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On a rock on the road to a hill temple are carved the names 'Aravindan' and 'Poorani'. Barely out of her teens, Poorani is plunged into crisis with the sudden passing of her father. As she brings her life back on course, fate arranges a meeting with Aravindan. Gentle and idealistic, Aravindan makes it his goal to right the wrongs in society. Spirited and refined, Poorani blazes a trail to recognition and renown with her public-speaking knowhow. Their friendship soon blossoms into love. But can a world riddled with opportunism and deceit ever hold their dreams and ideals? Written more than six decades ago and set in Madurai and the surrounding areas of the Tamil land, this classic romance - peopled by an array of compelling characters - was first serialized in a magazine in the 1960s, and later attained further popularity on-screen. Believed to be Na. Parthasarathy's magnum opus, Kurinji Malar is a sweeping saga that conjures an unforgettable landscape of hope and heartbreak - a delicate balance only a master storyteller can offer.
This volume has the stories of recent elections which further depict how our nation's perseverance and commitment to democracy stands resolute.
The nine ethnomusicologists who contributed to this volume present a diverse range of views, approaches, and methodologies that address indigenous peoples, immigrants, and marginalized communities. Discussing participatory action research, social justice, empowerment, and critical race theory in relation to ethnomusicology, De-Colonization, Heritage, and Advocacy is the second of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology. The Handbook can be understood as an applied ethnomusicology project: as a medium of getting to know the thoughts and experiences of global ethnomusicologists, of enriching general knowledge and understanding about ethnomusicologies and applied ethnomusicologies in various parts of the world, and of inspiring readers to put the accumulated knowledge, understanding, and skills into good use for the betterment of our world.
Applied studies scholarship has triggered a not-so-quiet revolution in the discipline of ethnomusicology. The current generation of applied ethnomusicologists has moved toward participatory action research, involving themselves in musical communities and working directly on their behalf. The essays in The Oxford Handbook of Applied Ethnomusicology, edited by Svanibor Pettan and Jeff Todd Titon, theorize applied ethnomusicology, offer histories, and detail practical examples with the goal of stimulating further development in the field. The essays in the book, all newly commissioned for the volume, reflect scholarship and data gleaned from eleven countries by over twenty contributors. Themes and locations of the research discussed encompass all world continents. The authors present case studies encompassing multiple places; other that discuss circumstances within a geopolitical unit, either near or far. Many of the authors consider marginalized peoples and communities; others argue for participatory action research. All are united in their interest in overarching themes such as conflict, education, archives, and the status of indigenous peoples and immigrants. A volume that at once defines its field, advances it, and even acts as a large-scale applied ethnomusicology project in the way it connects ideas and methodology, The Oxford Handbook of Applied Ethnomusicology is a seminal contribution to the study of ethnomusicology, theoretical and applied.
On Panchayat raj system in Tamil Nadu.
This book is written to get an overall idea of “dynastic politics” in India. It is always kept in mind that a citizen of India should know more about the politicians who are in the Government and form policies, etc. to take the country in the proper direction, at the same time the book should be interesting. Wherever possible, family trees are shown as well as the assets of our politicians. It was natural to start with the Nehru Gandhi family, being one of the largest and long-ruling families at the helm of all affairs. Then State-wise, the families are chosen and the account is presented. Since the volume is huge, this book is in two volumes. States are chosen alphabetically. So, even if the Nehru Gandhi family is in Volume 1, Tamil Nadu, Telangana, Uttar Pradesh, etc. are in Volume 2. Early rulers in Indian history used to handover the throne to their sons and then to the next generations for generations to come until some larger event upset the process, mostly conspiracies by persons like very close aides of the king or a revolt. Similar lines were followed even during our democracy passing on the rule to the next generation, which gave rise to dynastic rule. Indian politics has witnessed a large spectrum of politicians from various fields. Initially, it consisted mainly of leaders from the field of law. But now, we find that we have eminent personalities from the sports field, actors, actresses, superstars from the silver screen; the literary field is no exception; we have writers, poets, and so on; economists find a special place in the political arena; politics does not shun even criminals or few dacoits who then turned to politics after their surrender. Businessmen, lings or we can say princes from princely states as Britishers decided to call them are also found here. We have the learned people in politics as well as the illiterate people (angutha chhaap) who learnt to sign only after assuming office on getting elected.
‘Knit India Through Literature...' is a mega literary project, first of its kind in Indian literature, is the result of the penance-yagna done for 16 years by Sivasankari, noted Tamil writer. 'Knit India Through Literature' has inolved intense sourcing, research and translation of literature from 18 Indian languages. The project she says aims to introduce Indians to other Indians through literature and culture and help knit them together. The interviews of stalwart writers from all 18 languages approved by the eighth schedule of Indian Constitution, accompanied by a creative work of the respective writer are published with her travelogues of different regions, along with an indepth article by a scholar on the cultural and literary heritage of each of the language, in four volumes - South, East, West and North respectively. Her travelogues, her interviews and the overview of each literature she has sought, all reveal one important unity... the concern our writers and poets express in their works for the problems that beset our country today. Through her project Sivasankari feels writers can make an invaluable contribution with their writings to change the thinking of the people and help eliminate those problems. In this volume she deals with Tamil one of the languages spoken in southern region of India.
PERSONAL ESSAYS, VISITS AND JOURNEYS,DESCRIPTIVE ESSAYS,SAYINGS AND PROVERBS,GENERAL ESSAYS