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Here is the story of Tibet as told by its remarkable first family--a story of reincarnation, coronation, heartbreaking exile, and finally the tenacious efforts of a holy man to save a nation and its people. Kundun is the first work to focus on the Dalai Lama's family--his parents, four brothers, and two sisters. Particularly compelling are Mary Craigs portraits of the Dalai Lamas siblings, who have negotiated with China on behalf of their country, enlisted the aid of international allies to spearhead Tibetan Resistance, and worked tirelessly to help thousands of sick and starving refugee children. This remarkable book opens in 1933 with the death of the thirteenth Dalai Lama and the frantic effort among Tibetan authorities to find his reincarnation. In their search for a baby boy displaying the characteristic marks of a Dalai Lama--tiger striped legs, wide eyes, large ears, and palms bearing the pattern of a sea shell--officials were led to a tiny village in northeastern Tibet, home of Lhamo Dhondup, a smart, stubborn toddler already known for his tantrums. Responding calmly when a group of high lamas and dignitaries tested his memory of a previous life, the child easily recognized a rosary, walking stick, and drum belonging to the thirteenth Dalai Lama. In an instant this little boy and his entire family were swept into a world of unending ritual and complex internal politics. Lhamo was installed as the fourteenth Dalai Lama at the age of three, and was known from that point on as His Holiness or Kundun (the Presence), titles even his family members were obliged to use. A few years later the young Dalai Lama and his family were faced with China's invasion of Tibet. Living in exile since the late 1950s, they have waged a decades-long struggle for the freedom of their country. Particularly compelling are Craig's portraits of the Dalai Lama's siblings, who have negotiated with China on behalf of their country, enlisted the aid of international allies to spearhead Tibetan Resistance, and worked tirelessly to help thousands of sick and starving refugee children.
Since 1959, when China claimed power over this tiny mountain nation, more than one million Tibetans are believed to have perished by starvation, execution, imprisonment, and abortive uprisings. Many thousands more, including their spiritual and political leader, the Fourteenth Dalai Lama, have been driven into exile. The county has been systematically colonized, so that indigenous inhabitants are now a second-class minority. Not only are Tibetans being squeezed out by Chinese settlers, but there are reports of Tibetan women being forcibly sterilized and of healthy full-term babies being killed at birth. Thousands of Tibetans languish in prison and suffer appalling torturez Rich mineral resources have been plundered and the delicate ecosystem devastated. Buddhism, the life blood of Tibet, has been ruthlessly suppressed. Mary Craig tells the story of Tibet with candor and power. Based upon extensive research and interviews with large numbers of refugees now living in exile in India, this book presents four decades of religious persecution, environmental devastation, and human atrocities that have caused Tibetans to weep "tears of blood."
Collected interviews with the man who has been called the greatest living American film director
Think you know your animal friends? The author did too. Then she met Laura Stinchfield, who calls herself The Pet Psychic, and her world became enriched in ways she never knew were possible. You will meet Kundun, selfless, big-hearted pit bull-greyhound rescue, Genji, a spirited Paso Fino gelding, rambunctious Rasa and shy, abused Tara, Catahoula Leopard Hound sisters who tell their stories in their own words with the help of animal communicator, Laura, and their mom. The journey begins with a move from the wilds of northern New Mexico to the Ojai Valley in California. Experience this family’s joy, pain, love, loss and the author’s odyssey of caring for them as all age and confront their limitations, traumas, hopes, dreams and absolute devotion to each other. You will cry. You will laugh. And you will never think about animals in the same way again. The sudden illness and untimely death of a member of this animal family leads to conversations on the Other Side and introduces the reader to an alternate reality so surprising that it may completely change whatever one believes Heaven is.
A biography of the current Dalai Lama, Tenzin Gyatso, discussing the history of Tibet and the role of the Buddhist leader in this country's spiritual and political life.
