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Cracking the AP Spanish Language & Culture Exam with Audio CD, 2020 Edition, provides students with an audio CD (and online streaming audio tracks) for realistic practice on the listening section of the test, comprehensive AP Spanish scoring guidelines for free-response sections, a targeted grammar review with drills for each topic, and much more.
Everything students need to know to succeed on the AP Spanish Language & Culture Exam.
Leer es toda una aventura. ¿Te atreves a descubrirla?
Este volumen reúne diversas voces que ofrecen testimonios y rinden un homenaje al maestro, autor de libros capitales como los 1001 años de la lengua española y de importantes ediciones, antecedidas por las profundas y eruditas reflexiones de Alatorre sobre sus autores favoritos y sus géneros predilectos, como las Fiori di sonetti / Flores de sonetos, El brujo de Autlán y numerosísimos artículos.
VALKIRIE narra la historia de México durante los últimos dos sexenios dominados por la cruenta guerra contra los carteles del narcotráfico y sus conecciones con importantes políticos, empresarios y corporaciones globales. Vivian camina dentro de una nube púrpura luego de la destrucción de México, entre muertos que no saben que lo están. Es una novela compuesta en capítulos que representan cabezas degolladas, manos mochadas, corazones arrancados. Como dice ella, "me lo dictaron las voces de los desaparecidos que por ahí están". Y es la reacción de las mujeres que cuando se les mete algo en la cabeza, nadie las puede parar. VALKIRIE es un oscuro viaje, un trance, con una mirada profunda, seria, pero también magnética, en otra dimensión, en donde se planea el asesinato de un presidente...o dos. VALKIRIE tells the story of contemporary Mexico ́s history, specially through the last twelve years dominated by an erratic and strange drug war against the cartels and its connections with important politicians, business men and global corporations. Vivian walks inside a purple cloud after Mexico ceased to exist, walking among mexicans who doesn ́t know they are already dead. Its a novel composed in chapters that represent heads, hands, legs and hearts dismembered. VALKIRIE may be a fiction but its well documented in reality. As Vivian, one of its characters, says, "it ́s written by the voices unheard, by the lost ones, the dissapeared: the testimony of the dead that still walk around us". VALKIRIE its a trip, a trance, a dark tour de force inside the mind of a girl induced by a new and powerful illegal drug in a plot that has to do with the attempt to kill the president...or two.
This is the first monograph on the performance and reception of sixteenth- and seventeenth- century national drama in contemporary Spain, which attempts to remedy the traditional absence of performance-based approaches in Golden Age studies. The book contextualises the socio-historical background to the modern-day performance of the country’s three major Spanish baroque playwrights (Calderón de la Barca, Lope de Vega and Tirso de Molina), whilst also providing detailed aesthetic analyses of individual stage and screen adaptations.
This paper seeks to analyze the role that literature has performed throughout the last years, the conflicts derived from the academic views, and how literature is an essential tool for the comprehensive study of a second language, as an integral part of t
This handbook brings together 42 contributions by leading narratologists devoted to the study of narrative devices in European literatures from antiquity to the present. Each entry examines the use of a specific narrative device in one or two national literatures across the ages, whether in successive or distant periods of time. Through the analysis of representative texts in a range of European languages, the authors compellingly trace the continuities and evolution of storytelling devices, as well as their culture-specific manifestations. In response to Monika Fludernik’s 2003 call for a "diachronization of narratology," this new handbook complements existing synchronic approaches that tend to be ahistorical in their outlook, and departs from postclassical narratologies that often prioritize thematic and ideological concerns. A new direction in narrative theory, diachronic narratology explores previously overlooked questions, from the evolution of free indirect speech from the Middle Ages to the present, to how changes in narrative sequence encoded the shift from a sacred to a secular worldview in early modern Romance literatures. An invaluable new resource for literary theorists, historians, comparatists, discourse analysts, and linguists.
First published in 1961, A New History of Spanish Literature has been a much-used resource for generations of students. The book has now been completely revised and updated to include extensive discussion of Spanish literature of the past thirty years. Richard E. Chandler and Kessel Schwartz, both longtime students of the literature, write authoritatively about every Spanish literary work of consequence. From the earliest extant writings though the literature of the 1980s, they draw on the latest scholarship. Unlike most literary histories, this one treats each genre fully in its own section, thus making it easy for the reader to follow the development of poetry, the drama, the novel, other prose fiction, and nonfiction prose. Students of the first edition have found this method particularly useful. However, this approach does not preclude study of the literature by period. A full index easily enables the reader to find all references to any individual author or book. Another noteworthy feature of the book, and one omitted from many books of this kind, is the comprehensive attention the authors accord nonfiction prose, including, for example, essays, philosophy, literary criticism, politics, and historiography. Encyclopedic in scope yet concise and eminently readable, the revised edition of A New History of Spanish Literature bids fair to be the standard reference well into the next century.