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Krystal Ball and Saagar Enjeti are co-hosts of Rising at The Hill TV, one of the fastest growing political shows in America. Theirs is the only book that fuses the populist right and populist left to explain the rise of the Trump and Sanders movements. The authors curate an essential collection of their biting commentary, stunning predictions, media critiques, and reveal their vision for a working class centered politics. No establishment media or political figure goes unscathed. This book reveals the white hot core of The Hill Rising's meteoric rise in the alternative media space. We are living through chaotic, nerve-wracking, and occasionally terrifying times, but we hope you will find this book both hopeful and helpful. Nothing has made us more hopeful than our work together on Rising, watching what unfolds, laughing at the absurdities, and joining in our outrage at the often bipartisan rituals of manipulating our fellow citizens and viewing them with contempt. People are often confused by our politics and how much we end up in agreement. Ultimately, we have largely different policy prescriptions and beliefs. However, we do share a central diagnosis of the rot in this country, of how we got to this place, and a deep skepticism of power. It's amazing how far you can get when you start in the same place with a shared understanding of reality. It's a hell of a lot further than the shallow, fake civility politics that the forces of the status-quo say you must embrace-'Keep quiet and hold still while they rip you to shreds.' We take the opposite view. Speak up. Make people uncomfortable. Don't let the "experts" convince you that better isn't possible.
When cultural critics with such wildly divergent views as Jacques Barzun, Christopher Hitchens, Joseph Epstein, Dana Gioia, and Morris Dickstein all agree about the merits of one contemporary essayist, shouldn't you find out why? "I never think except when I sit down to write." -- Attributed to Montaigne by Edgar Allan Poe From Montaigne in the sixteenth century to Orwell, Eliot, and Trilling in the twentieth, the best literary essayists combine a gift for observation with an abiding commitment to books. Although it may seem that books are becoming less essential and that a revolution in sensibility is taking place, the essays of Arthur Krystal suggest otherwise. Companionable without being chummy, engaged without being didactic, erudite without being stuffy, he demonstrates that literature, even in the digital age, remains the truest expression of the human condition. Covering subjects as diverse as aphorisms, dueling, the night, and the 1960s, the essays gathered here offer the common reader uncommon pleasure. In prose that is both vibrant and elegant, Krystal negotiates among myriad subjects-from historical writing as exemplified by Jacques Barzun to the art of screenwriting as not so happily represented by F. Scott Fitzgerald. His cardinal rule as a writer? William Hazlitt's "Confound it, man, don't be insipid." No fear of that. Except When I Write is thoughtful in the most joyful sense-brimming with ideas in order to give us the flow and cadence of someone actually thinking. Keenly observant and death on pretension, Krystal examines the world of books without ever losing sight of the world beyond them. Literature may be the bedrock on which these essays rest, but as F. R. Leavis aptly noted, "One cannot seriously be interested in literature and remain purely literary in interests." Except When I Write is a reminder of both the pleasure and the power of a well-tuned essay.
John Green meets Rainbow Rowell in this irresistible story of first love, broken hearts, and the golden seams that put them back together again. Henry Page has never been in love. He fancies himself a hopeless romantic, but the slo-mo, heart palpitating, can't-eat-can't-sleep kind of love that he's been hoping for just hasn't been in the cards for him—at least not yet. Instead, he's been happy to focus on his grades, on getting into a semi-decent college and finally becoming editor of his school newspaper. Then Grace Town walks into his first period class on the third Tuesday of senior year and he knows everything's about to change. Grace isn't who Henry pictured as his dream girl—she walks with a cane, wears oversized boys' clothes, and rarely seems to shower. But when Grace and Henry are both chosen to edit the school paper, he quickly finds himself falling for her. It's obvious there's something broken about Grace, but it seems to make her even more beautiful to Henry, and he wants nothing more than to help her put the pieces back together again. And yet, this isn't your average story of boy meets girl. Krystal Sutherland's brilliant debut is equal parts wit and heartbreak, a potent reminder of the bittersweet bliss that is first love.
