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Définir de façon univalente la notion de mythe et celle d'utopie semble en soi une entreprise tout à fait utopique. Par ailleurs, jumeler les deux notions, celle du mythe et celle d'utopie, reléve d'un processus de réflexion qui peut facilement être à double tranchant: le mythe, construction par excellende de l'imaginaire humain, ne se situe-t-il pas ailleurs que dans un non-lieu? -- et l'utopie, quant à elle, ne fait-elle pas écho au mythe, à la fois s'en inspirant, le niant et le transformant? Redondance possible, et aussi, parfois, refus des deux domaines à admettre leur interdépendance, cheninement parallèle surtout et création commune de ce qui, en fin de compte, s'avère mythe transformé, utopie revistée. Toutefois, mythes et utopies quels que soient la position choisie, le point de vue défendu, semblent faire bon ménage, à en juger par ce projet, mavec dix-neuf textes couvrant principalement la littérature contemporaine des femmes, mais puisant parfois aux oeuvres antérieures qui ont déjà préparé le terrain, en offrant des visions d'existences idylliques -- ne serait-ce que littéraires.
"From 1940 to 1945, forty thousand patients died in French psychiatric hospitals. The Vichy Regime's "soft extermination" let patients die of cold, starvation, or lack of care. Yet, in Saint-Alban-sur-Limagnole, a small village in central France, one psychiatric hospital attempted to resist. Hoarding food with the help of the population, the staff not only worked to keep patients alive but began to rethink the practical and theoretical bases of psychiatric care. The movement that began at Saint-Alban and came to be known as "institutional psychotherapy" would go on to have a profound influence on postwar French thought.Though the movement was varied, and the point was never to devise a dogma or a model that could be applied indiscriminately, institutional psychotherapy did attempt to offer an "ethics," or a practice of everyday life. Among its most important principles were the belief that theory and practice were inextricably linked, and that psychiatric practice was explicitly political. Camille Robcis traces the history of institutional psychotherapy from its inception to its various transformations between 1945 and 1975. Each chapter of the book is organized around a thinker who was either at Saint-Alban or who engaged with institutional psychotherapy: from François Tosquelles, Franz Fanon, Jean Oury and Félix Guattari, to Michel Foucault. They made up a fascinating constellation within which unexpected relationships between characters, contexts, and ideas--often seemingly fragmentary of tangential--emerged"--
States of Decadence is a two volume anthology that focuses on the literary and cultural phenomenon of decadence. Particular attention is given to literature from the end of the 1800s, the fin de siècle; however, the essays presented here are not restricted to this historical period, but draw lines both back in time and forward to our day to illuminate the contradictory multiplicity inherent in decadence. Furthermore, the essays go beyond literary studies, drawing on a number of the tropes and themes of decadence manifested in the arts and culture, such as in music, opera, film, history, and even jewelry design.
This volume offers an accessible and thought-provoking guide to this major Renaissance tragedy, surveying its key themes and evolving critical responses over the course of nearly four centuries. Providing a uniquely detailed and up-to-date account of the play's rich stage history, it demonstrates how useful Performance Studies is to our understanding of early modern drama, and looks closely at major recent productions on both sides of the Atlantic, notably the 2014 production of the 'Jacobean' indoor space, the Sam Wanamaker Playhouse in London. In a series of critical essays, the guide offers fresh perspectives on the characters' mechanical psychology, the influence of Spanish Golden Age literature on Middelton and Rowley, and how the play has been treated on the modern stage and screen. Featuring a guide to digital resources and an annotated bibliography, this collection is a definitive guide to The Changeling.
Der Band enthält 36 Beiträge in deutscher, französischer und englischer Sprache. Die Themenvielfalt reicht von der Fredegarchronik des 7. Jahrhunderts und dem Fortleben des römischen Rechts im frühen Mittelalter, den Anfängen diplomatischer Beziehungen und dem Hundertjährigen Krieg über die deutsch-französischen Beziehungen des 17. Jahrhunderts, die Eidleistung französischer Bischöfe unter Ludwig XIV. und die Bibliotheksgeschichte der Frühen Neuzeit bis zum Pariser Musikleben während der Julimonarchie, den Vegetarismus am Vorabend des Ersten Weltkriegs und die aktuelle Genderdebatte in Afrika. Mit der Geschichte des Körpers und seiner politischen Rolle am frühmodernen Hof sowie der Bürokratisierung afrikanischer Gesellschaften befassen sich die Beiträge zweier "Ateliers".
Leslie est une jeune femme comme les autres, du moins c'est ce qu'elle croit... Sans le savoir, elle possede certaines capacites hors normes dont elle se sert pour aider les gens, parfois meme en leur sauvant la vie. C'est ce qui lui vaut d'etre reperee par le colonel Campbell. Apres l'avoir observee a chaque moment crucial de sa vie, il decide de lui proposer de se joindre a son equipe d'elite. Leur objectif: etudier mais surtout proteger le temps. Sceptique au debut, Leslie se laissera pourtant convaincre de le suivre et se retrouvera plongee dans un conflit temporel sans precedent. Car un redoutable ennemi disparu depuis pres d'un millenaire refait surface, bien decide a modifier le passe a son avantage. Un groupuscule qui ne recule devant rien. La Confrerie des Assassins.
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
'A Self-Conscious Art' deals with the formal complexities of Modiano's work, by reading 'against the grain' of his self-professed ingenuousness. A detailed examination of his narratives shows the deeply postmodern nature of his writing. Parodying precursors such as Proust or the nouveau romanciers, his narratives are built around a profound lack of faith in the ability of writing to retrieve the past through memory, and this failure is acknowledged in the discreet playfulness that characterises his novels.