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Studienarbeit aus dem Jahr 2005 im Fachbereich Medien / Kommunikation - Medien und Politik, Pol. Kommunikation, einseitig bedruckt, Note: 1,3, Freie Universität Berlin (Institut für Politikwissenschaft (OSI)), 25 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Die Arbeit untersucht, welche Mechanismen der Beeinflussung auf der Seite von Politik und Militär angewandt werden, wie sich die Medien im Spannungsfeld zwischen politischen, öffentlichen und selbst gesteckten Erwartungen verhalten und wie sich beides auf die Kriegsberichterstattung als journalistisches Endprodukt auswirkt. Bei den Betrachtungen liegt, aufgrund der Bedeutung von Golfkrieg 1990/91 und Irak-Krieg 2003, die ihnen von den Medien eingeräumt wurde, der Fokus zumeist bei diesen neueren amerikanischen Kriegen im Nahen Osten sowie bei den politischen und militärischen Strategien der amerikanischen Regierung. Insbesondere das, zum Teil daraus resultierende, Verhalten und die Berichterstattung der Medien erscheinen jedoch durchaus als verallgemeinerbar.
Disgust (Ekel, dégoût) is a state of high alert. It acutely says "no" to a variety of phenomena that seemingly threaten the integrity of the self, if not its very existence. A counterpart to the feelings of appetite, desire, and love, it allows at the same time for an acting out of hidden impulses and libidinal drives. In Disgust, Winfried Menninghaus provides a comprehensive account of the significance of this forceful emotion in philosophy, aesthetics, literature, the arts, psychoanalysis, and theory of culture from the eighteenth century to the present. Topics addressed include the role of disgust as both a cognitive and moral organon in Kant and Nietzsche; the history of the imagination of the rotting corpse; the counter-cathexis of the disgusting in Romantic poetics and its modernist appeal ever since; the affinities of disgust and laughter and the analogies of vomiting and writing; the foundation of Freudian psychoanalysis in a theory of disgusting pleasures and practices; the association of disgusting "otherness" with truth and the trans-symbolic "real" in Bataille, Sartre, and Kristeva; Kafka's self-representation as an "Angel" of disgusting smells and acts, concealed in a writerly stance of uncompromising "purity"; and recent debates on "Abject Art."
Each Amsterdam workshop is intended to create an informal gathering of people from the world of cinema to discuss films and the problems of archival work on the basis of screenings of films from the museum's collection. This workshop focused on early nonfiction from the teens because the archive has a large selection, much of which is anonymous.
This collection, part of a series entitled Visual Politics of War, presents some of the key approaches to war reporting and suggests trajectories for further critical research into media visualisation of conflict. Ever since the Vietnam War, media globalisation has made conflict a part of everyone’s life in the modern world. This is where war reporters play the crucial role of mediators, to bring us stories covering the various dimensions of war from some of the most vulnerable places on Earth. This volume will explore the visual culture of conflict, specifically the war on terror that is grounded in the conceptual claim that images are central to contemporary geopolitics.
Due to its ability to freeze a moment in time, the photo is a uniquely powerful device for ordering and understanding the world. But when an image depicts complex, ambiguous, or controversial events--terrorist attacks, wars, political assassinations--its ability to influence perception can prove deeply unsettling. Are we really seeing the world "as it is" or is the image a fabrication or projection? How do a photo's content and form shape a viewer's impressions? What do such images contribute to historical memory? About to Die focuses on one emotionally charged category of news photograph--depictions of individuals who are facing imminent death--as a prism for addressing such vital questions. Tracking events as wide-ranging as the 1906 San Francisco Earthquake, the Holocaust, the Vietnam War, and 9/11, Barbie Zelizer demonstrates that modes of journalistic depiction and the power of the image are immense cultural forces that are still far from understood. Through a survey of a century of photojournalism, including close analysis of over sixty photos, About to Die provides a framework and vocabulary for understanding the news imagery that so profoundly shapes our view of the world.
This annual publication analyses recent developments in migration movements and policies in these countries, with a special focus in this edition on immigration of health workers.
What do O. J. Simpson, the Lindbergh baby, and Gary Gilmore have in common? They were all the focus of famous crimes and/or trials in the United States. In this two-volume set, historical and contemporary cases that not only shocked the nation but that also became a part of the popular and legal culture of the United States are discussed in vivid, and sometimes shocking, detail. Each chapter focuses on a different crime or trial and explores the ways in which each became famous in its own time. The fascinating cast of characters, the outrageous crimes, the involvement of the media, the actions of the police, and the trials that often surprised combine to offer here one of the most comprehensive sets of books available on the subject of famous U.S. crimes and trials. The public seems fascinated by crime. News and popular media sources provide a steady diet of stories, footage, and photographs about the misfortunes of others in order to satisfy this appetite. Murder, rape, terrorism, gang-related activities, and other violent crimes are staples. Various crime events are presented in the news every day, but most of what is covered is quickly forgotten. In contrast, some crimes left a lasting impression on the American psyche. Some examples include the assassination of President John F. Kennedy, the bombing of the Murrah building in Oklahoma City, and the September 11th attacks. These events, and other significant cases, are immediately or on reflection talked about as crimes of the century. They earn this title not only because they generate enormous publicity, but because of their impact on American culture: they help define historical eras, influence public opinion about crime, change legal process, and focus concern about important social issues. They seep into many other shared aspects of social life: public conversation, fiction and nonfiction, songs, poems, films, and folk tales. This set focuses on the many crimes of the century of the last 100 years. In vivid detail, each crime is laid out, the investigation is discussed, the media reaction is described, the trial (if there was one) is narrated, the resolution is explored, and the significance of the case in terms of its social, political, popular, and legal relevance is examined. Illustrations and sidebars are scattered throughout to enliven the text; print and electronic resources for further reading and research are offered for those wishing to dig deeper. Cases include the Scopes Monkey trial, Ted Bundy, Timothy McVeigh, O.J. Simpson, Leopold and Loeb, Fatty Arbuckle, Al Capone, JonBenet Ramsey, the Lacy Peterson murder, Abu Ghraib, Columbine and more.