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The 53 Stations of the Tokaido by Utagawa Kunisada (1786 - 12 January 1865) is both a tour through the landscape of Japan and a cultural introduction. But first of all it is a fashion magazine about beautiful, young and stylish Japanese women in 1838. These young beauties were one of the subjects Kunisada excelled in. Kunisada show beautiful girls from all walks of life, explorers and adventurers, musicians, theater stars, imperial concubines, country girls, business women. They all have beauty and great fashion taste as the common denominator. His landscapes were a means of circumventing censorship especially of theater prints and pin-up prints of pretty ladies, bijin-ga. The work is probably one of the most romantic of all the Tokaido series.
This series, Fifty-three Pairings of the Tokaido Road, Tokaido gojusan tsui, popularly called Pairs Tokaido or 53 Parallels for the Tokaido Road, was published in 1845-1846. It is a unique cooperation between three artists: Utagawa Hiroshige, Utagawa Kunisada and Utagawa Kuniyoshi and five publishers: Ibaya Kyubei, (Ibaya Senzaburo (Dansendo)) and Kojimaya Jubei, Enshuya Matabei, Ebiya Rinnosuke (Kaijudo) and Iseya Ichibei. The special feature of this Pairs Tokaido is the pairing of a print for each station with a legend, a wonderful, dramatic, historic or supranatural story. These stories are told partly by the print theme, partly by accompanying text in a cartouche. Sometimes there is a poem. It is a very enjoyable tour!
The 53 Stations of the Tōkaidō by Utagawa Kunisada (1786 - 12 January 1865) is both a tour through the landscape of Japan and a cultural introduction. But first of all it is a fashion magazine about beautiful, young and stylish Japanese women in 1838. These young beauties were one of the subjects Kunisada excelled in. Kunisada show beautiful girls from all walks of life, explorers and adventurers, musicians, theater stars, imperial concubines, country girls, business women. They all have beauty and great fashion taste as the common denominator. His landscapes were a means of circumventing censorship especially of theater prints. The work is probably one of the most romantic of all the Tōkaidō editions. The 53 Stations of the Tōkaidō by Utagawa Kunisada (1786 - 12 January 1865) is both a tour through the landscape of Japan and a cultural introduction. But first of all it is a fashion magazine about beautiful, young and stylish Japanese women in 1838. These young beauties were one of the subjects Kunisada excelled in. Kunisada show beautiful girls from all walks of life, explorers and adventurers, musicians, theater stars, imperial concubines, country girls, business women. They all have beauty and great fashion taste as the common denominator. His landscapes were a means of circumventing censorship especially of theater prints. The work is probably one of the most romantic of all the Tōkaidō editions. The 53 Stations of the Tōkaidō by Utagawa Kunisada (1786 - 12 January 1865) is both a tour through the landscape of Japan and a cultural introduction. But first of all it is a fashion magazine about beautiful, young and stylish Japanese women in 1838. These young beauties were one of the subjects Kunisada excelled in. Kunisada show beautiful girls from all walks of life, explorers and adventurers, musicians, theater stars, imperial concubines, country girls, business women. They all have beauty and great fashion taste as the common denominator. His landscapes were a means of circumventing censorship especially of theater prints. The work is probably one of the most romantic of all the Tōkaidō editions.
The 53 Stations of the Tokaido by Utagawa Kunisada (1786 - 12 January 1865) is both a tour through the landscape of Japan and a cultural introduction. But first of all it is a fashion magazine about beautiful, young and stylish Japanese women in 1838. These young beauties were one of the subjects Kunisada excelled in. Kunisada show beautiful girls from all walks of life, explorers and adventurers, musicians, theater stars, imperial concubines, country girls, business women. They all have beauty and great fashion taste as the common denominator. His landscapes were a means of circumventing censorship especially of theater prints and pin-up prints of pretty ladies, bijin-ga. The work is probably one of the most romantic of all the Tokaido series.
This is first of all a fashion magazine for young and beautiful Japanese women 1838! The landscapes ar just wallpaper, a pretext to show the pretty and very fashionable women from all walks of life! One of the most romantic 53 Stations of the Tokaido of them all!
Hokusai ́s 53 Stations of the Tokaido 1804 horizontal is something completely different from his first square edition 1801 and second edition 1802. Hokusai completely changes his style compared to the three previous series, 1801, 1802 and 1804 vertical. These designs are "clean" and a precursor for his famous 36 Views of Mt Fuji some 30 years later. In this series Hokusai focus on wonderful folkloric scenes of ordinary people going about their work, in addition to the travel scenes. Hokusai further develop the themes, touristic curiosities and landscapes that were to become a standard for later generations of Tokaido series. It was a great and beloved contribution to the Tokaido literature, which Hokusai dominated for some 30 years and this series is also much loved in the West.
Hokusai ́s 53 Stations of the Tokaido 1802 is something completely different from his first square series 1801. Hokusai here employs the horizontal "landscape" format and abt the double size of his square 1801 series. In this series Hokusai focus on wonderful folkloric scenes of ordinary people going about their work, in addition to the travel scenes. Hokusai also begins to develop the landscapes that were to become a standard for later generations of Tokaido series. Hokusai develops the concept of the Tokaido print from cartoon to folklore and the beginning of landscape. He builds on a b/w guide, Tokaido meisho zue from 1797, ISBN 9781956773316. It was a great and early contribution to the growing Tokaido literature, which Hokusai dominated for some 30 years.
All the way through Hiroshige follows certain design principles of proportion of elements, arranging elements and views by diagonals and parallels and balancing of color elements. Compared to most of his other Tokaido series Hiroshige in Aritaya focus on letting the landscape tell the story instead of letting people or legend do that, although this is not followed through completely.