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The brilliant playwright Kuan Han-ching, one of the great names of Chinese literature, was the most outstanding dramatist of the Yuan dynasty. After overthrowing the Kingdom of Chin, the Mongols in 1264 set up their capital in Cambaluc. In 1279, after the overthrow of the Southern Sung dynasty, Cambaluc became the political and economic center of the whole of China. Some famous writers in the north founded the Yu-ching Book Society there, and Kuan Han-ching was one of its most active members. In his youth he had been a keen student and learned to write all forms of poetry and song. He soon became well-known in the capital for his versatility, his strong sense of humor, remarkable proficiency in music, dancing and singing, and his skill in the football game then in vogue. From the middle of the thirteenth century to the beginning of the fourteenth was the great age of Yuan drama, when many playwrights of note were assembled in the capital. While there, Kuan Han-ching formed his own company of players and sometimes trod the boards himself. Thus he knew every aspect of the theatre.
This magnificent collection of eleven early [1250–1450] Chinese plays will give readers a vivid sense of life and a clear understanding of dramatic literature during an extraordinarily eventful period in Chinese history. Not only are the eleven plays in this volume expertly translated into lively, idiomatic English; they are each provided with illuminating, scholarly introductions that are yet fully intelligible to the educated lay reader. A marvelous volume.--Victor Mair, University of Pennsylvania
Hijab Imtiaz Ali Taj’s 'Adab-E-Zareen', an innovative mystical poetic work, replete with symbology, philosophy, and metaphor, is translated from the Urdu for the first time in book form by celebrated English language poet Sascha A. Akhtar. Written in 1936 by this pioneering feminist writer, who was also the first female muslim pilot of the Subcontinent, this work soars to the skies leaving the reader breathless. With this book, Hijab Imtiaz Ali Taj’s work gets a richer perspective, eschewing traditional forms of storytelling of the time and embracing the fragment and poetic prose.
"The Chinese theater" by A. E. Zucker. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Part One of Yuarn Music Dramas presents a detailed analysis of form and structure in Yuarn music drama, with sections on the act, the suite, the aria, the verse, metrics of repeated graph patterns, parallelism, and the matching of suite and mode. [vii] Part Two presents the first catalogue of arias of its kind to be published in a language other than Chinese. It is a compilation of all of the arias in the northern dramatic style that are found in the 162 titles contained in the Yuarn-chyuu shyuann and the Yuarn-chyuu shyuaan waih-bian. It is modeled on several such catalogues compiled over the past six hundred years. [99]
Issue for Feb. 1969 includes Afro-Asian theatre bulletin, v. 4:2, spring 1969.
Almost three thousand years of Chinese literature have been gathered together in Chinese Literature: An Anthology from the Earliest Times to the Present Day. The earliest preserved folk songs of the peasantry; the major works of the "Golden Age" of Chinese philosophy; the "prose-songs" and the later skillful poems of the T'ang dynasty ; the short stories and plays; the novels; and the poems and stories of men who have made modern China - all these are represented in this anthology, in complete works or in excerpts. Editor William McNaughton presents Chinese literature as an organic development, so that the student as well as the general reader can see how genre evolved into genre and form developed into form. He has based this presentationon work by Chinese critics and scholars that, until recently, has not been available outside China. In addition to classical writings, the poems and stories by twentieth-century writers, most of which have been newly translated into English, give new insights into modern Chinese society and individuals, and make this the most complete one-volume anthology ever published.