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(Grant & Cutler 2003)
"The Red and the Black" is a reflective novel about the rise of poor, intellectually gifted people to High Society. Set in 19th century France it portrays the era after the exile of Napoleon to St. Helena. the influential, sharp epigrams in striking prose, leave reader almost as intrigued by the author's talent as the surprising twists that occur in the arduous love life.
The Charterhouse of Parma (1839) is a compelling novel of passion and daring. Set at the beginning of the 19th-century in northern Italy, it traces the joyous but ill-starred amorous exploits of a handsome young aristocrat called Fabrice del Dongo. The novel's great achievement is to conjure up the excitement and romance of youth while never losing sight of the harsh realities which beset the pursuit of happiness. This new translation captures Stendhal's narrative verse, while the Introduction explores the novel's reception and the reasons for its enduring popularity and power.
'The Abbess of Castro' is a novella by Stendhal which recounts the untimely tragic romance between the daughter of the wealthiest man in Lazio and a penniless gangster. It may be a tale of star-crossed lovers set in Italy, but this novella is so much more than an alternative Romeo and Juliet. Beneath the surface lies an eye-opening tale of political machinations that Machiavelli would be proud of, violent family feuds and swashbuckling adventures. Claimed to be translated from 16th Century manuscripts, 'The Abbess of Castro' packs an extra punch with its extremely unsympathetic view on warfare and an acute critique on ardent individuals undone by passion. Stendhal is widely regarded to be an eminent example of Romantic Realism throughout his work and directly influenced the world-famous Russian author Leo Tolstoy in his depictions of war, especially in Tolstoy's works 'Sevastopol Sketchers', 'The Invaders', 'The Cossacks' and 'Youth and Childhood'. Stendhal (1783-1842), the pseudonym of Marie-Henry Beyle, was a French writer. A pioneer of literary realism and master of the psychological portrayals of his characters, he is best known for his novels 'The Red and the Black' (1830) and 'The Charterhouse of Parma' (1839).
Visit Parma following the words of the writers. Petrarca, Stendhal, Proust, Casanova, Bevilacqua, Guareschi, Zavattini and many others. An anthology of quotes and ilterary itineraries
Love can be surprising. Love can be heartbreaking. Love can be an art. But love is the singular emotion that all humans rely on most . . . and crave endlessly, no matter what the cost. United by this theme of love, the nine titles in the Penguin Great Loves collection include tales of blissful and all- encompassing, doomed and tragic, erotic and absurd, seductive and adulterous, innocent and murderous love. A deeply moving addition to the Penguin Great Ideas and Great Journeys series, each gorgeously packaged book will challenge all expectations of love while celebrating the beauty of its existence. All books in this series: Cures for Love Doomed Love The Eaten Heart First Love Forbidden Fruit The Kreutzer Sonata A Mere Interlude Of Mistresses, Tigresses and Other Conquests The Seducer's Diary
The 'Lives of Haydn, Mozart and Metastasio'- Stendhal's first published work – owes its inspiration to the audacious pragmatism of its author. After the collapse of the Napoleonic empire, Henri Beyle was jobless, soon destined to become a refugee and in desperate need of money. His most abiding passion in life was music, so why not write about it? Unfortunately, however, he knew next to nothing about it. So, calmly and without the slightest pang of conscience, he resolved to plunder the works of other writers – in particular those of the musicologist Giuseppe Carpani, who was annoyed and said so vociferously. The result of Stendhal's unscrupulous plagiarism is one of the most fascinating literary enigmas of all time. How is it that what started as a blatant act of piracy evolved into a work of enduring genius? Despite its unpropitious beginnings, this work represents the wrong-headedness of a genius – and the singular Louis-Alexandre-Cesar Bomet who signed the 'Lives' was already, in everything that mattered, the man who was to be Stendhal, one of the most enduring literary figures of the nineteenth century.