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Das Buch dokumentiert den Modellversuch, der die Entstehung der Messestadt Riem bei MA1/4nchen vier Jahre mit Kunst begleitete. Aoeber 20 Kunstprojekte international renommierter KA1/4nstler und KA1/4nstlerinnen fA1/4r das wachsende Gemeinwesen zwischen Baustelle und neuer Architektur werden in Text und Bild vorgestellt. Theoretische BeitrAge zur Konzeption und Realisation, UrbanitAt und Kunst in neuen Stadtgebieten und in der Demokratie liefern die Kulturreferentin Lydia Hartl, die verantwortliche Kuratorin Claudia BA1/4ttner, der Soziologie Hartmut HAuAermann, der Kritiker Heinz SchA1/4tz und die Publizistin Stella Rollig.
Been to enough biennials? Skulptur Projekte Münster only happens every 10 years. This, its fourth iteration (following 1977, 1987 and 1997), invites artists from all over the world--many of whom are returning to the city and the event--to create new site-specific works. Thus Michael Asher brings back his trailer and parks in sites he first sussed out in 1977, continuing to explore the conflicts between rigid form and mobile space, and to document the dramatic transformation of the urban environment over four decades. Guy Ben-Ner equips bicycles with screens and places them around the city; by pedaling, participants control the speed and direction of a film of the artist doing the same. Guillaume Bijl mocks up an archaeological site 25 feet square and 18 feet deep, whose steep walls imitate layers of soil. Visitors climb a grassy hill to peer into the pit from a balustrade; in the pit, a 14-foot, shingle-roofed spire topped by a weathercock preens. This extensive book inspired by and documenting the festival opens on 35 sections between 4 and 16 pages long, each designed by the artist and illuminating his or her work in text and images. Its second half comes in the form of a glossary of more than 100 key concepts linked to the subject of art in public spaces; artists, art historians, philosophers, urbanists, architects, sociologists and other writers weighing in with definitions from their respective disciplinary perspectives. Participants include Francis Alÿs, Isa Genzken, Mike Kelley, Rosemarie Trockel, Bruce Nauman, Martha Rosler and Pae White.
Clegg & Guttmann, who once stocked a glass-fronted bookshelf and left it outdoors for public browsing, and recently built the title anti-monument, write that "the present publication has two distinct aims. The first is to present in depth a single work," the second to assemble their writing on public art. Happily "the two aims are complementary. Monument for Historical Change is a prime example of the category of Social Sculptures."
Since 1993, Maur'cio Dias and Walter Riedweg have been developing a collaborative work that probes the relationship between ethics and aesthetics through precise interventions in specific individual and group situations. Their methods, ranging from scientific documentation to complex video dramatizations, focus especially on issues associated with identity and the tension between group and individual mechanisms. The direct involvement of the public in their work process is crucial. This catalogue contains a retrospective of their works to date, including Voracidad mxima, their joint project for the Museu d'Art Contemporani de Barcelona. The enclosed DVD includes a video fragment from that piece, which explores the relationship between sexuality and economics and was made in cooperation with male sex workers from the museum's neighborhood, El Raval.
Magic Moments Collaborations between Artists and Young People is a remarkable collection of texts and images documenting insights of artists and institutions working on innovative creative projects with young people. Tracing their motives, working processes and achievements Magic Moments represents the first critical anthology on the subject of artists working with children. Including broader discussions on educational and social reform, environmentalism, vandalism, streetwork and citizenship this book works as a primary resource bringing together significant case studies and informed commentary. Magic Moments includes projects from the 1960s to the present day, from Stockholm to New York via London, and features case studies and analyses of exemplary programmes based on interviews and contextual essays. It demonstrates how work with young people has often been central for many artists and is becoming increasingly popular as a field of practice.
Metaphoric bridges.
Texts and interviews with key contemporary artists
Performance art in Belfast 27 April - 5 May 2007. This publication is intended as a handbook and space-map and contains short portraits of all six projects, essays about creativity in an urban context and the artist as an urban practitioner, plus reading and web list.