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Jihadi online media try to mobilize, recruit, and disseminate the messages of jihadi subcultures. Understanding the mechanisms and structures of the products of these online media is essential for understanding jihadism in general. Original research into visual representations of jihadi media outlets, the subtleties of jihadi videos, the specific ways jihadis use Islamic religious language, into jihadi poetry, and the ways jihadis stage their concepts in videos of kangaroo trials is presented in this volume. Jihadis as part of the imaginary of global media production is another aspect of representations of jihadism described in one of the contributions.
The question of Kosovan sovereignty and independence has a history which stretches far back beyond the outbreak of war in 1998. This volume is a compilation of key documents on Kosovo from the first half of the twentieth century. These texts, including numerous diplomatic despatches from the British Foreign Office, deal initially with the Albanian uprising against Ottoman rule in the spring of 1912 and, in particular, with the period of the Serbian invasion of Kosovo in late 1912 and the repercussions of the conquest for the Albanian population. The documents from 1918 to the early 1920s focus mainly on endeavours by Albanian leaders, including those of the so-called Kosovo Committee in exile, to bring the plight of their people to the attention of the outside world - endeavours which largely failed. Further documents reflect the situation in Kosovo up to the outbreak of World War II. This collection provides new perspectives on the Kosovo question and includes many documents which have been largely unavailable up to now. It sheds new light on many of the major and minor episodes that channelled and determined subsequent events, including the Kosovo War of 1998-1999 and the declaration of independence in February 2008.
English summary: Since antiquity, technical innovations have had a direct influence on the portrayal of war in the media and the arts. But has the actual structure and substance of war reporting changed in the course of technological progress from antiquity to the present day? Have pamphlets, war paintings, photography, radio reports and radio plays, newsreels, war films, tv news coverage or internet videos yielded more information content? Have they been able to make the incomprehensible reality of the horrors of war more comprehensible, or have means of manipulation and discourse through war images remained the same? Are the media truth machines in both senses? These are the central questions discussed in this anthology. German text. German description: Technische Innovationen haben zweifellos seit der Antike unmittelbaren Einfluss auf die Darstellung des Krieges in den Medien und Kunsten ausgeubt. Doch haben sich tatsachlich die Strukturen und Inhalte der Kriegsberichterstattung in den Produkten verandert, die mit diesen Innovationen erstellt wurden? Haben von der Antike bis zur Gegenwart des 21. Jahrhunderts Flugschriften, Schlachtengemalde, Fotografien, Radioberichte und Horspiele, Wochenschauen und Kriegsfilme, Fernsehnachrichten oder Internetvideos zu einem Mehr an Informationsgehalt gefuhrt? Haben sie die unfassbare Realitat des Grauens der Schlachten nachvollziehbar gestaltet, oder sind die Manipulationswege und die den Bildern eingeschriebenen Diskurse unverandert geblieben? Sind die Medien Wahrheitsmaschinen im doppelten Sinne? Dies waren die zentralen Fragestellungen der Tagung Wahrheitsmaschinen. Der Einfluss technischer Innovationen auf die Darstellung und das Bild des Krieges in den Medien und Kunsten, die vom 3. bis 6. September 2009 an der Universitat Osnabruck stattfand und deren Beitrage im vorliegenden Band versammelt sind.
Kosova or Kosovo is a dependent region of Serbia, part of the former country of Yugoslavia. It was part of the province of Dalmatia in the Austro-Hungarian Empire before 1919.
"Through this comprehensive inquiry, the dissertation has highlighted a series of doctrinal inadequacies since the very beginning of air power in Switzerland and some deficiencies regarding current operational capabilities, which must be rectified so as not to jeopardise homeland security in the long run." (Publisher).
Augenzeugenberichte zum 11. September 2001 und zu den Kriegen des 17. Jahrhunderts spannen den Bogen der Beiträge des vorliegenden Bandes. Eine Untersuchung der massenmedialen Darstellung der »Taten« des Kreuzers Emden im Ersten Weltkrieg – eine der zeitgenössischen Mythen – steht neben Analysen von Max Frischs »Die Chinesische Mauer« und den Schriften Pat Barkers. Der Band zeichnet sich durch eine Vielfalt von Ansätzen aus und repräsentiert dennoch nur ein kleines Spektrum der Bandbreite möglicher Themen. Ergänzt werden die Beiträge durch Rezensionen zu einschlägigen Neuerscheinungen sowie durch eine Bibliographie wissenschaftlicher Publikationen aus dem Jahr 2005.
Battle descriptions are usually seen as the raw material of the military historian, who uses them to explain why generals won or lost a given battle. This volume does not aim to contribute to this discussion; it rather approaches battle descriptions as literary texts that interact with the expectations of a given audience. Therefore literary traditions in structure, vocabulary and topics of battle descriptions should be explored. The transgression of genre-borders – also literary and fictional texts are included – and a broad comparative approach, combining evidence from the third millennium BC up to the 20th century AD, makes cultural specifics and differences more easily perceivable. Contents With contributions by Marcos Such-Guttiérrez, Pavel Čech, Hilmar Klinkott, Wolfgang Oswald, Kai Ruffing, Oliver Stoll, Martin M. Bauer, Reinhold Bichler, Christian Mileta, Simon Lentzsch, Sven Günther, Dennis Pulina, Johanna Luggin, Sonjar Koroliov, Magdalena Gronau and Martin Gronau. The Editors Dr. Johanna Luggin is a post-doc researcher in the ERC-funded project “NOSCEMUS – Nova Scientia: Early Modern Science and Latin” in Innsbruck, Austria. Dr. Sebastian Fink is a postdoctoral researcher at the Academy of Finland Centre of Excellence “Changes in Sacred Texts and Traditions”.
Scholarly editions contextualize our cultural heritage. Traditionally, methodologies from the field of scholarly editing are applied to works of literature, e.g. in order to trace their genesis or present their varied history of transmission. What do we make of the variance in other types of cultural heritage? How can we describe, record, and reproduce it systematically? From medieval to modern times, from image to audiovisual media, the book traces discourses across different disciplines in order to develop a conceptual model for scholarly editions on a broader scale. By doing so, it also delves into the theory and philosophy of the (digital) humanities as such.
This book provides a wide-ranging theoretical and empirical overview of the disparate achievements and shortcomings of global communication. This exceptionally ambitious and systematic project takes a critical perspective on the globalization of communication. Uniquely, it sets media globalization alongside a plethora of other globalized forms of communication, ranging from the individual to groups, civil society groupings, commercial enterprises and political formations. The result is a sophisticated and impressive overview of globalized communication across various facets, assessing the phenomena for the extent to which they live up to the much-hyped claims of globalization’s potential to create a globally interdependent society. The setbacks of globalization, such as right-wing populism and religious fundamentalism, can only be understood if the shortcomings of global communication are taken more seriously. Covering all types of cross-border global communication in media, political and economic systems, civil societies, social media and lifeworlds of the individual, this unique book is invaluable for students and researchers in media, communication, globalization and related areas.