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This handbook presents the great contemporary challenges facing cities and urban spaces in Latin America and the Caribbean. The content of this multidisciplinary book is organized into four large sections focusing on the histories and trajectories of urban spatial development, inequality and displacement of urban populations, contemporary debates on urban policies, and the future of the city in this region. Scholars of diverse origins and specializations analyze Latin American and Caribbean cities showing that, despite their diversity, they share many characteristics and challenges and that there is value in systematizing this knowledge to both understand and explain them better and to promote increasing equity and sustainability. The contributions in this handbook enhance the theoretical, empirical and methodological study of urbanization processes and urban policies of Latin America and the Caribbean in a global context, making it an important reference for scholars across the world. The book is designed to meet the interdisciplinary study and consultation needs of undergraduate and graduate students of architecture, urban design, urban planning, sociology, anthropology, political science, public administration, and more.
This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis. In the century between 1830 and 1930, following independence from Spain and Portugal, major cities in Latin America experienced large-scale growth, with the development of a new urban bourgeois elite interested in projects of modernization and rapid industrialization. At the same time, the lower classes were eradicated from old city districts and deported to the outskirts. The Metropolis in Latin America, 1830–1930 surveys this expansion, focusing on six capital cities—Havana, Mexico City, Rio de Janeiro, Buenos Aires, Santiago de Chile, and Lima—as it examines sociopolitical histories, town planning, art and architecture, photography, and film in relation to the metropolis. Drawing from the Getty Research Institute’s vast collection of books, prints, and photographs from this period, largely unpublished until now, this volume reveals the cities’ changes through urban panoramas, plans depicting new neighborhoods, and photographs of novel transportation systems, public amenities, civic spaces, and more. It illustrates the transformation of colonial cities into the monumental modern metropolises that, by the end of the 1920s, provided fertile ground for the emergence of today’s Latin American megalopolis.
Urban Latin America explores the relationship between images, words and the built environment using an engaging variety of methods and sources, with a timely emphasis on comparative studies. The book brings together scholars with various disciplinary backgrounds and theoretical affiliations who critically approach urban experiences through visual accounts, texts and architectural elements. The reader is introduced to major theories, secondary sources and empirical references that have not been written about in English. Film and photography, fictional and historical writings, particular buildings and landmarks – all inspire fascinating glimpses into different moments in the biography of cities in Argentina, Brazil, Chile, Colombia, Ecuador, Mexico, Uruguay and Venezuela.
Urban Resilience is seen by many as a tool to mitigate harm in times of extreme social, political, financial, and environmental stress. Despite its widespread usage, however, resilience is used in different ways by policy makers, activists, academics, and practitioners. Some see it as a key to unlocking a more stable and secure urban future in times of extreme global insecurity; for others, it is a neoliberal technology that marginalizes the voices of already marginal peoples. This volume moves beyond praise and critique by focusing on the actors, narratives and temporalities that define urban resilience in a global context. By exploring the past, present, and future of urban resilience, this volume unlocks the potential of this concept to build more sustainable, inclusive, and secure cities in the 21st century.
Perspectives on how the city is Imagined in Latin America. Focussing on Latin America as an urban case study, an examination of urban imaginaries and the construct of our relationships with cities. Perspectives from anthropologists, sociologists, artists, and psychologists.
Maybe the Global Village metaphor has never been more accurate than it is today, where societies join forces in the fight against the COVID 19 pandemic, in a global coordinated effort, possibly never tested before in the known history of Humankind. Although we are sure that in the past some other shared demands have united the different peoples of the world, this has never been so strongly necessary, mainly in what the global scientific community is concerned. This is a fight for the survival of a society. However, we should not lose sight of what we are fighting for. We fight together for people. Not just for the abstract value of Human life, but for life in society as a whole, including its moral and ethical aspects. The topics of this book are based on this claim, on what makes it possible. We do not build our lives in a vacuum, or in distant Invisible Cities, but through a higher value, which represents physical life in society: the City, built by the discipline of Urbanism. This book is a spin-off of the International Research Seminar on Urbanism_SIIU2020. Inspired by the contents of twelve research seminars, a group of researchers from the universities of Barcelona, Lisbon and São Paulo discuss the contemporary agenda of research in Urbanism. Following the conference, a selection of 35 original double-blind peer-reviewed research papers were brought together with different perspectives about such an agenda.
This is the first book published in English to present a concise but panoramic overview of the social, economic and political roots of the current Brazilian crisis. By situating former president Dilma Rousseff’s impeachment in the wider context of the historical struggle for social rights, citizenship and democracy in the country, the book provides a conceptual framework that will allow foreign readers to better understand the apparent contradiction of a rising regional power that all of a sudden entered in one of the worst economic, social and political crisis of its history. This book will be of interest to a wide range of social scientists (such as sociologists, economists, historians and political scientists) interested in labor and citizenship issues in developing countries like Brazil, as well as for social agents (from the public and private spheres) with practical involvement with such issues, such as trade unionists, leaders and advisors of business organizations, policy-makers, politicians, NGO activists and technicians.
In Transition Cinema, Jessica Stites Mor documents the critical role filmmakers, the film industry, and state regulators played in Argentina's volatile and unfinished transition from dictatorship to democracy. She shows how, during periods of both military repression and civilian rule, the state moved to control political film production and its content, distribution, and exhibition. She also reveals the strategies that the industry, independent filmmakers, and film activists employed to comply with or circumvent these regulations. Stites Mor traces three distinct generations of transition cinema, each defined by a seminal event that shifted the political economy of national filmmaking. The first generation of filmmakers witnessed and participated in civil uprisings, such as the Cordobazo in 1969, and faced waves of repression, violence, and censorship. This generation gave rise to vibrant underground exhibitions and film clubs and eventually became symbolically linked to the Peronist Left and radical militancy. Following the 1983 return to civilian rule, a second generation of political filmmakers emerged at the center of public debates, when Buenos Aires became the locus for state-level cultural programs to address human rights and collective memory. Building on that legacy, a third generation of filmmakers explored new modes of activist and political filmmaking aided by digital technology. They pioneered new genres such as the street phenomenon of cine piquetero and introduced resistance politics and social movements into highly visible public spaces. In this captivating work, Stites Mor examines how social movements, political actors, filmmakers, and government and industry institutions, all became deeply enmeshed in the project of Argentina's transition cinema. She demonstrates how film emerged as the chronicler of political struggles in a dialogue with the past, present, and future, whose message transcended both cultural and national borders.