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Includes William Gilliam Kingsbury's 1877 pamphlet: A description of south-western and middle Texas (United States)
Contains nine essays in which the authors examine various aspects of Texas music from its beginnings to 1950, providing an overview of Texas music history, and discussing Texan jazz, country music, early Texas bluesmen, classical and religious music, and various ethnic genres.
Rural women comprised the largest part of the adult population of Texas until 1940 and in the American South until 1960. On the cotton farms of Central Texas, women's labor was essential. In addition to working untold hours in the fields, women shouldered most family responsibilities: keeping house, sewing clothing, cultivating and cooking food, and bearing and raising children. But despite their contributions to the southern agricultural economy, rural women's stories have remained largely untold. Using oral history interviews and written memoirs, Rebecca Sharpless weaves a moving account of women's lives on Texas cotton farms. She examines how women from varying ethnic backgrounds--German, Czech, African American, Mexican, and Anglo-American--coped with difficult circumstances. The food they cooked, the houses they kept, the ways in which they balanced field work with housework, all yield insights into the twentieth-century South. And though rural women's lives were filled with routines, many of which were undone almost as soon as they were done, each of their actions was laden with importance, says Sharpless, for the welfare of a woman's entire family depended heavily upon her efforts.
Presents an illustrated A-Z reference containing more than 300 entries related to immigration to North America, including people, places, legislation, and more.
As the Czech ambassador to the United States, H. E. Petr Gandalovic noted in his foreword to this book that Mla Rechcgl has written a monumental work representing a culmination of his life achievement as a historian of Czech America. The Encyclopedia of Bohemian and Czech American Biography is a unique and unparalleled publication. The enormity of this undertaking is reflected in the fact that it covers a universe, starting a few decades after the discovery of the New World, through the escapades and significant contributions of Bohemian Jesuits and Moravian brethren in the seventeenth and eighteenth centuries, the mass migration of the Czechs after the revolutionary year of 1848, and up to the early years of the twentieth century and the influx of refugees from Nazism and communism. The encyclopedia has been planned as a representative, a comprehensive and authoritative reference tool, encompassing over 7,500 biographies. This prodigious and unparalleled encyclopedic vade mecum, reflecting enduring contributions of notable Americans with Czech roots, is not only an invaluable tool for all researchers and students of Czech American history but is also a carte blanche for the Czech Republic, which considers Czech Americans as their own and as a part of its magnificent cultural history.
On any weekend in Texas, Czech polka music enlivens dance halls and drinking establishments as well as outdoor church picnics and festivals. The songs heard at these venues are the living music of an ethnic community created by immigrants who started arriving in Central Texas in the mid-nineteenth century from what is now the Czech Republic. Today, the members of this community speak English but their songs are still sung in Czech. Czech Songs in Texas includes sixty-one songs, mostly polkas and waltzes. The songs themselves are beloved heirlooms ranging from ceremonial music with origins in Moravian wedding traditions to exuberant polkas celebrating the pleasures of life. For each song, the book provides music notation and Czech lyrics with English translation. An essay explores the song’s European roots, its American evolution, and the meaning of its lyrics and lists notable performances and recordings. In addition to the songs and essays, Frances Barton provides a chapter on the role of music in the Texas Czech ethnic community, and John K. Novak surveys Czech folk and popular music in its European home. The book both documents a specific musical inheritance and serves as a handbook for learning about a culture through its songs. As folklorist and polka historian James P. Leary writes in his foreword, “Barton and Novak take us on a poetic, historical, and ethnographic excursion deep into a community’s expressive heartland. Their Czech Songs in Texas just might be the finest extant annotated anthology of any American immigrant/ethnic group's regional song tradition.”
Formerly a part of the popular Lone Star Guide to the Texas Hill Country, Central Texas now gets its own treatment in this up-to-date guide that includes history, folklore, and geography; detailed listings of lodgings, restaurants, and entertainment; major attractions, including state parks, museums, and historic places; directions, days and hours of operation, addresses, and phone numbers; and maps and calendar of events. Five tours take you from the Balcones Escarpment to "Central Texas Stew," a region of the state largely settled by Czechs and Germans in the early twentieth century.
"Centennial series of the Association of Former Students, Texas A & M University ; no. 39." Early Czech immigrants in Texas.
From financiers of the Texas Revolution to contestants in the Pageant of Pulchritude, the shores of Galveston enticed and cultivated a host of memorable men and women. Bishops and bookies, concert pianists and cotton tycoons--all left an indelible print on their remarkable home. Magnolia Willis Sealy and the members of the Women's Health Protective Association reshaped the ravages of the Great Storm into the glories of the Oleander City. The benevolent activism of Norris Wright Cuney transformed the social landscape, while actress Charlotte Walker and painter Boyer Gonzales Sr. extended the island's cultural reach abroad. Jan Johnson keeps company with Galveston's most fascinating characters.