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This is a book about a deeply beloved place—many call it the spiritual capital of India. Located at a dramatic bend in the River Yamuna, a hundred miles from the center of Delhi, Vrindavan is the spot where the god Krishna is believed to have spent his childhood and youth. For Hindus it has always stood for youth writ large—a realm of love and beauty that enables one to retreat from the weight and harshness of the world. Now, though, the world is gobbling up Vrindavan. Delhi’s megalopolitan sprawl inches closer day by day—half the town is a vast real-estate development—and the waters of the Yamuna are too polluted to drink or even bathe in. Temples now style themselves as theme parks, and the world’s tallest religious building is under construction in Krishna’s pastoral paradise. What happens when the Anthropocene Age makes everything virtual? What happens when heaven gets plowed under? Like our age as a whole, Vrindavan throbs with feisty energy, but is it the religious canary in our collective coal mine?
Every year thousands of pilgrims travel to Brindavan, the village where Krishna is said to have lived as a child. There, they witness a series of religious dramas called ras lilas, whose central roles are performed by children. By translating four plays that collectively span this cycle, John Hawley provides a lively perspective on the mythology of Krishna as Hindus experience it today. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This book recounts the legendary love story of Chandidas and Rami, 14th-century Bengalis. He is a young Brahmin priest who renounces his caste status to become an heretical poet-musician wandering the byways of India with a small band of mystics and bards. Rami is a beautiful 20-year-old widow, of low caste, living with her two children. To survive, she washes the clothes of local villagers. An overwhelming magnetism of love and fate compels them to come together against prevailing religious and social customs. Rami leaves all of her familiar world behind to travel, sing and praise the Divine with her beloved Chandidas, along the dusty roads of Bengal. Krishna’s Heretic Lovers is an historical romance that blends fiction and fact, love and sex, action and spiritual teachings, politics, and true characters with the authentic poetry written by the revered poet Chandidas (later known as the “Father of Bengali poetry”). The synthesis of these elements, together with rare insight into the practices of a genuine tantric sect, creates an unforgettable alchemy for readers. Vivid descriptions of cultural and natural environments along with richly detailed characters capture the religion, politics, and lifestyle of the late 14th /early 15th century of remote Bengali villages. The reader is transported into an era when the basic human freedom to create, love, and worship based on one’s natural impulse had to be carved from the stone of rigid hierarchical, even feudal, societal and religious structures. Thanks to Mary Angelon Young, Chandidas and Rami live again to sing the glories of Krishna and Radha to a new audience. Victory to the Divine Couple! —Dr. Robert Svoboda, author of Mysticism in the 21st Century and Aghora: At the Left Hand of God. A BOOK FOR STUDENTS OF COMPARATIVE RELIGION, OR ANYONE FASCINATED WITH EASTERN TRADITIONS, ESPECIALLY THOSE YEARNING FOR A LOVE STORY THAT INCLUDES SPIRITUAL TEACHINGS (DHARMA) AND SCHOLARSHIP.
Theatre and Religion on Krishna s Stage examines the history and form of India's râs lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that râs lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensity of audiences to play out roles of their own through which they share a performance's reality.
This is an introductory text providing a balanced view of the rich religious tradition of Hinduism, acknowledging the full range of its many competing and even contradictory aspects.
The vibrant tradition of Temple decoration in India.
In Colour These tiny treasures of metaphysical and mythological knowledge serve as enlightening rubrics for understanding Indian tradition and theology. Exquisitely illustrated, this series serves as a contemporary matrix for illuminating our human experience and offers insightful access into Eastern spirituality. Krishna’s life, his beauty, and his virtue are the basis of a great mystical tradition that stretches back to antiquity. Though supremely powerful, he is carefree, full of love and charm. At the same time, he shares some of our most basic human qualities and lives in ways familiar to us. The tales of his divine life inspire insight into the apparent contradiction between human and spiritual love. These enchanting stories follow the youthful Krishna through his many pastimes. From dancing on the head of the serpent-demon Kaliya to sheltering the cowherd villagers from Indra’s wrathful rain, Krishna: Lord of Love speaks about life, love and devotion in a most intriguing way. James H. Bae is a practitioner of both Hindu and Buddhist yoga systems. For years Bae has lived in India investing himself in his spiritual study and training as a monk. His primary areas of study include Oriental medicine, Hindu and Buddhist art, and Eastern philosophy and culture.
This book highlights the significance of an interdisciplinary approach to understanding children and childhoods in the Indian context. While it is recognised that multiple kinds of childhoods exist in India, policy and practice approaches to working with children are still based on a singular model of the ideal child rooted in certain Western traditions. The book challenges readers to go beyond the acknowledgement of differences to evolving alternate models to this conception of children and childhoods. Bringing together well-known scholars from history, politics, sociology, child development, paediatrics and education, the volume represents four major themes: the history and politics of childhoods; deconstructing childhoods by analysing their representations in art, mythology and culture in India; selected facets of childhoods as constructed through education and schooling; and understanding issues related to law, policy and practice, as they pertain to children and childhoods. This important book will be useful to scholars and researchers of education, especially those working in the domains of child development, sociology of education, educational psychology, public policy and South Asian studies.
Carrying on the living tradition of mystic minstrels, the Bauls roam the countryside of eastern India enacting the spiritual love dalliance of Radha and Krishna through songs and dances. The Path of the Mystic Lover explores the Bauls' lifestyle and philosophy, describing their sexual and ritual practices as well as their sacred teachings.
Krishna Reiki