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Krishna Charitra is a famous Bengali classic where Bankim Chandra endeavours to discover Sri Krishna, the real person, behind centuries of myths and legends. Written in 1886, this was the first instance where the character of Krishna is studied from a pragmatic and questioning perspective. Like his novel Ananda Math, Krishna Charitra originates from Bankim Chandra's passionate feeling of patriotism. He wanted to uphold Sri Krishna as not just a mythological figure, but an ideal Indian character, whom other Indians could look up to. Sri Aurobindo says, Bankim Chandra poured over the Bhagavad Gita and the Vedas striving to catch the deeper and sacred sense of those profound writings. To give that to his countrymen was the strenuous aim of Krishna Charitra. In this translation of Krishna Charitra, several passages of Bankim's academic discussions have been omitted, so as to make it easier for the common reader. Also deleted are the criticisms on the European people that Bankim Chandra includes in his book from time to time. Otherwise, the text strictly follows the structure and the content of the original dissertation. #v&spublishers
On Krishna (Hindu deity).
Everything about the Lord is sweet and joy-giving. Swamiji sings the glories of the lord in Shri Krishna Charitra and manifests divine love and joy in our hearts.
The life of Krishna and his teachings have had a profound influence on the minds of the Indian people. The main aim of this volume is to present the life of Krishna as delineated in Indian art. This volume includes most of the best examples of Indian art to represent the episodes of his life.
Krishna smiles and putting his hand over Udhava's head speaks," My life itself will remain a guiding inspiration for the mankind for My deeds are the essence of life. Those who read or listen to my deeds in any form with love for me will attain My Bhakti and will come to my abode. I help those who keep Me in their mind." The book encapsulates the entire life and deeds of Krishna. The reader will feel a surge of devotion for Krishna and will help the reader to attain transcendental bliss. The book itself is a source of positive energy and must be read and kept by pious people.
A saint, a reformer, an avatar of Lord Krishna—Chaitanya Mahaprabhu (1486–1533) is perceived as all these and many others. In this book on Chaitanya, Amiya P. Sen focuses on the discourses surrounding the mystic’s life, which ended rather mysteriously at the age of 48. Written in a lucid manner and for a wider audience, this book is a fresh attempt to historically reconstruct Chaitanya’s life and times in Bengal and Odisha, as well as Vrindavan, the key centre of medieval Vaishnavism in north India. This work critically evaluates how Chaitanya has been understood contemporaneously and posthumously, particularly as an icon in colonial Bengal. Addressing an important gap in scholarship, which hitherto concentrated on religious and philosophical discourses, Sen offers a full-length biographical account of Nimai or Gaur by drawing on a wide range of sources in English and Bengali. He also argues against the belief that Chaitanya is the sole proponent of Vaishnava bhakti in Bengal, choosing to situate him in the wider devotional cultures of the region.
Widely believed to be the oldest Indian dance tradition, odissi has transformed over the centuries from a sacred temple ritual to a transnational genre performed—and consumed—throughout the world. Building on ethnographic research in multiple locations, this book charts the evolution of odissi dance and reveals the richness, rigor, and complexity of the form as it is practiced today. As author and dancer-choreographer Nandini Sikand shows, the story of odissi is ultimately a story of postcolonial India, one in which identity, nationalism, tradition, and neoliberal politics dramatically come together.