The God Particle as it is called, or technically, the Higg's boson, is discovered in CERNS Large Hadron Collider, in 2012. The next breakthrough comes in 2042, when Quantum Physicists learn how to disintegrate a human being and accelerate his atoms to the speed of light and thereby interact with one or more God Particles in the follow-up machine, the Large Mass Collider. 'Realia' is the name the author has given to this region of sub-atomia where everything important in the universe is controlled. In our story, the Chinese and American governments, each scramble to send an atomonaut into quantum space to learn if the God Particle can provide them with enough power to control the world. The God Bomb is pursued by both sides from opposite ends of the planet. At the same time, Kundun Gyaltso, a ten-year-old Tibetan monk, pursues the truth about God's particles through an amazing new 3-D mandala software he has created and that is eventually downloaded by nearly every computer device on the planet. The experience rocks the world of any audience he entertains until he finally performs the most important 3-D mandala concert in history. Who will win the race to control the universe? The powers in government that now rule our world? Or will it be the power of peace and love and human kindness. The ending, the most mind-blowing in history, will surprise and amaze you. Everybody wins, however, the way that everyone wins is through one of the most profound questions ever asked. Does anyone get a Do-Over? Whether you want a do-over or not, the answer is in your particular place in 'Realia'.
The Penguin Book of Modern Tibetan Essays is a groundbreaking anthology of modern Tibetan non-fiction. This unprecedented collection celebrates the art of the modern Tibetan essay and comprises some of the best Tibetan writers working today in Tibetan, English and Chinese. There are essays on lost friends, stolen inheritances, prison notes and secret journeys from-and to-Tibet, but there are also essays on food, the Dalai Lama's Gar dancer, love letters, lotteries and the Prince of Tibet. The collection offers a profound commentary not just on the Tibetan nation and Tibetan exile, but also on the romance, comedy and tragedy of modern Tibetan life. For this anthology, editor and translator Tenzin Dickie has commissioned and collected 28 essays from 22 Tibetan writers, including Woeser, Jamyang Norbu, Tsering Wangmo Dhompa, Pema Bhum and Lhashamgyal. This book of personal essays by Tibetan writers is a landmark addition to contemporary Tibetan letters as well as a significant contribution to global literature.
Using film as a lens though which we can witness the global transformations in politics, economy, culture, and communication, this book analyzes Hollywood's shift in its depictions of China and Tibet.
Throughout the twentieth century, American filmmakers have embraced cinematic representations of China. Beginning with D.W. Griffith’s silent classic Broken Blossoms (1919) and ending with the computer-animated Kung Fu Panda (2008), this book explores China’s changing role in the American imagination. Taking viewers into zones that frequently resist logical expression or more orthodox historical investigation, the films suggest the welter of intense and conflicting impulses that have surrounded China. They make clear that China has often served as the very embodiment of “otherness”—a kind of yardstick or cloudy mirror of America itself. It is a mirror that reflects not only how Americans see the racial “other” but also a larger landscape of racial, sexual, and political perceptions that touch on the ways in which the nation envisions itself and its role in the world. In the United States, the exceptional emotional charge that imbues images of China has tended to swing violently from positive to negative and back again: China has been loved and—as is generally the case today—feared. Using film to trace these dramatic fluctuations, author Naomi Greene relates them to the larger arc of historical and political change. Suggesting that filmic images both reflect and fuel broader social and cultural impulses, she argues that they reveal a constant tension or dialectic between the “self” and the “other.” Significantly, with the important exception of films made by Chinese or Chinese American directors, the Chinese other is almost invariably portrayed in terms of the American self. Placed in a broader context, this ethnocentrism is related both to an ever-present sense of American exceptionalism and to a Manichean world view that perceives other countries as friends or enemies. Greene analyzes a series of influential films, including classics like Shanghai Express (1932), The Bitter Tea of General Yen (1933), The Good Earth (1936), and Shanghai Gesture (1941); important cold war films such as The Manchurian Candidate (1962) and The Sand Pebbles (1966); and a range of contemporary films, including Chan is Missing (1982), The Wedding Banquet (1993), Kundun (1997), Mulan (1998), and Shanghai Noon (2000). Her consideration makes clear that while many stereotypes and racist images of the past have been largely banished from the screen, the political, cultural, and social impulses they embodied are still alive and well.