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Frantic and popular characters and situations from the entremes tradition, thought by many as opposing the comedias' main features, are instead shown to join and often dominate these features through the introduction of absurd figuras, slapstick, and burlas."--BOOK JACKET.
Cuba's cultural influence throughout the Western Hemisphere, and especially in the United States, has been disproportionally large for so small a country. This landmark volume is the first comprehensive overview of poetry written over the past sixty years. Presented in a beautiful Spanish-English en face edition, The Whole Island makes available the astonishing achievement of a wide range of Cuban poets, including such well-known figures as Nicolás Guillén, José Lezama Lima, and Nancy Morejón, but also poets widely read in Spanish who remain almost unknown to the English-speaking world—among them Fina García Marruz, José Kozer, Raúl Hernández Novás, and Ángel Escobar—and poets born since the Revolution, like Rogelio Saunders, Omar Pérez, Alessandra Molina, and Javier Marimón. The translations, almost all of them new, convey the intensity and beauty of the accompanying Spanish originals. With their work deeply rooted in Cuban culture, many of these poets—both on and off the island—have been at the center of the political and social changes of this tempestuous period. The poems offered here constitute an essential source for understanding the literature and culture of Cuba, its diaspora, and the Caribbean at large, and provide an unparalleled perspective on what it means to be Cuban.
Something is rotten in the state of Spain. The uninterred corpse of a patriarchal figure populates the visual landscapes of Iberian cinemas. He is chilled, drugged, perfumed, ventilated, presumed dead, speared in the cranium, and worse. Analyzing a series of Iberian cinematic dark comedies from the 1950s to the present day, Patriarchy’s Remains argues that the cinematic trope of the patriarchal death symbolizes the lingering remains of the Francisco Franco dictatorship in Spain (1939–75). These films, created as satirical responses to persisting economic, social, and political issues, demonstrate that Spain’s transition to democracy following the Francoist period is an incomplete and ongoing process. Within the theme of patriarchal decay, the significance of the figure differs across cinematic representations, from his indispensability to his obstructionism and exploitation. Erin Hogan traces the prevalence of patriarchal death by analyzing its relationship with the surrounding characters who must depend on the deceased. Hogan demonstrates how the patriarch’s persistence in film both reveals and challenges an array of discriminations and inequalities in the cinematic grotesque tradition, in Iberian cinemas more broadly, and in Iberian society as a whole. Despite Spain’s ongoing transition towards democratic pluralism, Patriarchy’s Remains serves as a reminder that the remnants of an entrenched although not interred patriarchal culture continue to haunt Iberian society.
Como muestra acabada del surrealismo, El Espejo horadado es en términos generales una novela alegórica en la que se simboliza y representa el devenir de la humanidad en un campo mágico de infinitas mariposas. Se desarrolla afuera y adentro del espacio tiempo. Su estructura en espiral da cuenta de quien se convierte al final del día en una estrella brillante, en una Sastal ek por el conocimiento.
Provides a detailed look at the political and artistic climate in Mexican-American relations through an examination of the folk art collection amassed by Dwight and Elizabeth Morrow when he was U.S. ambassador to Mexico in the late 1920s.
Los Sufis es la mejor introduccion jamas escrita sobre la escuela filosofica y mistica tradicionalmente asociada con el mundo islamico.Potente, conciso e intensamente estimulante, resume mas de mil anos de pensamiento oriental - el producto de algunas de las mentes mas ilustres de toda la historia humana - en una sola obra, presentando ideas atemporales en un estilo fresco y contemporaneo.Cuando el libro se publico originalmente en ingles, en 1964, lanzo a su autor, Idries Shah, a la escena internacional, atrayendo la atencion de pensadores y escritores como J. D. Salinger, la Premio Nobel Doris Lessing, Ted Hughes, Claudio Naranjo y Robert Graves.Tambien introdujo al mundo occidental nuevos conceptos que ahora son comunes, como la importancia psicologica de la atencion y el humor, el uso de historias tradicionales como instrumentos de ensenanza (lo que Shah denomino "e;cuentos ensenantes"e;), y la deuda historica de Occidente con el Medio Oriente en materia cientifica, literaria y filosofica.Como introduccion a las muchas docenas de libros Sufis que Shah escribio despues, es insuperable: este mismo libro abre una ventana a una comunidad de gente (Los Sufis mismos) cuyo sistema de pensamiento y accion se ha enfocado durante mucho tiempo en el avance de la humanidad toda, y cuyas ideas sobre los individuos y la sociedad, su proposito y direccion, deben ser comprendidas y ponderadas... hoy mas que nunca.