which holds an exceptional collection of works by the artist, Matisse: Life & Spirit is the greatest single exhibition of Matisse masterworks ever to be seen in Sydney.
A groundbreaking study of the women of abstract art and their works, presented as a richly illustrated visual history. Women in Abstraction reevaluates the work of women abstract artists, changing the story of modern and contemporary art. A tie-in catalog to a major exhibition at Paris’s Centre Pompidou, this volume explores the fundamental role women artists played in the development of abstract art in the twentieth century. In this rich, sweeping collection, editors Christine Macel and Karolina Lewandowska bring together more than one hundred artists in painting, sculpture, dance, applied arts, photography, film, and performing arts. Understanding that abstract art must be looked at in the light of the artists’ political and personal surroundings, this volume dives into the creation and reception of these artworks over time. From the symbolist abstraction of Hilma af Klint, now widely regarded as the first abstract artist, and the sensual abstraction of Huguette Caland, to the purist non-objective approach of Verena Loewensberg, each artist’s relationship to abstraction is examined. These artworks are presented with thought- provoking essays by esteemed critics, contextualizing and exploring the subjects and themes of the movement. Ultimately, this volume questions the legitimacy of the notion of “female artists” and presents this group as simply artists, full of complexities and paradoxes.