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Jean Cocteau, Erik Satie, Moulin Rouge - the names popularly associated with film composer Georges Auric's career conjure visions of a distant and glamorous early twentieth-century Parisian art world. Auric wrote well over 100 film scores, including the soundtrack for Roman Holiday, and was notably affiliated with Les Six, a group of French composers reacting to the musical establishment of the 1920s. But Auric's life and work spanned far beyond this limited sphere. A lifelong involvement in politics - from his leftism during the Popular Front years of the 1930s to his significant role in the French Communist Party's musical resistance of the 1940s - heavily influenced his sound and aesthetic. His advocacy on behalf of his fellow musicians led him into the fight for fair copyright laws, initially in France and then worldwide. And over the course of a seven-decade-long career, Auric took on roles as diverse as music critic, opera director, and arts administrator, revealing a deep involvement in his country's musical life that makes the label of "composer" seem inadequate. The first English-language biography of Auric, Georges Auric: A Life in Music and Politics rethinks the conventional ideas of what it means to be a composer. Drawing from an astonishing three dozen untapped archives, including the private archives of Auric's widow, author Colin Roust presents a picture of Auric that is as multifaceted as the man's career. Using Auric's life as a lens, Roust reveals the transforming role of music - and the composer - in twentieth-century society.
This textbook includes all 13 chapters of Français interactif. It accompanies www.laits.utexas.edu/fi, the web-based French program developed and in use at the University of Texas since 2004, and its companion site, Tex's French Grammar (2000) www.laits.utexas.edu/tex/ Français interactif is an open acess site, a free and open multimedia resources, which requires neither password nor fees. Français interactif has been funded and created by Liberal Arts Instructional Technology Services at the University of Texas, and is currently supported by COERLL, the Center for Open Educational Resources and Language Learning UT-Austin, and the U.S. Department of Education Fund for the Improvement of Post-Secondary Education (FIPSE Grant P116B070251) as an example of the open access initiative.
This unique treasury provides information on 2,000 stars and the movies they made - from the early silent films to today. For each star, old or new, there is a concise biography and complete chronological list of all movie and TV appearances. Included are triumphs and disasters alike - as well as Academy Award nominations and prizes. Each entry is accompanied by a photograph of the star at the height of his or her career or in a typical role. Both the old and the new of cinema are found within these pages: Bette Davis William Powell, Marlene Dietrich, John Wayne, Carole Lombard, Richard Burton, Clint Eastwood, Robert De Niro, Robin Williams, Winona Ryder, Kevin Costner, and Christopher Walken, among hundreds of others. From the obscure (Gloria Talbott) to the mega-famous (Tom Cruise), from the award winners (Tom Hanks) to the never nominated (Edward G. Robinson), from the classics (Buster Keaton) to the luminaries of today (Jim Carrey) - the careers of all are here.
Lou's school year is off to a rocky start. Her BFF, Mina, won’t speak to her, but a new friend, Mary Emily, never shuts up. Lou's mom and her new boyfriend are madly in love, but all their smooching is starting to get on Lou's nerves. Meanwhile, a wrecking ball is smashing down the apartment that used to belong to her beloved Tristan. Lou still has a friend in Paul, if she can just work up the courage to write him a letter. Life was a lot easier when dressing up in her pink princess gown and going to the park for ice cream would solve any problem. Is it any wonder that Lou is down in the dumps?
This first book published on film noir established the genre--a classic, at last in translation.
Including over 1800 entries, this guide provides a short biography for each star, with a complete filmography of all film, television, voice-overs and guest appearances. Those featured include Jim Carrey, Uma Thurman and Brad Pitt, and there is also updated information on all stars with re-assessments of career turnarounds, such as John Travolta and Tommy Lee Jones.
Featuring nearly three thousand film stills, production shots, and other illustrations, an authoritative history of the cinema traces the development of the medium, its filmmakers and stars, and the evolution of national cinemas around the world.
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895-1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol’s career, the first ever published in English, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright’s controversial prioritisation of speech over image, the book juxtaposes Pagnol’s sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné. In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini.