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Colorful graphics, oversized photos, and short, engaging sentences draw reluctant readers in to the fascinating life of actor and singer Kyle Massey! This book describes Massey's childhood, family, education, and rise to fame. Readers will learn how Massey's early interest and talent in acting eventually led to starring roles in Disney Channel's That's So Raven and Cory in the House. Massey's movie roles are discussed, as well as his appearance on Dancing with the Stars and the songs he has released for soundtracks. From practicing in sets and studios to traveling to attend events, readers will discover what it's like to be a professional actor and singer! Features include a table of contents, maps, "Did You Know" fun facts, a "Snapshot" page with vital information, a glossary with phonetic spellings, and an index. Big Buddy Books is an imprint of ABDO Publishing Company.
A biography of the actor discusses his early life, his career in television, and what his life is like off-camera.
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EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
"The book is designed as an introductory text for journalism courses but would also be useful for related classes such as magazine and feature writing, principles of journalism, and news editing."--Jacket.
The weekly source of African American political and entertainment news.
The weekly source of African American political and entertainment news.
Animation has been part of television since the start of the medium but it has rarely received unbiased recognition from media scholars. More often, it has been ridiculed for supposedly poor technical quality, accused of trafficking in violence aimed at children, and neglected for indulging in vulgar behavior. These accusations are often made categorically, out of prejudice or ignorance, with little attempt to understand the importance of each program on its own terms. This book takes a serious look at the whole genre of television animation, from the early themes and practices through the evolution of the art to the present day. Examining the productions of individual studios and producers, the author establishes a means of understanding their work in new ways, at the same time discussing the ways in which the genre has often been unfairly marginalized by critics, and how, especially in recent years, producers have both challenged and embraced this "marginality" as a vital part of their work. By taking seriously something often thought to be frivolous, the book provides a framework for understanding the persistent presence of television animation in the American media--and how surprisingly influential it has been.