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Papers of L. W. Powell.
Papers of L. W. Powell.
"Published on the occasion of Justice Powell's 90th birthday, September 19, 1997"--T.p. verso.
"Islamic Law and International Law is a comprehensive examination of differences and similarities between the Islamic legal tradition and international law, especially in the context of dispute settlement. Sharia embraces a unique logic and culture of justice--based on nonconfrontational dispute resolution--as taught by the Quran and the Prophet Muhammad. This book explains how the creeds of Islamic dispute resolution shape the Islamic milieu's views of international law. Is the Islamic legal tradition ab initio incompatible with international law, and how do states of the Islamic milieu view international courts, mediation, and arbitration? Islamic law constitutes an important part of the domestic legal system in many states of the Islamic milieu--Islamic law states--displacing secular law in state governance and affecting these states' contemporary international dealings. The book analyzes constitutional and subconstitutional laws in Islamic law states. The answer to the "Islamic law-international law nexus puzzle" lies in the diversity of how secular laws and religious laws fuse in domestic legal systems across the Islamic milieu. These states are not Islamic to the same degree or in the same way. Thus, different international conflict management methods appeal to different states, depending on each one's domestic legal system. The main claim of the book is that in many instances the Islamic legal tradition points in one direction while Western-based, secularized international law points in another direction. This conflict is partially softened by the reality that the Islamic legal tradition itself has elements fundamentally compatible with modern international law. Islamic legal tradition, international law, sharia settlement, peaceful dispute resolution"--
Robin Powell has filed a wrongful death suit against SuperPulper, Inc. after her husband, Steven Powell, died as a result of falling into a hydrapulper manufactured by SuperPulper. The complaint alleges that the hydrapulper was defective because there were not sufficient guards and warnings on and around the hydrapulper. The case file includes two witnesses for each side as well as engineering and pain and suffering experts. It can be used as a liability case only or, with the addition of the pain and suffering experts, a liability and damages case. This detailed fact pattern and supporting illustrative exhibits will provide law students and trial lawyers with an opportunity to creatively and effectively argue their respective theories. Powell v. SuperPulper, Inc. can be applied to teach trial advocacy techniques on both liability and/or damages. In that regard, the liability and damage phase contains its own witnesses and exhibits to facilitate bifurcation or to allow trial as one matter.
In 1849—months before the term “confidence man” was coined to identify a New York crook—Thomas Powell (1809–1887), a spherical, monocled, English poetaster, dramatist, journalist, embezzler, and forger, landed in Manhattan. Powell in London had capped a career of grand theft and literary peccadilloes by feigning a suicide attempt and having himself committed to a madhouse, after which he fled England. He had been an intimate of William Wordsworth, Elizabeth Barrett, Robert Browning, Charles Dickens, and a crowd of lesser literary folk. Thoughtfully bearing what he presented as a volume of Tennyson with a few trifling revisions in the hand of the poet, Powell was embraced by the slavishly Anglophile New York literary establishment, including a young Herman Melville. In two pot-boilers—The Living Authors of England (1849) and The Living Authors of America (1850)—Powell denounced the most revered American author, Washington Irving, for plagiarism; provoked Charles Dickens to vengeful trans-Atlantic outrage and then panic; and capped his insolence by identified Irving and Melville as the two worst “enemies of the American mind.” For almost four more decades he sniped at Dickens, put words in Melville’s mouth, and survived even the most conscientious efforts to expose him. Long fascinated by this incorrigible rogue, Hershel Parker in The Powell Papers uses a few familiar documents and a mass of freshly discovered material (including a devastating portrait of Powell in a serialized novel) to unfold a captivating tale of skullduggery through the words of great artists and then-admired journalists alike.