This book examines the role of temperament and taste in the forming of aesthetic and ideological opinions. In provocative chapters about reading and writing, about the relation between life and literature, about knowledge and certainty, about God and death, and about a gradual disaffection with the literary scene, the book demonstrates that opposing points of view are based more on innate predilections than on disinterested thought or analysis.
Back in 1973 Johnny Carson made a joke about a toilet paper shortage. The next morning many of his 20 million viewers rushed out to their local supermarkets and cleared the shelves of toilet paper. And of course we all know about Oprah's legendary power to turn obscure books into overnight best sellers and unknown people into media stars. Talk show hosts like Johnny Carson and Oprah inspire almost religious fervor in their audiences. Television is indeed a powerful medium.As the novel opens, Krystal is the hottest talk show host on TV. She has it all-fame, a successful clothing and perfume line, a best-selling book, and Chandler Davis, a good-looking ex-soap hunk, for a manager and lover. But Krystal's empire is beginning to show cracks in the foundation. Her product sales are beginning to slip, a serious competitor has arrived on the scene, and her Nielsen ratings are in free-fall. Then, literally, a miracle saves her career. A blind woman's sight is restored on the show and suddenly the "miracle" is being discussed on everything from Good Morning America and 20/20 to countless blogs. Krystal is back on top. But is it a miracle, a medical anomaly, or a hoax? Everyone wants to know: does Krystal have the power to restore sight to the blind? Toss into the mix Reece Kagan, Krystal's sleazy, unscrupulous producer and a man who is obsessed with keeping the show on top at any cost, and the Reverend Darius, a conman, scripture-spouting Brooklyn storefront minister who specializes in miracles on demand-and you have Network meets Elmer Gantry, a black satire novel which examines two of our most influential institutions in America today: religion and television.
An eloquent new Caribbean literary voice reveals the hidden trauma and fierce resilience of one Trinidadian family. There, in a lush landscape of fire-petaled immortelle trees and vast plantations of coffee and cocoa, where the three hills along the southern coast act as guardians against hurricanes, Krystal A. Sital grew up idolizing her grandfather, a wealthy Hindu landowner. Years later, to escape crime and economic stagnation on the island, the family resettled in New Jersey, where Krystal’s mother works as a nanny, and the warmth of Trinidad seems a pretty yet distant memory. But when her grandfather lapses into a coma after a fall at home, the women he has terrorized for decades begin to speak, and a brutal past comes to light. In the lyrical patois of her mother and grandmother, Krystal learns the long-held secrets of their family’s past, and what it took for her foremothers to survive and find strength in themselves. The relief of sharing their stories draws the three women closer, the music of their voices and care for one another easing the pain of memory. Violence, a rigid ethnic and racial caste system, and a tolerance of domestic abuse—the harsh legacies of plantation slavery—permeate the history of Trinidad. On the island’s plantations, in its growing cities, and in the family’s new home in America, Secrets We Kept tells a story of ambition and cruelty, endurance and love, and most of all, the bonds among women and between generations that help them find peace with the past.
Channel your favourite movie character and add a little magic to your everyday wardrobe with this enchanting and illuminating guide to casual cosplay.
In this book, Phyllis Krystal describes techniques, rituals and symbols which are capable of impressing positive messages on the subconscious mind in order to offset some of the negative conditioning that may have been received earlier in life. In this way, changes in life become possible much better than just working on a con¬scious, cognitive level. This method enables a person to liberate from the various sources of false security to become an independent and whole human being, relying only on the inner source of security ans wisdom which is available to everyone who seeks its aids. First revised edition.
C013Y is a robot, but not the kind you are thinking of. This one has feelings. In the year 2050, C013Y went on a mission to capture a rogue robot (or so everyone thinks) named CA55. Fletcher, the keeper of the crystals and a very old cat, sent CA55 to search for the signal that any robot sends if they are part of the missing family of robots that only Katherine created. Unlike others who build robots with software and materials, in the Land of Creations, Katherine creates robots with her thoughts and soul. Her robots do not need to be charged, a technology all SBT Firm factories dream of, which also put the Land of Creations and Katherine in danger. Many think Katherine is long gone, but what if she is still alive?