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In this comprehensive study of Voltaire's intellectual development, he provides the first full treatment of the effect of the English experience on Voltaire, the diversity of activity at Cirey, and the relation of Voltaire’s thought to 17th- and 18th-century philosophy. By devoting considerable attention to the movements, the personal relationships, and the environments that influenced Voltaire, Professor Wade is able to illuminate the sources of Voltaire’s thought and show at the same time how he wove them into a unique synthesis. A final chapter in the book contains a general summation of the importance of Voltaireanism as a philosophy of life. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
How is a society historically formed? How are its historical references, its economy, its social structures, and its language shaped? This book explores these general questions with reference to the case of the Modern Greeks. Who were they? How did they re-emerge on the historical stage after centuries of obscurity since the decline of Antiquity? How was the phenomenon described as New Hellenism historically shaped? What were the historical processes that enabled the New Hellenes to differentiate themselves from the Ottoman system of rule and become distinct from the other Balkan national and cultural groups? This text examines the emergence and formation of various social groups and populations that shaped the historical phenomenon of New Hellenism. It shows that the Modern Greeks were historically formed by way of successive differentiations from the Ottoman frames without initially appearing as homogenous. The book scrutinizes the making of all such differentiations for every social group in each separate geographical area. The activities of these groups in each area eventually formed a distinct economic and cultural space, within the confines of the Ottoman Empire, the space of the New Hellenism.
Music was an essential aspect of life in eighteenth-century Britain and plays a crucial role in the literary strategies of Georgian novels. This book is the first to investigate the literary representation of music in these works and explores the structural, dramatic and metaphorical roles of music in novels by authors ranging from Richardson to Austen. Pierre Dubois explores the meaning of 'musical scenes' by framing them within contemporary cultural issues, such as the critique of Italian opera or the theoretical shift from mimesis to the alleged autonomy and mystery of music. Focusing upon both eighteenth-century theories of music, and the way specific musical instruments were perceived in the collective imagination, Dubois suggests new interpretative perspectives for a whole range of novels of the Georgian era. This book will be of interest to a wide readership interested not only in literature, but also in music and cultural history at large.
Lancelot “Capability” Brown was one of the most influential landscape designers of the eighteenth-century at a time when Britain was changing radically from an agrarian to an industrial and colonial nation, whilst Europe was periodically convulsed by war and revolution. The extent and nature of his influence are, however, fiercely debated. Brown worked at hundreds of important sites across England and his name became synonymous with the “English Garden” style which was copied across Northern Europe and entranced Catherine the Great, who remodelled her landscapes in St Petersburg to reflect the new style. He was fêted in his time, and recognised by the Crown, but Brown’s style was readily copied over his later life and particularly after his death. Arguably, this ubiquity led to the denigration of his achievements and even his character, particularly by the agents of the Picturesque. The lack of any personal primary material from Brown - forcing scholars to rely on his landscapes, contracts and bank accounts - has hindered attempts to provide a rounded and credible account of the man and his works. However, by exploring his team of associates and his role as Royal Gardener, new light can be thrown on the man, his landscapes and his landscape legacy. Bringing together a number of perspectives from across Northern Europe, Capability Brown, Royal Gardener explores the lasting international impact of Brown. With Brown’s position as Royal Gardener at its heart, this book explores for the first time his business methods, working methods and European influence. It assesses how, crucially, Brown’s work practices placed him within the world of nurserymen and landscape designers, and how his business practices and long term relationships with draughtsmen and designers allowed him to manage a huge number of projects and a substantial financial turnover. This, in turn, allowed him to work in a way that promoted and advanced his style of landscape. Edited by Professor Jonathan Finch (University of York) and Dr Jan Woudstra (University of Sheffield), and with a varied range of engaging contributors drawn internationally from archaeology, art history, history and landscape architecture, Capability Brown, Royal Gardener weaves together strands from across a broad range of disciplinary interests. It makes an important contribution to the scholarly discussion of Brown’s work, the work of his collaborators, and legacy in the UK and across Northern Europe. Relevant to students and academics at all levels, this volume throws new light on Capability Brown and his impact on the business of place-making in Northern Europe.