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La Carreta Made a U-Turnæwas the first book published by Arte PÏblico Press. Its impact was so great that almost immediately upon publication it was the subject of a forty-page article in the respected journalæDaedalus.æOver the years, it has also been the subject of numerous reviews and literary studies, and Tato Laviera has become almost synonymous with Nuyorican/Hispanic and bilingual literature. Laviera has produced three other successful books of poems, all published by Arte PÏblico Press. Since 1979,æLa Carreta Made a U-Turnæis the most popular and most widely read book of poetry by a U.S. Hispanic Author.
A panorama of literature by Latinos, whether born or resident in the United States.
"...a clear and refreshing note of affirmation, humaneness, joy and vigor in the face of poverty, alienation and oppression. Tato Laviera has produced a remarkably varied first book of poems". -- Explorations In Ethnic Studies "The overall impression, despite the strategic shift from one language to the other, is one of almost undetectably fluid transition, and from the standpoint of either language tradition, of a qualitative expansion of idiomatic resources".
Divided Borders: Essays on Puerto Rican Identity is a collection of essays on history, literature and culture by the celebrated commentator on Puerto Rican and Caribbean culture in the United States, Juan Flores. He is the recipient of the prestigious Casa de las Americas award for his monograph on Puerto Rican identity. Included are: ñPuerto Rican Literature in the United States: Stages and Perspectives,î ñThe Insular Vision: Pedreira and the Puerto Rican Misere,î ñNational Culture and Migration: Perspectives of the Puerto Rican Working Class,î ñLiving Borders / Buscando America: Languages of Latino Self Formationî and many others.
Recovering the U.S. Hispanic Literary Project is a national project to locate, identify, preserve and make accessible the literary contributions of U.S. Hispanics from colonial times through 1960 in what today comprises the fifty states of the United States.
Enclave is Tato LavieraÍs second book of verse. As in his successful La Carreta Made a U-Turn, Laviera celebrates the Puerto Rican experience in New York. While the earlier book focuses on events and scenes, Enclave concentrates on the individual. Laviera provides a gallery of portraits of the indomitable inhabitants of the enclave, whose lives are evoked through the soulful rhythmic songs ñen clave.î
"The Latino Reader" presents the full history of this important American literary tradition, from its mid-sixteenth-century beginnings to the present day. The wide-ranging selections include works of history, memoir, letters, and essays, as well as fiction, poetry, and drama.
Unlike any other book of its kind, this volume celebrates published works from a broad range of American ethnic groups not often featured in the typical canon of literature. This culturally rich encyclopedia contains 160 alphabetically arranged entries on African American, Asian American, Latino/a, and Native American literary traditions, among others. The book introduces the uniquely American mosaic of multicultural literature by chronicling the achievements of American writers of non-European descent and highlighting the ethnic diversity of works from the colonial era to the present. The work features engaging topics like the civil rights movement, bilingualism, assimilation, and border narratives. Entries provide historical overviews of literary periods along with profiles of major authors and great works, including Toni Morrison, Maxine Hong Kingston, Maya Angelou, Sherman Alexie, A Raisin in the Sun, American Born Chinese, and The House on Mango Street. The book also provides concise overviews of genres not often featured in textbooks, like the Chinese American novel, African American young adult literature, Mexican American autobiography, and Cuban American poetry.